African American Historical Fiction

In Morrison’s acclaimed first novel, Pecola Breedlove—an 11-year-old Black girl in an America whose love for its blond, blue-eyed children can devastate all others—prays for her eyes to turn blue: so that she will be beautiful, so that people will look at her, so that her world will be different. This is the story of the nightmare at the heart of her yearning, and the tragedy of its fulfillment.

Washington D. C., 1925. Clara Johnson talks to spirits, a gift that saved her during her darkest moments in a Washington D. C. jail. Now a curse that’s left her indebted to the cunning spirit world. So, when the Empress, the powerful spirit who holds her debt, offers her an opportunity to gain her freedom, a desperate Clara seizes the chance. The task: steal a magical ring from the wealthiest woman in the District.

The Autobiography of Miss Jane Pittman has sold over a million copies nationwide since its publication in 1971, making the fictional character of Miss Jane so real many people don’t know she exists only in the imagination of Louisiana-born author Ernest J. Gaines. Miss Jane is 100 years old when she is interviewed by an area high school teacher looking to teach his students more about plantation society in the Deep South. Her story is not only a vivid picture of the South before the dawn of the civil rights era, but also a story of one woman’s survival against overwhelming odds.

When Amos Fortune was only 15 years old, he was captured by slave traders and brought to Massachusetts, where he was sold at auction. Although his freedom had been taken, Amos never lost his dignity and courage. For 45 years, Amos worked as a slave and dreamed of freedom. And, at age 60, he finally began to see those dreams come true.

Susie King Taylor, born a slave in 1848, would learn to read at secret schools and go on to teach countless others to read and write. Follow the course of the Civil War in her own words as she remembers her work as a nurse and teacher with an Army troop of African-American soldiers.

Two decades before the Civil War, a middle-class farmer named Samuel Maddox lies on his deathbed. Elsewhere in his Virginia home, a young woman named Kitty knows her life is about to change. She is one of the Maddox family's slaves - and Samuel's biological daughter. When Samuel's wife Mary inherits her husband's property, she will own Kitty, too, along with Kitty's three small children. After Samuel's death, Mary decides to grant Kitty and her children their freedom and travels with them to Pennsylvania, where she will file papers declaring Kitty's emancipation.

It’s 1986, the heart of the Cold War, and Marie Mitchell is an intelligence officer with the FBI. She’s brilliant, but she’s also a young Black woman working in an old boys’ club. Her career has stalled out, she’s overlooked for every high-profile squad, and her days are filled with monotonous paperwork. So when she’s given the opportunity to join a shadowy task force aimed at undermining Thomas Sankara, the charismatic revolutionary president of Burkina Faso whose Communist ideology has made him a target for American intervention, she says yes.

David Champlin is a Black man born into poverty in Depression-era New Orleans who achieves great success and then sacrifices everything to lead his people in the difficult, day-by-day struggle of the civil rights movement. Sara Kent is the beloved and vital White girl who loved David from the moment she first saw him, but they struggled over David's belief that a marriage for them would not be right in the violent world he had to confront.

It's 1876 and Dr. Viveca Lancaster is frustrated by the limits placed upon female physicians of color. When she is offered the chance to set up a practice in the small all-black community of Grayson Grove, Michigan, she leaves her California home and heads east. The very determined Viveca knows all about fighting for her rights. But she may need more than determination to face down the distractingly handsome Nate Grayson, the Grove's bull-headed mayor.

Set in 1950s New Orleans, Little Black Girl Lost is a powerful tale filled with sex, greed, and the explosive political and social climates of an America long gone. Fifteen-year-old beauty Johnnie Wise lives her life devoted to God. But her innocence is shattered when her mother, who has been a prostitute for years, sells Johnnie's body to lecherous insurance man Earl Shamus.

J. Sutter is a bonafide junketeer - a freelance writer, travelling from city to city, hungry for free meals and the discarded sales receipts of others to claim on his expense account. Travelling into the backwoods of West Virginia to write a piece on the unveiling of the new John Henry postage stamp and the ensuing John Henry Days festival, J. continues his nearly record-setting, three-month junket binge.

Unafraid to use her assets, young Johnnie has wiled her way into the lives of several dangerous men. She also happens to be connected to three murders. Now that her enemies are closing in from all sides, it seems her luck may run out.

Teenage beauty Johnnie Wise has seen her share of hardship. Sold into prostitution at an early age, she is an accessory to a murder that sparks terrible race riots. Her boyfriend, Lucas, wants to give her a better life, but Johnnie has a powerful effect on men, and gangster Napoleon Bentley will stop at nothing to have her.

With a newborn in tow, Bubbles Jones escapes a brutal sanctuary for “wayward girls” to confront the hypocritical shame of her pastor father and the betrayal of a lover. But Bubbles is accompanied by a woman who offers her shelter and a dream. Forging an unpredictable path ahead, Bubbles will not yield and will not hide in her unwavering commitment to make a big life real in a world determined to keep her small.

Isaiah was Samuel's and Samuel was Isaiah's. That was the way it was since the beginning, and the way it was to be until the end. In the barn they tended to the animals, but also to each other, transforming the hollowed-out shed into a place of human refuge, a source of intimacy and hope in a world ruled by vicious masters. But when an older man - a fellow slave - seeks to gain favor by preaching the master's gospel on the plantation, the enslaved begin to turn on their own.

Jacob is an Anglo-Dutch trader and adventurer, with a small holding in the harsh north. Despite his distaste for dealing in "flesh," he takes a small slave girl in part payment for a bad debt from a plantation owner in Catholic Maryland. This is Florens, "with the hands of a slave and the feet of a Portuguese lady." Florens looks for love, first from Lina, an older servant woman at her new master's house, but later from a handsome blacksmith, an African, never enslaved.

Ever since running away at the age of fourteen, Paul-Edward, the son of a white landowner and a black slave, has had one dream: to own land every bit as good as his daddy's. While growing up, Paul-Edward loved, and feared, his father, but he loved the land unconditionally. Then, after a rash act of youthful rebellion, he leaves his family behind and vows to succeed on his own. However, for anyone black coming of age in 1880's Mississippi, this is no simple goal.

In Mules and Men, some of the rich cultural heritage of black America is revealed and preserved. In the 1930s, Zora Neale Hurston returned to her home town of Eatonville, Florida, to collect and record the oral histories, songs, and sermons, many dating back to slavery times, that she remembered hearing as a child. These highly metaphorical folktales, "big old lies", and powerful songs helped her to recover her history, and preserve an important part of American culture.

Confronting loss, historical intersections with race and family, and the threshold between childhood and adulthood, Smith gathers courage and direction from the many disparate selves encountered in these poems, until, as she writes, "I was anyone I wanted to be."

Danielle Evans is widely acclaimed for her blisteringly smart voice and X-ray insights into complex human relationships. With The Office of Historical Corrections, Evans zooms in on particular moments and relationships in her characters’ lives in a way that allows them to speak to larger issues of race, culture, and history. She introduces us to Black and multiracial characters who are experiencing the universal confusions of lust and love, and getting walloped by grief - all while exploring how history haunts us, personally and collectively.