African American Literature Fiction

Life at the Houston Report for investigative journalist Desiree Stevens is no longer a fulfilling one. She's contemplating moving back to Chicago where her family resides, but Desiree can't deny that returning to her hometown for the sake of employment isn't her only reason. Just a few weeks prior, Desiree had the pleasure of meeting philanthropist Julian Alexander Rose, awkwardly enough, at the hospital. And since the strange encounter, getting Julian off her mind has been Desiree's biggest failure.

In an immersive, exciting narrative nonfiction format, this powerful book follows a selection of people who experienced the Underground Railroad.

In 1916, Celia Coleman and Lucy Grimes flee the racism and poverty of their homes in the post-Civil War South for the “Promised Land” of the North. But soon they learn that even in Vauxhall, New Jersey, black women are mainly hired for domestic work, money is scarce, children don’t progress in school, and black men die young. Within a few short years, both women’s husbands are dead. Left to navigate this unwelcoming place alone, Celia and Lucy turn to one another for support in raising their children far from home.

The story of Lilith, born into slavery on a Jamaican sugar plantation at the end of the 18th century. Even at her birth, the slave women around her recognize a dark power that they - and she - will come to both revere and fear. The Night Women, as they call themselves, have long been plotting a slave revolt, and as Lilith comes of age and reveals the extent of her power, they see her as the key to their plans.

"Run away from the boy that gives you butterflies, he's going to break your heart." Morgan Atkins had been told that phrase ever since she was a little girl, and still she allowed herself to fall for the boy that made her heart flutter. After losing her first love, Morgan is terrified to love again. She's settled for a comfortable life with a respectable man. She has everything. She's living in the lap of luxury, and although she's comfortable, she's bored out of her mind. When a ghost from her past blows into town, she finds herself entangled in an illicit affair.

Edie is stumbling her way through her 20s—sharing a subpar apartment in Bushwick, clocking in and out of her admin job, making a series of inappropriate sexual choices. She's also, secretly, haltingly, figuring her way into life as an artist. And then she meets Eric, a digital archivist with a family in New Jersey, including an autopsist wife who has agreed to an open marriage—with rules. As if navigating the constantly shifting landscapes of contemporary sexual manners and racial politics weren't hard enough, Edie finds herself unemployed and falling into Eric's family life, his home.

Liz Rocher is coming home . . . reluctantly. As a Black woman, Liz doesn’t exactly have fond memories of Johnstown, Pennsylvania, a predominantly white town. But her best friend is getting married, so she braces herself for a weekend of awkward, passive-aggressive reunions. Liz has grown, though; she can handle whatever awaits her. But on the night of the wedding, somewhere between dancing and dessert, the newlyweds’ daughter, Caroline, disappears—and the only thing left behind is a piece of white fabric covered in blood.

Set in Mississippi at the height of the Depression, this is the story of one family's struggle to maintain their integrity, pride, and independence in the face of racism and social injustice. And it is also Cassie's story - Cassie Logan, an independent girl who discovers over the course of an important year why having land of their own is so crucial to the Logan family, even as she learns to draw strength from her own sense of dignity and self-respect.

Sixteen-year-old Jake Livingston sees dead people everywhere. But he can't decide what's worse: being a medium forced to watch the dead play out their last moments on a loop or being at the mercy of racist teachers as one of the few Black students at St. Clair Prep. Both are a living nightmare he wishes he could wake up from. But things at St. Clair start looking up with the arrival of another Black student - the handsome Allister - and for the first time, romance is on the horizon for Jake. Unfortunately, life as a medium is getting worse.

Between the Devil and the Deep Blue Sea opens in the early 1970s with young César, a street tough of Afro-Cuban descent, standing outside a US Navy recruitment office at the crack of dawn. The Vietnam War is raging, the navy has only recently begun the serious process of integration, and the country is reeling from racial turmoil and unrest.

Martin Grey, a smart, talented black lawyer working out of a storefront in Queens, becomes friendly with a group of some of the most powerful, wealthy, and esteemed black men in America. He's dazzled by what they've accomplished, and they seem to think he has the potential to be as successful as they are. They invite him for a weekend away from it all - no wives, no cell phones, no talk of business. But far from home and cut off from everyone he loves, he discovers a disturbing secret that challenges some of his deepest convictions.

Reeling from the sudden death of his teenage son, our narrator receives a letter from an attorney: he has just inherited a plot of land from his estranged grandfather. He travels to a beach town several hours south of his home with the intention of immediately selling the land. But upon inspection, what lies beneath the dirt is much more than he can process in the throes of grief. As a biracial Black man struggling with the many facets of his identity, he’s now the owner of a former plantation passed down by the men on his white mother’s side of the family.

Jimmy Lee Hickam grew up along Red Dog Road, a dead-end strip of gravel and mud buried deep in the bowels of Appalachian Ohio. It is the poorest road, in the poorest county, in the poorest region of the state. To make things worse, the name Hickam is synonymous with trouble. Jimmy Lee hails from a heathen mix of thieves, moonshiners, drunkards, and general anti-socials that for decades have clung to both the hardscrabble hills and the iron bars of every jail cell in the region. This life, Jimmy Lee believes, is his destiny, someday working with his drunkard father at the sawmill, or sitting next to his arsonist brother in the penitentiary.

Sarai Emery lost her job as a radio disc jockey when a heated breakup with her wealthy drug dealer boyfriend was accidentally broadcast live. With thoughts of dodging the repo-man, past due bills, an impending eviction, and a bill from the nursing home that cares for her Alzheimer’s-afflicted father fresh on her mind, Sarai feels she has no choice but to plunge into a world where the line that separates sex and money is blurred beyond recognition. When she meets the man of her dreams, will she come clean about how she’s been paying her bills?

All Zarinah wanted was to fall in love. Growing up, she had kissed her fair share of frogs. When an unconventional situation leads her to Lawson, her wishes might become reality. Lawson is the new CEO of his family's hotel casino chain. He's tired of aimless dating and women just wanting his money. When he meets Zarinah, he instantly feels like she's the one.

Beautiful and meticulously wrought, set in both Toronto and the Caribbean, this astonishing novel gives voice to the power of love and belonging in a story of two women, profoundly different, each in her own spiritual exile.

You ever wonder what events led up to an individual’s inability to trust in love? Rayna Brimm survives a series of betrayals and loss, only to forge ahead into self-preservation. After receiving her degree, she finds herself in California and tries to build a self-contained life. Enter Azmir Jacobs. A tall, dark, handsome, and very wealthy man, whose street credibility and executive power in the corporate world has beautiful women at his beck and call. However, only one woman has caught his eye: the resilient Rayna Brimm, who turns out to be more than he bargained for.

In this 1983 short story - the only short story Morrison ever wrote - we meet Twyla and Roberta, who have known each other since they were eight years old and spent four months together as roommates in St. Bonaventure shelter. Inseparable then, they lose touch as they grow older, only later to find each other again at a diner, a grocery store, and again at a protest. Seemingly at opposite ends of every problem, and at each other's throats each time they meet, the two women still cannot deny the deep bond their shared experience has forged between them.

According to the Washington Post, no one who cares about contemporary African-American cultures can ignore Bell Hooks's electrifying feminist explorations. Targeting cultural icons as diverse as Madonna and Spike Lee, Outlaw Culture presents a collection of essays that pulls no punches. As Hooks herself notes, interrogations of popular culture can be a "powerful site for intervention, challenge and change." And intervene, challenge, and change is what hooks does best.

A weekend spent antiquing is shadowed by the colonial atrocities that occurred on that land. A walk at dusk is interrupted by casual racism. A loving marriage is riven by mysterious tensions. And a remarkable cascade of voices speaks out from a pulsing metropolis. We’re invited to experience these events and others through the eyes and ears of Tunde, a West African man working as a teacher of photography on a renowned New England campus.