African American Literature Fiction

Carl Weber is the New York Times best-selling author of Baby Momma Drama and Player Haters. To be a member of the Big Girls Book Club, there's just one requirement: be a size 14 - at least.

Gabi isn't looking for love. At all. She's much more interested in starting a new life, in a new city, away from the overbearing demands of her parents. Terrence...is even less into the idea of a relationship than Gabi. He's in a good place in his career, focused on receiving a coveted promotion. Follow along with Gabi and Terrence as they navigate the stages of a relationship that was never meant to go further than a single night. Will they be able to overcome the challenges of family and career to build something that could last?

Baxter’s name isn’t George. But it’s 1929, and Baxter is lucky enough, as a Black man, to have a job as a sleeping car porter on a train that crisscrosses the country. So when the passengers call him George, he has to just smile and nod and act invisible. What he really wants is to go to dentistry school, but he’ll have to save up a lot of nickel and dime tips to get there, so he puts up with “George.” On this particular trip out west, the passengers are more unruly than usual, especially when the train is stalled for two extra days.

Milkman Dead was born shortly after a neighborhood eccentric hurled himself off a rooftop in a vain attempt at flight. For the rest of his life he, too, will be trying to fly. As Morrison follows Milkman from his rustbelt city to the place of his family’s origins, she introduces an entire cast of strivers and seeresses, liars and assassins, the inhabitants of a fully realized Black world.

You are cordially invited to the wedding of Amerie Cross and Arnold Hightower.

Nel and Sula's devotion is fierce enough to withstand bullies and the burden of a dreadful secret. It endures even after Nel has grown up to be a pillar of the black community and Sula has become a pariah. But their friendship ends in an unforgivable betrayal—or does it end? Terrifying, comic, ribald and tragic, Sula is a work that overflows with life.

So begins award-winning poet DéLana R. A. Dameron’s debut novel, Redwood Court. The baby of the family, Mika Tabor spends much of her time in the care of loved ones, listening to their stories and witnessing their struggles. On Redwood Court, the cul-de-sac in the all-Black working-class suburb of Columbia, South Carolina, where her grandparents live, Mika learns important lessons from the people who raise her.

Taught by her drug-addict mother to get hers by any means necessary, Tionna's heart is cold, but she holds a warm place in it for Duhan, the father of her two sons, her on-again-off-again boyfriend since they were teenagers, her knight in shining armor. But with Dunham behind bars and everything she loves seized, she finds herself starting over in the same neighborhood that she swore she'd never return to.

Meet Ceazia, a very attractive, very good girl who has just left the safety of her parents' home and entered into the world of bad boys and fast money. Ceazia thinks the world belongs to her when she meets Vegas, one of the Tidewater, Virginia, area's most notorious drug dealers. Even though a relationship with Vegas goes against everything her parents taught her, she still can't resist his bad boy persona.

Cora is a slave on a cotton plantation in Georgia. Life is hell for all the slaves, but especially bad for Cora; an outcast even among her fellow Africans, she is coming into womanhood—where even greater pain awaits. When Caesar, a recent arrival from Virginia, tells her about the Underground Railroad, they decide to take a terrifying risk and escape. Matters do not go as planned—Cora kills a young white boy who tries to capture her. Though they manage to find a station and head north, they are being hunted.

After taking us through the rugged, thug-filled lives of Jaz, Kyra, and Angel, Wahida now takes us into the drama-filled life of their best friend, Roz, aka Tasha. She is sexy, beautiful, and torn between her desires to distance herself from the streets and the magnetic attraction to the irresistible and thuggish Trae Macklin, who acknowledges that mature women are a turn-on. Women come and go for a thug who is more about his business over everything else, yet Trae surprisingly falls head over heels for his business partner's woman, Tasha.

A retired employee of the Illinois Department of Motor Vehicles, Mrs. Washington runs the mean, cold streets of Chi-town messing with all types of young thugs with multiple felonies. A widow for some time now, Vernita is determined to make up for her stale marriage. However, when a major health scare sets her back, she finds herself losing everything. Reality sets in that her time on Earth is about to come to a close. Now faced with a death sentence, Vernita seeks to live out her remaining days being the biggest old super freak.

Contains the complete Fold series: Thou Shall Not Run, Thou Shall Not Hide, and Thou Shall Not Fear.

Olivia Jones, hard-working and accomplished, has, against the odds, blazed an enviable career path in the finance world. But behind the veneer of her success, she is mourning several devastating losses and betrayals. Untethered from her life in New York City, Olivia moves to a summer home in The Hamptons. Here, Olivia finds a close-knit community of African American elites who escape New York City for the beautiful beaches of the Hamptons. Since the 1930s, very few have known about this Historically Black Beachfront Community, and the residents like it that way.

In the previous installment, Owen was faced with her haunting past, and with nowhere to run. Having let her guard down due to being with the handsome and protective Conquer, will she be able to get away unlike the last time? Or will the perpetrator strike again, ruining the progress Owen has made personally and romantically? If so, Owen will quickly realize that Conquer loves very hard and is extremely zealous when it comes to his La Bella. Now that Conquer has decided to go against the grain and make Owen his official girl, he is forced to deal with the many people that don't agree.

In God Don't Like Ugly, she weaves a powerful tale of devastating abuse, the strength of friendship, and the burden of terrible secrets. Shy, overweight Annette Goode is only seven years old when Mr. Boatwright, a boarder in her house, begins sexually abusing her. She keeps this information to herself for years, until gorgeous, self-assured Rhoda Nelson becomes her new friend. Annette confides in Rhoda and finds the strength and courage to survive to adulthood.

Andre Monroe is ready to move on from heartbreak, and the first step is bringing home his rescue pup. He’d bonded instantly with the playful Zeus and was already planning their first adventures. But one thing he definitely hadn’t daydreamed about was Zeus accidentally being promised to someone else - or that he might go home empty-handed and brokenhearted all over again.

Winter Santiaga hit time served. Still stunning, still pretty, still bold, still loves her father more than any man in the world, still got her hustle and high fashion flow. She’s eager to pay back her enemies, rebuild her father’s empire, reset his crown, and ultimately to snatch Midnight back into her life no matter which bitch had him while she was locked up. But Winter is not the only one with revenge on her mind.

The ultimate love story began in White Lines, and now, in this stunning conclusion, Jada and Born come full circle - but not without paying a hefty price. On the surface, Jada's life is back on track - she's battled her demons, her son is a permanent part of her life - but it still feels like she's on shaky ground. What she really needs to settle her soul is to have Born back in her life - and in her arms - again. But reuniting with the man she loves is proving to be the hardest thing she's ever fought for.

I forget things too. It makes me sad. Or it makes me the saddest. The sadness is not really about George W. or our American optimism; the sadness lives in the recognition that a life can not matter. The award-winning poet Claudia Rankine, well known for her experimental multigenre writing, fuses the lyric and the essay in this politically and morally fierce examination of solitude in the rapacious and media-driven assault on selfhood that is contemporary America.