African American Literature Fiction

Tressie faithfully prays every night that God will send her a thug. It isn't long before her prayers are answered, and she meets a handsome ex-convict named Payce Boyd. He is a fine roughneck, everything Tressie imagined and more - that is until Tressie experiences firsthand the reality of being a thug's girl. Seeking solace and comfort in the sanctuary, Tressie soon learns valuable lessons and shocking truths about herself and others.

Darica's world is turned upside down, as she becomes aware that her desires, her husband's selfishness, and her lover's past created a wrath that sent her knocking on death's door. But, realizing the error of her ways won't turn back the hands of time and undo the unthinkable things she did to get to this point. Rolanda thought she raised her sons to value women, unlike their abusive, cheating father; she even married another man to give them a better life. But, she quickly learned that DNA plays a major role in relationships and family ties are hard to break.

Sylvia Blackwell has it all, or so she thinks. She and her handsome husband, Garrett, are the epitome of success: an immaculate house of their dreams, a beautiful and talented 17-year-old daughter, flourishing careers, and nearly 20 years of perfectly wedded bliss. Just as they are making plans for their vow renewal celebration, a call in the middle of the night interrupts their picture-perfect lives. Now Sylvia has to deal with the reality of Garrett's dead mistress and a love child she never knew about.

In Swag II Jazmine enlists the help of Swag to ensure that her plan for revenge is executed with the precision of a sniper rifle. But with Matson, an overzealous detective determined to expose her, and every crime boss and street soldier on the hunt for Swag, things get deadlier with each day that passes. When demons from Jazmine's past start to resurface it seems as if they were sent from Satan himself.

Shallow Waters imagines Yemaya, an Orïsha—a deity in the religion of Africa’s Yoruba people—cast into mid-1800s America. We meet Yemaya as a young woman, still in the care of her mother and not yet fully aware of the spectacular power she possesses to protect herself and those she holds dear.

When Hilton was a boy, his grandmother sacrificed her life to save him from drowning. Thirty years later, he begins to suspect that he was never meant to survive that accident, and that dark forces are working to rectify that mistake. When Hilton's wife, the only elected African-American judge in Dade County, Florida, begins to receive racist hate mail from a man she once prosecuted, Hilton becomes obsessed with protecting his family. The demons lurking outside are matched by his internal terrors - macabre nightmares, more intense and disturbing than any he has ever experienced.

Philadelphia's South Street is a world of contradiction. The hardscrabble neighborhood is filled with prostitutes and gangsters; Working stiffs mingle with winos at Lightnin' Ed's bar. But the streetwalkers are nearing retirement, the gangsters are unemployed, and a community is thriving in and around a place written off by officials and politicians as blighted. Black poet Adlai Stevenson Brown makes his way to South Street in search of authenticity in the form of a neighborhood to save.

In his new position as head of the Baptiste family business, Saint faces many challenges. Nothing could have prepared him for the challenges that came with dealing with the alluring Naoki Childs. She was the insoluble problem his big brother, Jahad, talked about. A problem that couldn't be handled with a phone call, a meeting, or by simply emptying his clip. Saint thought he'd never be faced with a problem he couldn't handle, especially where a woman was concerned. But he quickly learned that Naoki wasn't just some woman. She was much, much more than that.

Award-winning poet Danez Smith is a groundbreaking force, celebrated for deft lyrics, urgent subjects, and performative power. Don't Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality - the dangers experienced in skin and body and blood - and a diagnosis of HIV positive. "Some of us are killed / in pieces", Smith writes, "some of us all at once."

Frank Money is an angry, self-loathing veteran of the Korean War who, after traumatic experiences on the front lines, finds himself back in racist America with more than just physical scars. His home may seem alien to him, but he is shocked out of his crippling apathy by the need to rescue his medically abused younger sister and take her back to the small Georgia town they come from and that he's hated all his life. This is a deeply moving novel about an apparently defeated man finding his manhood - and his home.

Three years after narrowly escaping a one way trip to the gas chamber, the fugitive known only as Animal finds himself drawn back to the scene of the crime: Harlem. Throughout his entire time in exile, the only thing that kept Animal going was the thought that he would one day be reunited with his soul mate, Gucci - but one bullet changed everything. When his enemies tried to murder Gucci, they crossed the line, so he vowed to cross them all.

When Patsy gets her long-coveted visa to America, it comes after years of yearning to leave Pennyfield, the beautiful but impoverished Jamaican town where she was raised. More than anything, Patsy wishes to be reunited with her oldest friend, Cicely, whose letters arrive from New York steeped in the promise of a happier life and the possible rekindling of their young love. But Patsy's plans don't include her overzealous, evangelical mother - or even her five-year-old daughter, Tru. Patsy gives voice to a woman who looks to America for the opportunity to choose herself first.

It’s 2008, and the inauguration of President Barack Obama ushers in a new kind of hope. In Chicago, Ruth Tuttle, an Ivy-League educated Black engineer, is married to a kind and successful man. He’s eager to start a family, but Ruth is uncertain. She has never gotten over the baby she gave birth to—and was forced to leave behind—when she was a teenager. She had promised her family she’d never look back, but Ruth knows that she must make peace with the past. Returning home, Ruth discovers the Indiana factory town of her youth is plagued by unemployment, racism, and despair.

Dark, lanky, and bald, New York-raised photographer Sabre Cumberbatch can’t tell if she’s highly talented or just highly Instagrammable. Up to here with art critics and their gaseous praise, Sabre returns to Barbados, her childhood island home, to water her roots. She needs to quell self-doubt by doing something—anything—profoundly important. Welcoming her with bejeweled open arms is her aunt Aggie, a fearsome high-society attorney eager to show off her famous American niece. When Sabre witnesses Aggie unleash her wrath on the household staff over a minor mistake, Sabre finds her cause.

Pregnant by a man she learned wasn't who she thought he was and starting a new career, she's forced to step up and show everyone around her she's more than the hothead, feisty, girl they believe her to be.

When summoned to Georgetown, South Carolina, sisters Mariah Clark and Sabrina Holland both assume their ailing grandfather's health has gotten worse. Neither expects their grandmother's undeniable request—save the family restaurant. Mariah is at a crossroad in her life. After being dumped by her husband and forced to walk away from their diner that she helped rescue from bankruptcy, bitter feelings consume her. Even though the restaurant has been in the family for eighty-six years, giving her all to another struggling business isn't something she wants to do.

I wasn't supposed to take on any new clients. All my current couples were already a handful. A marriage therapist with a failing marriage. If only they knew. That is until Kami Lynn walked into my office without her husband. I only treated couples. I was supposed to help save her marriage, instead I was the main reason for its destruction. I did everything the way I was supposed to. I graduated college. Went straight into my career. Got married and had a few crotch goblins and even accepted an outside baby for that man.

To young Neeka Perry, Denny is one thing. In the streets, he's a whole other entity. She was brave enough to love both sides, upside down, all around, and back again. He provided her with all a girl could believe she dreamed of—security, desire, and, most enviably, genuine love, all wrapped up in gold and diamonds. He removed her far from the course of her ordinary college girl lifestyle and swept her into his world of whimsical madness. For this and more, her love went beyond loyalty. She was devout… devout to him. But is there such a thing as too much passion? Can you love someone too much?

Almost a decade ago, Willie Revel gave up her burgeoning journalism career in New York to help run her father’s struggling construction company in Philadelphia. An ambitious single mother, Willie has reluctantly put family first without being able to forget who she might have become. Now, as the president of the United States prepares to pass the Forgiveness Act, a bill that would allow Black families to claim reparations if they can prove they are the descendants of slaves, Willie delves deeper into her family’s history, while also trying to keep the family from going into bankruptcy.

Ella has a Thing. She sees a classmate grow up to become a caring nurse. A neighbor's son murdered in a drive-by shooting. Things that haven't happened yet. Kev, born while Los Angeles burned around them, wants to protect his sister from a power that could destroy her. But when Kev is incarcerated, Ella must decide what it means to watch her brother suffer while holding the ability to wreck cities in her hands. Rooted in the hope that can live in anger, Riot Baby is as much an intimate family story as a global dystopian narrative.