African American Historical Fiction

In September 1969, a fumbling, cranky old church deacon known as Sportcoat shuffles into the courtyard of the Cause Houses housing project in south Brooklyn, pulls a .38 from his pocket, and, in front of everybody, shoots the project's drug dealer at point-blank range. The reasons for this desperate burst of violence and the consequences that spring from it lie at the heart of Deacon King Kong, James McBride's funny, moving novel and his first since his National Book Award-winning The Good Lord Bird.

In Trinidad, in 1796, teenage Rosa Rendon quietly but purposefully rebels against typical female roles and behavior. Bright, competitive, and opinionated, Rosa sees no reason she should learn to cook and keep house - it is obvious her talents lie in running the farm she expects to be her birthright, despite her two older siblings. But as her homeland goes from Spanish to British rule, it becomes increasingly unclear whether its free black property owners - Rosa's family among them - will be allowed to keep their assets, their land, and ultimately, their freedom.

Cora is a slave on a cotton plantation in Georgia. Life is hell for all the slaves, but especially bad for Cora; an outcast even among her fellow Africans, she is coming into womanhood—where even greater pain awaits. When Caesar, a recent arrival from Virginia, tells her about the Underground Railroad, they decide to take a terrifying risk and escape. Matters do not go as planned—Cora kills a young white boy who tries to capture her. Though they manage to find a station and head north, they are being hunted.

Between the Devil and the Deep Blue Sea opens in the early 1970s with young César, a street tough of Afro-Cuban descent, standing outside a US Navy recruitment office at the crack of dawn. The Vietnam War is raging, the navy has only recently begun the serious process of integration, and the country is reeling from racial turmoil and unrest.

On the day that Minister Peters boards a train from South Carolina heading north, he has nothing left but ghosts: the ghost of his murdered wife, the ghost of his drowned daughter, the ghosts of his father, and his grandmother, and the people who disappeared from his town without trace or explanation. In the cramped car, Minister finds himself in close quarters with three passengers also joining the exodus from the South - people seeking a new life, whose motives, declared or otherwise, will change Minister's life with devastating consequences.

Jende Jonga, a Cameroonian immigrant living in Harlem, has come to the United States to provide a better life for himself; his wife, Neni; and their six-year-old son. In the fall of 2007, Jende can hardly believe his luck when he lands a job as a chauffeur for Clark Edwards, a senior executive at Lehman Brothers. Clark demands punctuality, discretion, and loyalty - and Jende is eager to please. Clark's wife, Cindy, even offers Neni temporary work at the Edwardses' summer home in the Hamptons.

It’s 1986, the heart of the Cold War, and Marie Mitchell is an intelligence officer with the FBI. She’s brilliant, but she’s also a young Black woman working in an old boys’ club. Her career has stalled out, she’s overlooked for every high-profile squad, and her days are filled with monotonous paperwork. So when she’s given the opportunity to join a shadowy task force aimed at undermining Thomas Sankara, the charismatic revolutionary president of Burkina Faso whose Communist ideology has made him a target for American intervention, she says yes.

Baxter’s name isn’t George. But it’s 1929, and Baxter is lucky enough, as a Black man, to have a job as a sleeping car porter on a train that crisscrosses the country. So when the passengers call him George, he has to just smile and nod and act invisible. What he really wants is to go to dentistry school, but he’ll have to save up a lot of nickel and dime tips to get there, so he puts up with “George.” On this particular trip out west, the passengers are more unruly than usual, especially when the train is stalled for two extra days.

David Champlin is a Black man born into poverty in Depression-era New Orleans who achieves great success and then sacrifices everything to lead his people in the difficult, day-by-day struggle of the civil rights movement. Sara Kent is the beloved and vital White girl who loved David from the moment she first saw him, but they struggled over David's belief that a marriage for them would not be right in the violent world he had to confront.

The daughter of formerly enslaved parents, Mary McLeod Bethune refuses to back down as white supremacists attempt to thwart her work. She marches on as an activist and an educator, and as her reputation grows she becomes a celebrity, revered by titans of business and recognized by U.S. Presidents. Eleanor Roosevelt herself is awestruck and eager to make her acquaintance.

A Charleston belle with slavery on her conscience. A slave with rebellion in her heart. In South Carolina in 1858, no friendship could be more dangerous.

In God Don't Like Ugly, she weaves a powerful tale of devastating abuse, the strength of friendship, and the burden of terrible secrets. Shy, overweight Annette Goode is only seven years old when Mr. Boatwright, a boarder in her house, begins sexually abusing her. She keeps this information to herself for years, until gorgeous, self-assured Rhoda Nelson becomes her new friend. Annette confides in Rhoda and finds the strength and courage to survive to adulthood.

Danielle Evans is widely acclaimed for her blisteringly smart voice and X-ray insights into complex human relationships. With The Office of Historical Corrections, Evans zooms in on particular moments and relationships in her characters’ lives in a way that allows them to speak to larger issues of race, culture, and history. She introduces us to Black and multiracial characters who are experiencing the universal confusions of lust and love, and getting walloped by grief - all while exploring how history haunts us, personally and collectively.

In the stunning first novel in Marlon James' Dark Star trilogy, myth, fantasy, and history come together to explore what happens when a mercenary is hired to find a missing child. Tracker is known far and wide for his skills as a hunter: "He has a nose," people say. Engaged to track down a mysterious boy who disappeared three years earlier, Tracker breaks his own rule of always working alone when he finds himself part of a group that comes together to search for the boy.

January 1970 finds Ezekiel “Easy” Rawlins, LA’s premier Black detective, at 50 years of age despite all expectations. He has a loving family, a beautiful home, and a thriving investigation agency. All is right with the world… and then Amethystine Stoller, his own personal Helen of Troy, arrives. Her ex-husband is missing. A simple enough case. But even as Easy takes his first step in the investigation he trips. He falls into the memory of things past. Little things, like loss, love, a world war, and a hunger that has eaten at him since he was a Black boy on his own.

The Davenports are one of the few Black families of immense wealth and status in a changing United States, their fortune made through the entrepreneurship of William Davenport, a formerly enslaved man who founded the Davenport Carriage Company years ago. Now it's 1910, and the Davenports live surrounded by servants, crystal chandeliers, and endless parties, finding their way and finding love—even where they’re not supposed to.

Esi Edugyan won wide acclaim for her stunning novel Half-Blood Blues - a Man Booker Prize finalist and winner of the Scotiabank Giller Prize. In it, 83-year-old Sid Griffiths remembers his time during WWII playing in a Berlin jazz band called the Hot Time Swingers. When jazz music was denounced by the Nazis, Sid and his bandmates fled to Paris - a move that put Hieronymous, the band's brilliantly talented trumpeter, in constant danger due to his Afro-German heritage.

Young Lensinda Martin is a protegee of a crusading Black journalist in mid-18th century southwestern Ontario, finding a home in a community founded by refugees from the slave-owning states of the American south—whose agents do not always stay on their side of the border. One night, a neighboring farmer summons Lensinda after a slave hunter is shot dead on his land by an old woman recently arrived via the Underground Railroad. When the old woman, whose name is Cash, refuses to flee before the authorities arrive, the farmer urges Lensinda to gather testimony from her before Cash is condemned.

Mayme and Katie have become friends, which is unusual given that their friendship has spouted at the end of the Civil War and that Mayme is a former slave, while Katie is the daughter of a plantation owner. Both girls have been orphaned by the war, left alone on Katie's family plantation. The land is the one thing they still share, and they don't want to leave it. But if anyone finds out the two of them live there alone, they will be forced to move.

Essence best-selling author Keith Lee Johnson’s fifth installment in his ongoing "Little Black Girl Lost" series picks up where the fourth book left off by continuing the diary of Josephine Baptiste. As more details about Josephine’s past come to light, the African heritage of modern-day Johnnie Wise is further explained.