African American Literature Fiction

In her exciting debut A Good Excuse to Be Bad, rising star Miranda Parker offers a compelling tale of how quickly life can be turned on its head. To bail bond agent and single mom Evangeline “Angel” Crawford, life seems boring, and she’s beginning to get restless. But when a job goes terribly wrong at Club Night Candy, everything changes. Someone is murdered, and Angel’s twin stands accused. Now, Angel becomes her sister’s only chance for redemption. Fortunately, she’ll have some help—from the most unlikely of sources.

It's been two years since Johnny Mayfield's murder rocked Amber, Alabama. His death, along with the illicit personal scandals that preceded it, created more drama than the town had ever seen. But now life is back to normal, at least for his widow, Geneva. Or so it seems. Happily remarried, Geneva has to admit her life is better than ever. Her upscale salon is thriving, and she finally has the baby she always wanted.

In 1919, a high school teacher from Washington, D.C arrives in Harlem excited to realize her lifelong dream. Jessie Redmon Fauset has been named the literary editor of The Crisis. The first Black woman to hold this position at a preeminent Negro magazine, Jessie is poised to achieve literary greatness. But she holds a secret that jeopardizes it all. W. E. B. Du Bois, the founder of The Crisis, is not only Jessie’s boss, he’s her lover. And neither his wife, nor their fourteen-year-age difference can keep the two apart.

Gujaareh, the city of dreams, suffers under the imperial rule of the Kisuati Protectorate. A city where the only law was peace now knows violence and oppression. And nightmares. A mysterious and deadly plague haunts the citizens of Gujaareh, dooming the infected to die screaming in their sleep. Trapped between dark dreams and cruel overlords, the people yearn to rise up - but Gujaareh has known peace for too long. Someone must show them the way. Hope lies with two outcasts.

The visionary writer and director of Get Out, Us, and Nope, and founder of Monkeypaw Productions, curates this groundbreaking anthology of all-new stories of Black horror, exploring not only the terrors of the supernatural but the chilling reality of injustice that haunts our nation. Featuring an introduction by Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a master class in horror, and—like his spine-chilling films—its stories prey on everything we think we know about our world . . . and redefine what it means to be afraid.

Harlow Shaw feels naïve for believing in happily ever afters, but she craves a love that lights her up. She thinks she has it all with her boyfriend—Until his promising baseball career overshadows their relationship, and he asks her a life-changing question. It causes her to wonder if what they have is all she ever truly wanted. Harlow is yearning for more than the curated life she is living. A trip to Bali, a move to Seattle, and an alleged burned cup of coffee lead her to a friendship she didn't know she needed and a love so deep she can feel it in her bones.

Jende Jonga, a Cameroonian immigrant living in Harlem, has come to the United States to provide a better life for himself; his wife, Neni; and their six-year-old son. In the fall of 2007, Jende can hardly believe his luck when he lands a job as a chauffeur for Clark Edwards, a senior executive at Lehman Brothers. Clark demands punctuality, discretion, and loyalty - and Jende is eager to please. Clark's wife, Cindy, even offers Neni temporary work at the Edwardses' summer home in the Hamptons.

Queenie Jenkins is a 25-year-old Jamaican British woman living in London, straddling two cultures and slotting neatly into neither. She works at a national newspaper, where she’s constantly forced to compare herself to her white middle-class peers. After a messy breakup from her White long-term boyfriend, Queenie seeks comfort in all the wrong places...including several hazardous men who do a good job of occupying brain space and a bad job of affirming self-worth.

A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court, Paul Beatty's The Sellout showcases a comic genius at the top of his game. It challenges the sacred tenets of the United States Constitution, urban life, the civil rights movement, the father-son relationship, and the holy grail of racial equality: the black Chinese restaurant.

In an immersive, exciting narrative nonfiction format, this powerful book follows a selection of people who experienced the Underground Railroad.

Founded in the late 1800s by the son of Frederick Douglass, Highland Beach along the Chesapeake Bay is the oldest Black resort community in America. Inside this proud and secluded beach community of about 100 private homes is Olivia Jones’s legacy. But Oliva’s legacy comes with thorns—intertwined are secrets of her aunt’s death; a controlling grandmother who is determined to crush anyone or anything that will interfere with her son’s political career; and a father who wants to rebuild the family he rejected decades ago.

From the outside looking in, the residents of Sand Cove are perfect, but their countless secrets and lies are under the guise of expensive perfumes and honey-sweet smiles. Summer has come around again, yet it doesn't feel like summer. The sky isn't blazed in blue, and the sun isn't a celebration of oranges and yellows. It has been eight months since Luca Moretti's murder, and Agent Tyler must deal with the fact that Luca's murder may never be solved.

The story of Lilith, born into slavery on a Jamaican sugar plantation at the end of the 18th century. Even at her birth, the slave women around her recognize a dark power that they - and she - will come to both revere and fear. The Night Women, as they call themselves, have long been plotting a slave revolt, and as Lilith comes of age and reveals the extent of her power, they see her as the key to their plans.

Morgan Atkins has depended on men her entire life. First her father, then Ethic Okafor, then came Messiah Williams, and finally Ahmeek Harris. She loves them all for different reasons, but the one thing they all have in common is their unconditional love for her. Morgan is the queen of their worlds, if only she knew her own worth. Trapped by the threat of a deadly secret, Morgan has lost it all. She's engaged to an abusive and powerful man who is willing to bury everyone to keep control over Morgan's heart.

Aaliyah is determined to celebrate her thirtieth birthday with a boyfriend. And after a failed blind date, the local bartender, Ahmad, suggests she joins a dating app. Filled with lies, catfish, and fetishizing, the wild world of online dating makes Aaliyah think she’s in over her head. And she is. But with her two best friends and a protective bartender by her side, what could go wrong?

Everyone in the Rinaldi Mob has a job to do—a role to play—and newly appointed Mafian, Jisei Harper, is no exception. Jisei is used to slumming it out on her own. From birth, she was dealt a bad hand, but instead of dwelling on it, she smiled, rolled her shoulders back, and played her cards. After years of struggling, she meets Mocha, a rich daddy's girl, and Scarlett, a naïve hoodlum who had it worse off than Jisei. Little did she know, these two new friendships would lead her to the only blood relative she never knew existed.

Continuously available in print since 1968, this novel has become embedded in progressive anti-racist culture with wide circulation of the book and hotly debated film. A literary classic, The Spook Who Sat by the Door is a strong comment on entrenched racial inequities in the United States in the late 1960s. With its focus on the “militancy” that characterized the Black Power movement of the 1960s and 1970s, this is the story of one man’s reaction to ruling-class hypocrisy.

Isaac is at a crossroads in his young life. Growing up in Missouri, the son of a caustic, hard-driving father, he was conditioned to suppress his artistic pursuits and physical desires, notions that didn’t align with a traditional view of masculinity. But now, in late ’80s Chicago, Isaac has finally carved out a life of his own. He is sensitive and tenderhearted and has built up the courage to seek out a community. Yet just as he begins to embrace who he is, two social catalysts—the AIDS crisis and Rodney King’s attack—collectively extinguish his hard-earned joy.

Harriet Ann Jacob's autobiography documents her life as a slave and how she attained freedom for herself and her children. Harrowing in its descriptions of sexual abuse, Jacob's slave narrative is notable for the appeal it made to abolitionist women to open their eyes to the realities of slavery. Deemed too shocking for reading audiences at the time, the book was shelved before it was published in 1861 near the start of the Civil War.

Maddie and Theo have two things in common: 1. Alexa is their best friend. 2. They hate each other. After an "oops, we made a mistake" night together, neither one can stop thinking about the other. With Alexa's wedding rapidly approaching, Maddie and Theo both share bridal party responsibilities that require more interaction with each other than they're comfortable with.