African American Literature Fiction

Uzoamaka’s miracle baby, Obiefuna, arrives after a series of miscarriages. As a young boy, he brings luck to his family and joy to those in his orbit, from the teachers at his school to the ladies getting their hair braided at Uzoamaka’s salon. But by adolescence, Obiefuna has grown unsure of himself. After his father brings home an apprentice from a nearby village, the lightness Obiefuna feels is quickly dashed when the two are caught sharing a moment of intimacy.

A thousand years in the future, a Black elite class reigns. The lower classes toil in the fields or scrape by in blighted cities, serving their rulers in a cruel, divided world. Among the Elites is eighteen-year-old Avi Jore, born to a powerful father and destined to rule. But as she comes of age, Avi cannot help but notice the injustices in her world - the treatment of enslaved workers, the oppression of the lower classes. Her disillusionment grows when she meets Saige Wilde, a mixed-race enslaved girl whose only goal is escaping beyond the borders of their brutal nation.

Texas Ranger Darren Mathews isn’t sure he’s been a good cop, but believes he’s got a shot at being a good man—if he manages to dodge the potential indictment hanging over his head and if he, from here on out, pledges allegiance to the truth. It’s a virtue the country appears to have wholly lost its grip on, but one Darren sees as his salvation. He is in the midst of remaking his life with the woman he loves when he is visited by his mother armed with a tall tale about a missing Black college student, Sera (whose white sorority sisters insist she isn’t missing at all).

Niles has just returned from eight years of serving his country as a Special Forces sniper. He's looking forward to a consulting job with Dynamic Defense and spending time with his family, including his bipolar mother, Lorna, and his hard-drinking uncle, Willie. What Niles doesn't know is that Dynamic Defense is actually a CIA front. He's not interested in joining them, but they won't take no for an answer.

When Hilton was a boy, his grandmother sacrificed her life to save him from drowning. Thirty years later, he begins to suspect that he was never meant to survive that accident, and that dark forces are working to rectify that mistake. When Hilton's wife, the only elected African-American judge in Dade County, Florida, begins to receive racist hate mail from a man she once prosecuted, Hilton becomes obsessed with protecting his family. The demons lurking outside are matched by his internal terrors - macabre nightmares, more intense and disturbing than any he has ever experienced.

Some of the best-known and most influential pieces of crime fiction have been from African American writers. Be it Walter Mosley's great Detective Easy Rawlins, or the mean streets of Harlem at the hands of Chester Himes, the stories and characters in this anthology have shaped the mystery genre with their own unique viewpoints and styles. Contributors to the collection include Robert Greer, Chester Himes, Walter Mosley, Cary Phillips, Frankie Bailey, and Richard Wright.

Two families from different social classes are joined together by an unexpected pregnancy and the child that it produces. Moving forward and backward in time, with the power of poetry and the emotional richness of a narrative 10 times its length, Jacqueline Woodson's extraordinary new novel uncovers the role that history and community have played in the experiences, decisions, and relationships of these families, and in the life of this child.

The Warmest December is the incredibly moving story of one Brooklyn family and the alcoholism that determined years of their lives. Narrated by Kenzie Lowe, a young woman reminiscent of Jamaica Kincaid's Annie John, as she visits her dying father and finds that choices she once thought beyond her control are very much hers to make.

When the seventh child of the Peace family, named Perfect, turns eight, her mother, Emma Jean, tells her bewildered daughter, "You was born a boy. I made you a girl. But that ain't what you was supposed to be. So from now on, you gon' be a boy. It'll be a little strange at first, but you'll get used to it, and this'll be over after while." From this point forward, his life becomes a bizarre kaleidoscope of events. Meanwhile, the Peace family is forced to question everything they thought they knew about gender, sexuality, unconditional love, and fulfillment.

Sixteen-year-old Jake Livingston sees dead people everywhere. But he can't decide what's worse: being a medium forced to watch the dead play out their last moments on a loop or being at the mercy of racist teachers as one of the few Black students at St. Clair Prep. Both are a living nightmare he wishes he could wake up from. But things at St. Clair start looking up with the arrival of another Black student - the handsome Allister - and for the first time, romance is on the horizon for Jake. Unfortunately, life as a medium is getting worse.

Milkman Dead was born shortly after a neighborhood eccentric hurled himself off a rooftop in a vain attempt at flight. For the rest of his life he, too, will be trying to fly. As Morrison follows Milkman from his rustbelt city to the place of his family’s origins, she introduces an entire cast of strivers and seeresses, liars and assassins, the inhabitants of a fully realized Black world.

Liz Rocher is coming home . . . reluctantly. As a Black woman, Liz doesn’t exactly have fond memories of Johnstown, Pennsylvania, a predominantly white town. But her best friend is getting married, so she braces herself for a weekend of awkward, passive-aggressive reunions. Liz has grown, though; she can handle whatever awaits her. But on the night of the wedding, somewhere between dancing and dessert, the newlyweds’ daughter, Caroline, disappears—and the only thing left behind is a piece of white fabric covered in blood.

Louis Armstrong, also known as “Satchmo” and “Pops”, became an American jazz legend in the 1920s. His voice and skill with instruments helped him become a popular musician in a time where America was racially divided. Watch as this skilled musician learns to play, buys his first instrument, and becomes one of the best music makers of the era.

Meticulous and driven Gwen Gilmore knows what she wants… especially in a man. She is newly single and doesn’t have time for lackluster chemistry or mixed signals. But the dating scene proves to be slow and unserious, and she realizes she may need some help. Professional help. A matchmaker, to be more specific. Nothing will distract her from finding a man who checks all the boxes, except maybe her brother’s grumpy best friend who’s just moved into her home.

Almost everything about Wallace is at odds with the Midwestern university town where he is working uneasily toward a biochem degree. An introverted young man from Alabama, black and queer, he has left behind his family without escaping the long shadows of his childhood. For reasons of self-preservation, Wallace has enforced a wary distance even within his own circle of friends—some dating each other, some dating women, some feigning straightness.

Isolated from family and friends because of the one man she thought would be her happily ever after, Scotland is depressed, broke, and a shell of the woman she used to be. But when her man does the unthinkable, it is the last straw, causing Scotland to make a huge gamble in the name of revenge. But when that retaliation follows her home, adding yet another problem to her already hefty plate, Scotland must figure a way out of the hell she now calls life.

Teenager Kath Ella Sebolt wants desperately to escape the town that she equates with deprivation and lack of opportunity. Months after her boyfriend is killed during a clash between young people in the village and Halifax constables, she moves with her infant son to Montreal. After attending college as a single mother and ultimately marrying a white man, she discovers that as much as she tries, severing ties to her former village is not easy.

Published during a literary era marked by the ascendance of Black writers such as Richard Wright, Ralph Ellison, James Baldwin, and Alex Haley, this thinly fictionalized account of Claude Brown’s childhood as a hardened, streetwise criminal trying to survive the toughest streets of Harlem has been heralded as the definitive account of everyday life for the first generation of African Americans raised in the Northern ghettos of the 1940s and 1950s.

The year is 1978. The Duncan brothers and their tough-as-nails women have vanquished their rivals and taken their place as the leaders of Waycross, Georgia's criminal enterprises. However, their rise to power has not gone unnoticed, and the family is rocked when their mother, Miss Bettie, is kidnapped and her body is found in a swamp. No one knows who the killers are, but instead of drawing closer, the family is split when their grief-stricken leader, LC, is offered membership in the South's most powerful black organization, the Council.

When souls are tied, it's never goodbye. A boy I was that summer evening I met you, pulling your belongings out of the truck and into your new home. I knew it was love then. A whole man I was the day that you met me at the altar and agreed to love me until death do us part. A shell of a man I've become since it did, unable to move on, move forward, or progress in any way until I discovered that not even death was permanent enough to keep us apart. A better man I'm destined to be, knowing that, at some capacity, you're still with me. Our love is one that never dies.