African American Literature Fiction

Celie has grown up poor in rural Georgia, despised by the society around her and abused by her own family. She strives to protect her sister, Nettie, from a similar fate, and while Nettie escapes to a new life as a missionary in Africa, Celie is left behind without her best friend and confidante, married off to an older suitor, and sentenced to a life alone with a harsh and brutal husband. In an attempt to transcend a life that often seems too much to bear, Celie begins writing letters directly to God.

Ralph Elllison's Invisible Man is a monumental novel, one that can well be called an epic of modern American Negro life. It is a strange story, in which many extraordinary things happen, some of them shocking and brutal, some of them pitiful and touching—yet always with elements of comedy and irony and burlesque that appear in unexpected places. It is a book that has a great deal to say and which is destined to have a great deal said about it.

James Baldwin's groundbreaking novel with a new introduction, Giovanni's Room is set in the Paris of the 1950s, where a young American expatriate finds himself caught between his repressed desires and conventional morality. David has just proposed marriage to his American girlfriend, but while she is away on a trip he becomes involved in a doomed affair with a bartender named Giovanni.

Baxter’s name isn’t George. But it’s 1929, and Baxter is lucky enough, as a Black man, to have a job as a sleeping car porter on a train that crisscrosses the country. So when the passengers call him George, he has to just smile and nod and act invisible. What he really wants is to go to dentistry school, but he’ll have to save up a lot of nickel and dime tips to get there, so he puts up with “George.” On this particular trip out west, the passengers are more unruly than usual, especially when the train is stalled for two extra days.

In 1930s Mississippi, Mary Johnson hates the oppressive heat, working on her family farm, and having to attend her minister father's church several times a week. But she loves Mason Carter, her musician boyfriend. Both fantasize about living the high life up north in the big city. When William Bevers, a wealthy old preacher, comes to court her, he promises a life of luxury along with money and status for her family. Mary wants nothing to do with him, but her parents decide for her. Determined to avoid a forced marriage, Mary elopes with Mason to the bright lights of Chicago.

Award-winning poet Danez Smith is a groundbreaking force, celebrated for deft lyrics, urgent subjects, and performative power. Don't Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality - the dangers experienced in skin and body and blood - and a diagnosis of HIV positive. "Some of us are killed / in pieces", Smith writes, "some of us all at once."

Helen wasn't just born the devious vixen of New Day Temple of Faith. There had to be something rooted deep within her to make her inflict and feed off other people's pain. Perhaps it was her own pain that she had suppressed for so many years - an unimaginable pain - that created an internal prison of which her mind was the only captive. But once the demons within her break free, those around her better beware, as Helen surely becomes the epitome of the saying, "Hurt people, hurt people".

Alicia was born to the good life, she's entitled to the best, and she'll do anything to get it. Even if it means piling up thousands of dollars in debt. Even if it means denying to everyone - even herself - that her love of shopping has gotten way out of control.

For Unique, life is good until her dope-dealing boyfriend, Took, is arrested and winds up in jail. Now she's broke as a joke, trying to put every petty hustle into play to chase hard times away from the door. With an empty refrigerator, a stack of bills piling up, a tenth-grade education, a big butt and a smile, it doesn't take long for her to learn to pull the wool over the eyes of any fool who's blinded by her good looks.

All hell has broken loose, and the McPhearson clan is right in the middle of the chaos. After finding out their beloved foster mother, Claudette McPhearson, was anything but the sweet old woman they thought her to be, Javon, Shanelle, and the rest of their siblings hit the ground running in order to keep the Syndicate operating and to keep themselves alive. That also means they have to lose some of the people they love the most.

There's a saying in Brooklyn that if you come from my part of town, you're from around the way. Around the Way Girls is a fast-paced look at the life of some street-smart women who think they know it all but are about to get the lessons of their lives.

Meet Heaven: a young girl who is loving, submissive, and beyond appreciative of her husband, Ross. As a teenager, Heaven lived solely for her sister, Divine, and her daughter, Sunshine. Because her mother is mentally ill and her father ran off, Heaven had to do some unimaginable things just to feed the family. Then came Ross, and everything changed. He wasn't some filthy rich, dope boy that some young girls dream of, but Heaven felt like Ross was her blessing.

Paige Michaels seems to have the perfect family. But she's beginning to feel like her man is just using her - and he might have another woman. Maybe it's time to finally let go. If Paige hadn't played house back in college and gotten pregnant, she could have done better for herself. But that's the past - what's she gonna do now?

Shawn Black seems to be a mild-mannered family man who loves music recitals, football games, and family outings. What observers don’t realize is that Shawn is living a life on both sides of the fence. He harbors dangerous secrets that could hurt his family. Shawn makes a mistake when he befriends James, a gold-digger with an agenda. Pushing Shawn head first into a life of lust and deception, he will get what he wants.

''It's the penthouse or the morgue.'' This is the philosophy adopted by Keshawn Wilson, a.k.a. ''K-Dawg',' self-proclaimed lord of the streets. Keshawn is the youngest of five kids and one of only two that doesn't belong to his mother's husband. As a little boy he feels the distance between he and his stepfather, and life becomes increasingly difficult for him as the years pass. His childhood and young adult years are spent in a home for boys and state prison, where he serves time for manslaughter.

After a brutal divorce, Abigal Wilson vowed to never love again, but when Brent Carson crosses her path, she simply can't resist his good-guy persona that exemplifies perfection. From A to Z, Brent appears to have it all. Abigal falls head over heels for him - until the unthinkable happens. Brent's announcement - "I'm just not that into you" - sends Abigal on a downward spiral. She can't cope with ill treatment from another man, and now nothing would please her more than to see Brent making his way to the gates of hell.

Having hit a rocky point in his marriage, Darnell decided to seek comfort in someone other than his wife. In turn, his decision to have one night of pleasure has caused an avalanche of events not only for himself but for everyone involved. Just when he chose to end it, he finds out that he has gotten more than he bargained for. Now he has to put the pieces of his marriage back together, but will it be too late?

To his customers and neighbors on 125th street, Ray Carney is an upstanding salesman of reasonably priced furniture, making a decent life for himself and his family. He and his wife Elizabeth are expecting their second child, and if her parents on Striver's Row don't approve of him or their cramped apartment across from the subway tracks, it's still home. Few people know he descends from a line of uptown hoods and crooks, and that his façade of normalcy has more than a few cracks in it. Cracks that are getting bigger all the time.

The visionary writer and director of Get Out, Us, and Nope, and founder of Monkeypaw Productions, curates this groundbreaking anthology of all-new stories of Black horror, exploring not only the terrors of the supernatural but the chilling reality of injustice that haunts our nation. Featuring an introduction by Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a master class in horror, and—like his spine-chilling films—its stories prey on everything we think we know about our world . . . and redefine what it means to be afraid.

Milkman Dead was born shortly after a neighborhood eccentric hurled himself off a rooftop in a vain attempt at flight. For the rest of his life he, too, will be trying to fly. As Morrison follows Milkman from his rustbelt city to the place of his family’s origins, she introduces an entire cast of strivers and seeresses, liars and assassins, the inhabitants of a fully realized Black world.