African American Literature Fiction

Their Eyes Were Watching God, an American classic, is the luminous and haunting novel about Janie Crawford, a Southern Black woman in the 1930s, whose journey from a free-spirited girl to a woman of independence and substance has inspired writers and readers for close to 70 years.

Small-business owner and financial advisor Samiyah Manhattan is mourning the death of her six-year marriage when she vows never to trust men again. Alone at a local bar, Samiyah attempts to put her situation in perspective when she is drawn inexorably to the presence of a nearby patron. Celebrity ex-boxer and heavyweight champion turned business mogul Jonas Alexander Rose never takes women too seriously. They only attach themselves to him because of his star-studded status. However, when he meets the beautiful Samiyah Manhattan, Jonas is overwhelmed by the heated attraction.

For a thousand years, Doro has cultivated a small African village, carefully breeding its people in search of seemingly unattainable perfection. He survives through the centuries by stealing the bodies of others, a technique he has so thoroughly mastered that nothing on Earth can kill him. But when a gang of New World slavers destroys his village, ruining his grand experiment, Doro is forced to go west and begin anew. He meets Anyanwu, a centuries-old woman whose means of immortality are as kind as his are cruel. Now they begin a struggle that will last centuries.

I forget things too. It makes me sad. Or it makes me the saddest. The sadness is not really about George W. or our American optimism; the sadness lives in the recognition that a life can not matter. The award-winning poet Claudia Rankine, well known for her experimental multigenre writing, fuses the lyric and the essay in this politically and morally fierce examination of solitude in the rapacious and media-driven assault on selfhood that is contemporary America.

Savannah has awakened to the fact that she's made too many concessions in her marriage. Bernadine has watched her megadivorce settlement dwindle. Robin has an all-American case of shopaholism. Gloria has taken happiness and security for granted. But being at the wrong place at the wrong time can change everything. All four are learning to heal past hurts and to reclaim their joy and their dreams; but they return to us full of spirit, sass, and faith in one another.

Set in Greenwich Village, Harlem, and France, Another Country tells the story of the suicide of jazz-musician Rufus Scott and the friends who search for an understanding of his life and death, discovering uncomfortable truths about themselves along the way. Another Country is a work that is as powerful today as it was 40 years ago - and expertly narrated by Dion Graham.

The visionary writer and director of Get Out, Us, and Nope, and founder of Monkeypaw Productions, curates this groundbreaking anthology of all-new stories of Black horror, exploring not only the terrors of the supernatural but the chilling reality of injustice that haunts our nation. Featuring an introduction by Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a master class in horror, and—like his spine-chilling films—its stories prey on everything we think we know about our world . . . and redefine what it means to be afraid.

Two children from Sierra Leone, Liberty and A’shai, are brought together by chance, only to be forced apart by the most inevitable and tragic fate. Ashley & JaQuavis bring us this classic love story set against modern life’s most horrifying realities.

In Secrets of a Side Bitch 2, Simone is struggling to keep together the web of lies that she has woven, all in attempts to be the number one woman in Omari Sutton's life. She continues to pull one devious and demented trick after another to maintain her role as Omari's leading lady. Her tower of lies begins crashing down as intricate parts of her schemes begin to unfold. Chance reemerges, threatening Simone's connection to the murder.

In her exciting debut A Good Excuse to Be Bad, rising star Miranda Parker offers a compelling tale of how quickly life can be turned on its head. To bail bond agent and single mom Evangeline “Angel” Crawford, life seems boring, and she’s beginning to get restless. But when a job goes terribly wrong at Club Night Candy, everything changes. Someone is murdered, and Angel’s twin stands accused. Now, Angel becomes her sister’s only chance for redemption. Fortunately, she’ll have some help—from the most unlikely of sources.

Two young people meet at a pub in South East London. Both are Black British, both won scholarships to private schools where they struggled to belong, both are now artists - he a photographer, she a dancer - trying to make their mark in a city that by turns celebrates and rejects them. Tentatively, tenderly, they fall in love. But two people who seem destined to be together can still be torn apart by fear and violence.

In the business of high-end, no-limits desire, Desdemona Dean is the best there is. She fiercely protects the women who work for her and helps them attain the lives they deserve - especially when it comes to her beautiful, troubled new protege, Portia. But for Desi, having it all is no longer enough. She wants everything her shattered childhood denied her. And as she pursues an education and a normal life, she's falling hard for her handsome tutor - and can't resist schooling him in ways that are turning into more than just passion.

For Evan Murdoch, the bad news just won't stop. As he battles an attempted murder charge, he's on the verge of getting forced out of the family corporation - and fears he can't trust his new wife, Lelia. Enter savvy family matriarch Ida, whose wild-card schemes might be the answer to his prayers - or lead to disaster like he's never seen.

Award-winning poet Danez Smith is a groundbreaking force, celebrated for deft lyrics, urgent subjects, and performative power. Don't Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality - the dangers experienced in skin and body and blood - and a diagnosis of HIV positive. "Some of us are killed / in pieces", Smith writes, "some of us all at once."

Early 1900s London: Taken from his homeland, twelve-year-old Celestine spends most of the time locked away in the attic of a large house by the sea. The only time Celestine isn’t bound by confines of the small space is when he is acting as an unpaid servant to English explorer Sir Richard Babbington, As the years pass, he desperately clings on to memories of his family in Africa, even as he struggles to remember his mother’s face, and sometimes his real name . . .

Someday, Maybe is a stunning, witty debut novel about a young woman’s emotional journey through unimaginable loss, pulled along by her tight-knit Nigerian family, a posse of friends, and the love and laughter she shared with her husband.

Persia Chandler doesn't know the meaning of the world struggle. After the arrest of her notorious father, she is whisked away from Harlem, the only place she has ever called home, to be raised in an affluent neighborhood in Long Island City. Her mother and stepfather shower her with the best that life has to offer. During her senior year in high school, she convinces her parents to let her transfer from Catholic school to attend public school. That is the start of her problems - but it's hardly the end.

Desa Rae Jenkins and her 20-something-year-old playmate are back with drama only the two of them can bring. Roc has been released from prison, and he's trying to show Desa Rae that his past life is well behind him, but his baby mama and his playa-hating uncle want Desa Rae out of the picture. Chyanne Johnson has tried to steer clear of drama since she was old enough to be out on her own. She's content with her mundane position at Atlanta's top marketing firm, but all of that changes when sexy CEO Aric McHale promotes her to be his executive assistant.

When souls are tied, it's never goodbye. A boy I was that summer evening I met you, pulling your belongings out of the truck and into your new home. I knew it was love then. A whole man I was the day that you met me at the altar and agreed to love me until death do us part. A shell of a man I've become since it did, unable to move on, move forward, or progress in any way until I discovered that not even death was permanent enough to keep us apart. A better man I'm destined to be, knowing that, at some capacity, you're still with me. Our love is one that never dies.

Baxter’s name isn’t George. But it’s 1929, and Baxter is lucky enough, as a Black man, to have a job as a sleeping car porter on a train that crisscrosses the country. So when the passengers call him George, he has to just smile and nod and act invisible. What he really wants is to go to dentistry school, but he’ll have to save up a lot of nickel and dime tips to get there, so he puts up with “George.” On this particular trip out west, the passengers are more unruly than usual, especially when the train is stalled for two extra days.