African American Literature Fiction

Award-winning poet Danez Smith is a groundbreaking force, celebrated for deft lyrics, urgent subjects, and performative power. Don't Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality - the dangers experienced in skin and body and blood - and a diagnosis of HIV positive. "Some of us are killed / in pieces", Smith writes, "some of us all at once."

Having just celebrated her 26th birthday in 1976 California, Dana, an African-American woman, is suddenly and inexplicably wrenched through time into antebellum Maryland. After saving a drowning White boy there, she finds herself staring into the barrel of a shotgun and is transported back to the present just in time to save her life. During numerous such time-defying episodes with the same young man, she realizes she's been given a challenge.

He's rich, successful - and has been faithfully married to his longtime girlfriend for nearly one grueling year. Because for Dr. Dorian Graham, too many women is never too much - no matter how loyal his wife, Shantae, has been since their college days. So when she proposes they celebrate their first anniversary by each spending a no-questions-asked, no-consequences night with their greatest temptation, Dorian is shocked, but can't resist. Especially since Shantae's wild-card younger sister, Reagan, is gorgeous, uninhibited - and the one who got away.

Desa Rae Jenkins and her 20-something-year-old playmate are back with drama only the two of them can bring. Roc has been released from prison, and he's trying to show Desa Rae that his past life is well behind him, but his baby mama and his playa-hating uncle want Desa Rae out of the picture. Chyanne Johnson has tried to steer clear of drama since she was old enough to be out on her own. She's content with her mundane position at Atlanta's top marketing firm, but all of that changes when sexy CEO Aric McHale promotes her to be his executive assistant.

The Earth barely survived the Third World War. It isn’t ready for the War of the Worlds. A beam of pure Chaos has descended on the Earth connecting it to the Labyrinth Universe. Monsters will spawn, heroes will level and nations will fall. Chaos will Awaken!

Thirty years ago, Amelia Vaux Tanner and her husband built a house high on the bluffs, a cottage they named Chateau Laveau. For decades, “Ama” played host to American presidents, Wall Street titans, and cultural icons. But her favorite guests have always been her three “goddaughters”: Esperanza “Perry” Soto, a beautiful, talented Afro-Latina lawyer with Ama’s strong, yet guarded personality; Olivia Jones, a gifted Wall Street analyst with Ama’s brilliant, logical mind; and Billie Hayden, a gifted marine biologist and rule-breaker with Ama’s courageous free spirit.

It is the story of 11-year-old Pecola Breedlove--a black girl in an America whose love for its blond, blue-eyed children can devastate all others--who prays for her eyes to turn blue: so that she will be beautiful, so that people will look at her, so that her world will be different. This is the story of the nightmare at the heart of her yearning and the tragedy of its fulfillment.

Celie has grown up poor in rural Georgia, despised by the society around her and abused by her own family. She strives to protect her sister, Nettie, from a similar fate, and while Nettie escapes to a new life as a missionary in Africa, Celie is left behind without her best friend and confidante, married off to an older suitor, and sentenced to a life alone with a harsh and brutal husband. In an attempt to transcend a life that often seems too much to bear, Celie begins writing letters directly to God.

Sex, love, drugs, and music are just a few of the Carter boys’ daily dealings. Drama follows them everywhere, especially being the largest, most dangerous organization the city of Atlanta has ever seen. The women who want to be with them and the men who want to be just like them can easily get lost in the shuffle when the target is constantly moving to a new Carter’s back. So, what happens when a slick-mouth girl from Brooklyn decides to go off to college in the unofficial capital of the South? She is quickly introduced to the Atlanta lifestyle....

In this stirring prequel, New York Times best-selling author Mary Monroe returns to the “cold-blooded yet fascinating” ( Publishers Weekly) character from her acclaimed novel The Upper Room. Ruby is a wild youth, with a thirst for boys and booze by the age of 15. When she discovers she’s pregnant, the only person she can confide in is her best friend Othella. But Othella talks Ruby into giving up the child, leaving Ruby emotionally shattered and adamant that Othella is to blame for her loss.

From the universally acclaimed author of Breath, Eyes, Memory and Krik? Krak!, a brilliant, deeply moving work of fiction that explores the world of a "dew breaker", a torturer, a man whose brutal crimes in the country of his birth lie hidden beneath his new American reality.

From one of Britain's most celebrated writers of color, Girl, Woman, Other is a magnificent portrayal of the intersections of identity and a moving and hopeful story of an interconnected group of black British women. Winner of the 2019 Booker Prize and short-listed for the Gordon Burn Prize, Girl, Woman, Other paints a vivid portrait of the state of post-Brexit Britain, as well as looking back to the legacy of Britain's colonial history in Africa and the Caribbean.

When two English brothers arrive at a Barbados sugar plantation, they bring with them a darkness beyond what the slaves have already known. Washington Black - an 11-year-old field slave - is horrified to find himself chosen to live in the quarters of one of these men. But the man is not as Washington expects him to be. His new master is the eccentric Christopher Wilde - naturalist, explorer, inventor and abolitionist - whose obsession to perfect a winged flying machine disturbs all who know him.

Thirty-two-year-old Denise Jackson has everything a woman could ask for: a lovely home in the posh Dallas suburbs, a fancy car, a loving husband, and a beautiful nine-year-old daughter, Deandra. While seemingly having it all, Denise still feels incomplete. Her nine years of marriage to Jeff have been nothing more for her than a marriage of convenience to raise Deandra in a stable two-parent home. She pretends to be happily married, but allows her husband and best friend to carry on an affair, giving Denise time to get better acquainted with her multimillionaire client, Greg Adams.

Former "player" Terrell thinks he's got it going on. Then the past comes calling, and suddenly his best prospects are endangered.

Owning the Stone-Chance Protection Agency has its perks. It’s a profitable company that allows Ramsey and Keilah Stone to enjoy the finer things in life; however, it has also added an element of danger to their otherwise normal lifestyle.

Ricki Wilde has many talents, but being a Wilde isn’t one of them. As the impulsive artistic daughter of a powerful Atlanta dynasty, she’s the opposite of her famous socialite sisters. Where they’re long-stemmed roses, she’s a dandelion: an adorable bloom that’s actually a weed, born to float wherever the wind blows. In her bones, Ricki knows that somewhere, a different, more exciting life awaits her. When regal nonagenarian Ms. Della invites her to rent the bottom floor of her Harlem brownstone, Ricki jumps at the chance for a fresh beginning.

At 40, Lena Baker is at a steady and stable moment in life—between wine nights with her two best friends and her wedding just weeks away, she’s happy in love and in friendship—until a confession on her wedding day shifts her world.

Demonstrating the same verve for storytelling that rocketed her previous novels onto the best seller lists, Deliver Me from Evil introduces Christine Thurman, a vivacious 31-year-old about to enter a dangerous new phase in her life.

Helen wasn't just born the devious vixen of New Day Temple of Faith. There had to be something rooted deep within her to make her inflict and feed off other people's pain. Perhaps it was her own pain that she had suppressed for so many years - an unimaginable pain - that created an internal prison of which her mind was the only captive. But once the demons within her break free, those around her better beware, as Helen surely becomes the epitome of the saying, "Hurt people, hurt people".