African American Literature Fiction

David Champlin is a Black man born into poverty in Depression-era New Orleans who achieves great success and then sacrifices everything to lead his people in the difficult, day-by-day struggle of the civil rights movement. Sara Kent is the beloved and vital White girl who loved David from the moment she first saw him, but they struggled over David's belief that a marriage for them would not be right in the violent world he had to confront.

Uzoamaka’s miracle baby, Obiefuna, arrives after a series of miscarriages. As a young boy, he brings luck to his family and joy to those in his orbit, from the teachers at his school to the ladies getting their hair braided at Uzoamaka’s salon. But by adolescence, Obiefuna has grown unsure of himself. After his father brings home an apprentice from a nearby village, the lightness Obiefuna feels is quickly dashed when the two are caught sharing a moment of intimacy.

When Hilton was a boy, his grandmother sacrificed her life to save him from drowning. Thirty years later, he begins to suspect that he was never meant to survive that accident, and that dark forces are working to rectify that mistake. When Hilton's wife, the only elected African-American judge in Dade County, Florida, begins to receive racist hate mail from a man she once prosecuted, Hilton becomes obsessed with protecting his family. The demons lurking outside are matched by his internal terrors - macabre nightmares, more intense and disturbing than any he has ever experienced.

From the outside looking in, the residents of Sand Cove are perfect, but their countless secrets and lies are under the guise of expensive perfumes and honey-sweet smiles. Summer has come around again, yet it doesn't feel like summer. The sky isn't blazed in blue, and the sun isn't a celebration of oranges and yellows. It has been eight months since Luca Moretti's murder, and Agent Tyler must deal with the fact that Luca's murder may never be solved.

Some of the best-known and most influential pieces of crime fiction have been from African American writers. Be it Walter Mosley's great Detective Easy Rawlins, or the mean streets of Harlem at the hands of Chester Himes, the stories and characters in this anthology have shaped the mystery genre with their own unique viewpoints and styles. Contributors to the collection include Robert Greer, Chester Himes, Walter Mosley, Cary Phillips, Frankie Bailey, and Richard Wright.

Two families from different social classes are joined together by an unexpected pregnancy and the child that it produces. Moving forward and backward in time, with the power of poetry and the emotional richness of a narrative 10 times its length, Jacqueline Woodson's extraordinary new novel uncovers the role that history and community have played in the experiences, decisions, and relationships of these families, and in the life of this child.

The stark grief of a brother mourning a brother opens this novel with a stunning, unforgettable experience. Here, in a monumental saga of love and rage, Baldwin goes back to Harlem, to the church of his groundbreaking novel Go Tell It on the Mountain, to the homosexual passion of Giovanni's Room, and to the political fire that inflames his nonfiction work.

The Davenports are one of the few Black families of immense wealth and status in a changing United States, their fortune made through the entrepreneurship of William Davenport, a formerly enslaved man who founded the Davenport Carriage Company years ago. Now it's 1910, and the Davenports live surrounded by servants, crystal chandeliers, and endless parties, finding their way and finding love—even where they’re not supposed to.

Sixteen-year-old Jake Livingston sees dead people everywhere. But he can't decide what's worse: being a medium forced to watch the dead play out their last moments on a loop or being at the mercy of racist teachers as one of the few Black students at St. Clair Prep. Both are a living nightmare he wishes he could wake up from. But things at St. Clair start looking up with the arrival of another Black student - the handsome Allister - and for the first time, romance is on the horizon for Jake. Unfortunately, life as a medium is getting worse.

Milkman Dead was born shortly after a neighborhood eccentric hurled himself off a rooftop in a vain attempt at flight. For the rest of his life he, too, will be trying to fly. As Morrison follows Milkman from his rustbelt city to the place of his family’s origins, she introduces an entire cast of strivers and seeresses, liars and assassins, the inhabitants of a fully realized Black world.

N. K. Jemisin is one of the most powerful and acclaimed speculative fiction authors of our time. In the first collection of her evocative short fiction, Jemisin equally challenges and delights listeners with thought-provoking narratives of destruction, rebirth, and redemption.

Liz Rocher is coming home . . . reluctantly. As a Black woman, Liz doesn’t exactly have fond memories of Johnstown, Pennsylvania, a predominantly white town. But her best friend is getting married, so she braces herself for a weekend of awkward, passive-aggressive reunions. Liz has grown, though; she can handle whatever awaits her. But on the night of the wedding, somewhere between dancing and dessert, the newlyweds’ daughter, Caroline, disappears—and the only thing left behind is a piece of white fabric covered in blood.

When souls are tied, it's never goodbye. A boy I was that summer evening I met you, pulling your belongings out of the truck and into your new home. I knew it was love then. A whole man I was the day that you met me at the altar and agreed to love me until death do us part. A shell of a man I've become since it did, unable to move on, move forward, or progress in any way until I discovered that not even death was permanent enough to keep us apart. A better man I'm destined to be, knowing that, at some capacity, you're still with me. Our love is one that never dies.

Louis Armstrong, also known as “Satchmo” and “Pops”, became an American jazz legend in the 1920s. His voice and skill with instruments helped him become a popular musician in a time where America was racially divided. Watch as this skilled musician learns to play, buys his first instrument, and becomes one of the best music makers of the era.

Meticulous and driven Gwen Gilmore knows what she wants… especially in a man. She is newly single and doesn’t have time for lackluster chemistry or mixed signals. But the dating scene proves to be slow and unserious, and she realizes she may need some help. Professional help. A matchmaker, to be more specific. Nothing will distract her from finding a man who checks all the boxes, except maybe her brother’s grumpy best friend who’s just moved into her home.

Almost everything about Wallace is at odds with the Midwestern university town where he is working uneasily toward a biochem degree. An introverted young man from Alabama, black and queer, he has left behind his family without escaping the long shadows of his childhood. For reasons of self-preservation, Wallace has enforced a wary distance even within his own circle of friends—some dating each other, some dating women, some feigning straightness.

Isolated from family and friends because of the one man she thought would be her happily ever after, Scotland is depressed, broke, and a shell of the woman she used to be. But when her man does the unthinkable, it is the last straw, causing Scotland to make a huge gamble in the name of revenge. But when that retaliation follows her home, adding yet another problem to her already hefty plate, Scotland must figure a way out of the hell she now calls life.

Teenager Kath Ella Sebolt wants desperately to escape the town that she equates with deprivation and lack of opportunity. Months after her boyfriend is killed during a clash between young people in the village and Halifax constables, she moves with her infant son to Montreal. After attending college as a single mother and ultimately marrying a white man, she discovers that as much as she tries, severing ties to her former village is not easy.

The protagonist of Percival Everett's puckish new novel is a brilliant professor of mathematics who goes by Wala Kitu. (Wala, he explains, means "nothing" in Tagalog, and Kitu is Swahili for "nothing.") He is an expert on nothing. That is to say, he is an expert, and his area of study is nothing, and he does nothing about it.

The year is 1978. The Duncan brothers and their tough-as-nails women have vanquished their rivals and taken their place as the leaders of Waycross, Georgia's criminal enterprises. However, their rise to power has not gone unnoticed, and the family is rocked when their mother, Miss Bettie, is kidnapped and her body is found in a swamp. No one knows who the killers are, but instead of drawing closer, the family is split when their grief-stricken leader, LC, is offered membership in the South's most powerful black organization, the Council.