African American Literature Fiction

Darica's world is turned upside down, as she becomes aware that her desires, her husband's selfishness, and her lover's past created a wrath that sent her knocking on death's door. But, realizing the error of her ways won't turn back the hands of time and undo the unthinkable things she did to get to this point. Rolanda thought she raised her sons to value women, unlike their abusive, cheating father; she even married another man to give them a better life. But, she quickly learned that DNA plays a major role in relationships and family ties are hard to break.

Sylvia Blackwell has it all, or so she thinks. She and her handsome husband, Garrett, are the epitome of success: an immaculate house of their dreams, a beautiful and talented 17-year-old daughter, flourishing careers, and nearly 20 years of perfectly wedded bliss. Just as they are making plans for their vow renewal celebration, a call in the middle of the night interrupts their picture-perfect lives. Now Sylvia has to deal with the reality of Garrett's dead mistress and a love child she never knew about.

In Swag II Jazmine enlists the help of Swag to ensure that her plan for revenge is executed with the precision of a sniper rifle. But with Matson, an overzealous detective determined to expose her, and every crime boss and street soldier on the hunt for Swag, things get deadlier with each day that passes. When demons from Jazmine's past start to resurface it seems as if they were sent from Satan himself.

Gideon “Gee” Powers has one hundred and eighty days to secure his rightful place as head of the family. Rhian Barnes has one hundred and eighty days to complete a bucket list. One night in Sin City blurs the lines and two become one.

Shallow Waters imagines Yemaya, an Orïsha—a deity in the religion of Africa’s Yoruba people—cast into mid-1800s America. We meet Yemaya as a young woman, still in the care of her mother and not yet fully aware of the spectacular power she possesses to protect herself and those she holds dear.

Gutted, I was the day you left my side, but I understood it was no one's fault but mine. I pushed you away, wearing my pain on my sleeve while pursuing a passion that stemmed from that very pain. In the end, you decided to choose yourself, and I could never fault you for that. But it hurt, and still does 'til this day.

On a Spring afternoon in London, Sam hops the stairs of his flat two at a time. There’s £1,300 missing from his and his wife, Efe’s, shared bank account and his calls are going straight to voicemail. When he finally reaches someone, he learns Efe is nearly 5,000 miles away as their toddler looks around and asks, “Where’s Mummy?”

Philadelphia's South Street is a world of contradiction. The hardscrabble neighborhood is filled with prostitutes and gangsters; Working stiffs mingle with winos at Lightnin' Ed's bar. But the streetwalkers are nearing retirement, the gangsters are unemployed, and a community is thriving in and around a place written off by officials and politicians as blighted. Black poet Adlai Stevenson Brown makes his way to South Street in search of authenticity in the form of a neighborhood to save.

Award-winning poet Danez Smith is a groundbreaking force, celebrated for deft lyrics, urgent subjects, and performative power. Don't Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality - the dangers experienced in skin and body and blood - and a diagnosis of HIV positive. "Some of us are killed / in pieces", Smith writes, "some of us all at once."

Whole, I became, the moment God answered those prayers I put in and blessed me beyond measure. From that day, my priority has been and will always be catering to your every desire because you deserve a love that doesn't make you wonder, whimper, or worry. I've got that kind of love, and I'm here to give it to you.

Three years after narrowly escaping a one way trip to the gas chamber, the fugitive known only as Animal finds himself drawn back to the scene of the crime: Harlem. Throughout his entire time in exile, the only thing that kept Animal going was the thought that he would one day be reunited with his soul mate, Gucci - but one bullet changed everything. When his enemies tried to murder Gucci, they crossed the line, so he vowed to cross them all.

When Patsy gets her long-coveted visa to America, it comes after years of yearning to leave Pennyfield, the beautiful but impoverished Jamaican town where she was raised. More than anything, Patsy wishes to be reunited with her oldest friend, Cicely, whose letters arrive from New York steeped in the promise of a happier life and the possible rekindling of their young love. But Patsy's plans don't include her overzealous, evangelical mother - or even her five-year-old daughter, Tru. Patsy gives voice to a woman who looks to America for the opportunity to choose herself first.

Like Gloria Naylor’s The Women of Brewster Place, Sidik Fofana’s electrifying collection of eight interconnected stories showcases the strengths, struggles, and hopes of one residential community in a powerful storytelling experience. Each short story follows a tenant in the Banneker Homes, a low-income high rise in Harlem where gentrification weighs on everyone’s mind. We root for these characters and more as they weave in and out of each other’s lives, endeavoring to escape from their pasts and blaze new paths forward for themselves and the people they love.

When summoned to Georgetown, South Carolina, sisters Mariah Clark and Sabrina Holland both assume their ailing grandfather's health has gotten worse. Neither expects their grandmother's undeniable request—save the family restaurant. Mariah is at a crossroad in her life. After being dumped by her husband and forced to walk away from their diner that she helped rescue from bankruptcy, bitter feelings consume her. Even though the restaurant has been in the family for eighty-six years, giving her all to another struggling business isn't something she wants to do.

I wasn't supposed to take on any new clients. All my current couples were already a handful. A marriage therapist with a failing marriage. If only they knew. That is until Kami Lynn walked into my office without her husband. I only treated couples. I was supposed to help save her marriage, instead I was the main reason for its destruction. I did everything the way I was supposed to. I graduated college. Went straight into my career. Got married and had a few crotch goblins and even accepted an outside baby for that man.

Harley is a young queer black man struggling to find his way in nineties Britain. Returning home, having just dropped out of college, he is racked by feelings of failure and inadequacy. Standing in the woods one day, on the verge of doing something drastic and irreversible, Harley is held back by a stranger: a tall, husky guy who emerges from the bushes holding a pair of binoculars.

Ella has a Thing. She sees a classmate grow up to become a caring nurse. A neighbor's son murdered in a drive-by shooting. Things that haven't happened yet. Kev, born while Los Angeles burned around them, wants to protect his sister from a power that could destroy her. But when Kev is incarcerated, Ella must decide what it means to watch her brother suffer while holding the ability to wreck cities in her hands. Rooted in the hope that can live in anger, Riot Baby is as much an intimate family story as a global dystopian narrative.

The protagonist of Percival Everett's puckish new novel is a brilliant professor of mathematics who goes by Wala Kitu. (Wala, he explains, means "nothing" in Tagalog, and Kitu is Swahili for "nothing.") He is an expert on nothing. That is to say, he is an expert, and his area of study is nothing, and he does nothing about it.

Xiomara's bad and she knows it. She's not only a cute face; she's working on her degree as well. Left with scars from her past, she's only focused on her money and building her brand. After encountering Jrue in the club, she's offered a job that unknowingly changes things for her, causing her to look at her choices differently.

Hustling on the Down Low is a story of two men at war for the control of the criminal activity of Baltimore and the power that comes with it. One man is a mysterious gay kingpin with an edge. The other is a straight kingpin determined to get back on top by any means necessary. There can be only one man on top. The question is, who is willing to go down the lowest to get to the top?