African American Literature Fiction

Naughty is as naughty always does, and Jaylin Jerome Rogers never disappoints. The aftermath to the Naughty Series picks up nearly three years later, and the tables have clearly turned. Brenda Hampton delivers another pause-resister full of the dramatic antics of bad-boy Jaylin and the women who can't resist him.

Milkman Dead was born shortly after a neighborhood eccentric hurled himself off a rooftop in a vain attempt at flight. For the rest of his life he, too, will be trying to fly. As Morrison follows Milkman from his rustbelt city to the place of his family’s origins, she introduces an entire cast of strivers and seeresses, liars and assassins, the inhabitants of a fully realized Black world.

Thirty-two-year-old Denise Jackson has everything a woman could ask for: a lovely home in the posh Dallas suburbs, a fancy car, a loving husband, and a beautiful nine-year-old daughter, Deandra. While seemingly having it all, Denise still feels incomplete. Her nine years of marriage to Jeff have been nothing more for her than a marriage of convenience to raise Deandra in a stable two-parent home. She pretends to be happily married, but allows her husband and best friend to carry on an affair, giving Denise time to get better acquainted with her multimillionaire client, Greg Adams.

The Last Street Novel tells the tale of Shareef Crawford, successful African American author of steamy romances, and his journey home to Harlem, where a search for literary inspiration leaves him in the crossfire of a world of thugs and their deadly turf battles. Besieged with more material than he could have imagined, Crawford must fight for his life before he can even begin crafting his narrative.

Ralph Elllison's Invisible Man is a monumental novel, one that can well be called an epic of modern American Negro life. It is a strange story, in which many extraordinary things happen, some of them shocking and brutal, some of them pitiful and touching—yet always with elements of comedy and irony and burlesque that appear in unexpected places. It is a book that has a great deal to say and which is destined to have a great deal said about it.

James Baldwin's groundbreaking novel with a new introduction, Giovanni's Room is set in the Paris of the 1950s, where a young American expatriate finds himself caught between his repressed desires and conventional morality. David has just proposed marriage to his American girlfriend, but while she is away on a trip he becomes involved in a doomed affair with a bartender named Giovanni.

Jonas, the only boy in a family of four children, has always been a fighter. From the neighborhood bullies to the stepfather who uses him and his siblings as punching bags, his life has always been one battle after another. When he crosses paths with rogue homicide detective Louis "Lou" Ceavers, he's offered a bargain that will change the course of his life. Detective Ceavers becomes like a guardian angel and surrogate father to Jonas, teaching him the game and guiding him in his quest for power.

Celie has grown up poor in rural Georgia, despised by the society around her and abused by her own family. She strives to protect her sister, Nettie, from a similar fate, and while Nettie escapes to a new life as a missionary in Africa, Celie is left behind without her best friend and confidante, married off to an older suitor, and sentenced to a life alone with a harsh and brutal husband. In an attempt to transcend a life that often seems too much to bear, Celie begins writing letters directly to God.

In 1930s Mississippi, Mary Johnson hates the oppressive heat, working on her family farm, and having to attend her minister father's church several times a week. But she loves Mason Carter, her musician boyfriend. Both fantasize about living the high life up north in the big city. When William Bevers, a wealthy old preacher, comes to court her, he promises a life of luxury along with money and status for her family. Mary wants nothing to do with him, but her parents decide for her. Determined to avoid a forced marriage, Mary elopes with Mason to the bright lights of Chicago.

I was, in life, to be a gambler, a risk-taker, a swashbuckler, a knight. I accepted, then and there, my place in the world. I was a fighter of windmills. I was a chaser of whales. I was Not Sidney Poitier. Not Sidney Poitier is an amiable young man in an absurd country. The sudden death of his mother orphans him at age eleven, leaving him with an unfortunate name, an uncanny resemblance to the famous actor, and, perhaps more fortunate, a staggering number of shares in the Turner Broadcasting Corporation.

Award-winning poet Danez Smith is a groundbreaking force, celebrated for deft lyrics, urgent subjects, and performative power. Don't Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality - the dangers experienced in skin and body and blood - and a diagnosis of HIV positive. "Some of us are killed / in pieces", Smith writes, "some of us all at once."

Helen wasn't just born the devious vixen of New Day Temple of Faith. There had to be something rooted deep within her to make her inflict and feed off other people's pain. Perhaps it was her own pain that she had suppressed for so many years - an unimaginable pain - that created an internal prison of which her mind was the only captive. But once the demons within her break free, those around her better beware, as Helen surely becomes the epitome of the saying, "Hurt people, hurt people".

Alicia was born to the good life, she's entitled to the best, and she'll do anything to get it. Even if it means piling up thousands of dollars in debt. Even if it means denying to everyone - even herself - that her love of shopping has gotten way out of control.

For Unique, life is good until her dope-dealing boyfriend, Took, is arrested and winds up in jail. Now she's broke as a joke, trying to put every petty hustle into play to chase hard times away from the door. With an empty refrigerator, a stack of bills piling up, a tenth-grade education, a big butt and a smile, it doesn't take long for her to learn to pull the wool over the eyes of any fool who's blinded by her good looks.

All hell has broken loose, and the McPhearson clan is right in the middle of the chaos. After finding out their beloved foster mother, Claudette McPhearson, was anything but the sweet old woman they thought her to be, Javon, Shanelle, and the rest of their siblings hit the ground running in order to keep the Syndicate operating and to keep themselves alive. That also means they have to lose some of the people they love the most.

In this stirring prequel, New York Times best-selling author Mary Monroe returns to the “cold-blooded yet fascinating” ( Publishers Weekly) character from her acclaimed novel The Upper Room. Ruby is a wild youth, with a thirst for boys and booze by the age of 15. When she discovers she’s pregnant, the only person she can confide in is her best friend Othella. But Othella talks Ruby into giving up the child, leaving Ruby emotionally shattered and adamant that Othella is to blame for her loss.

Meet Heaven: a young girl who is loving, submissive, and beyond appreciative of her husband, Ross. As a teenager, Heaven lived solely for her sister, Divine, and her daughter, Sunshine. Because her mother is mentally ill and her father ran off, Heaven had to do some unimaginable things just to feed the family. Then came Ross, and everything changed. He wasn't some filthy rich, dope boy that some young girls dream of, but Heaven felt like Ross was her blessing.

Paige Michaels seems to have the perfect family. But she's beginning to feel like her man is just using her - and he might have another woman. Maybe it's time to finally let go. If Paige hadn't played house back in college and gotten pregnant, she could have done better for herself. But that's the past - what's she gonna do now?

Sex, love, drugs, and music are just a few of the Carter boys’ daily dealings. Drama follows them everywhere, especially being the largest, most dangerous organization the city of Atlanta has ever seen. The women who want to be with them and the men who want to be just like them can easily get lost in the shuffle when the target is constantly moving to a new Carter’s back. So, what happens when a slick-mouth girl from Brooklyn decides to go off to college in the unofficial capital of the South? She is quickly introduced to the Atlanta lifestyle....

''It's the penthouse or the morgue.'' This is the philosophy adopted by Keshawn Wilson, a.k.a. ''K-Dawg',' self-proclaimed lord of the streets. Keshawn is the youngest of five kids and one of only two that doesn't belong to his mother's husband. As a little boy he feels the distance between he and his stepfather, and life becomes increasingly difficult for him as the years pass. His childhood and young adult years are spent in a home for boys and state prison, where he serves time for manslaughter.