African American Literature Fiction

In 1916, Celia Coleman and Lucy Grimes flee the racism and poverty of their homes in the post-Civil War South for the “Promised Land” of the North. But soon they learn that even in Vauxhall, New Jersey, black women are mainly hired for domestic work, money is scarce, children don’t progress in school, and black men die young. Within a few short years, both women’s husbands are dead. Left to navigate this unwelcoming place alone, Celia and Lucy turn to one another for support in raising their children far from home.

In Morrison’s acclaimed first novel, Pecola Breedlove—an 11-year-old Black girl in an America whose love for its blond, blue-eyed children can devastate all others—prays for her eyes to turn blue: so that she will be beautiful, so that people will look at her, so that her world will be different. This is the story of the nightmare at the heart of her yearning, and the tragedy of its fulfillment.

In Paradise - her first novel since she was awarded the Nobel Prize for Literature - Toni Morrison gives us a bravura performance. As the book begins deep in Oklahoma early one morning in 1976, nine men from Ruby (pop. 360), in defense of "the one all-black town worth the pain", assault the nearby Convent and the women in it. From the town's ancestral origins in 1890 to the fateful day of the assault, Paradise tells the story of a people ever mindful of the relationship between their spectacular history and a void.

In weekly phone calls to his daughter in Australia, widower Hubert Birdpaints a picture of the perfect retirement, packed with fun, friendship, and fulfillment. But it's a lie. In reality, Hubert's days are all the same, dragging on without him seeing a single soul. Until he receives some good news - good news that in one way turns out to be the worst news ever, news that will force him out again, into a world he has long since turned his back on.

Originally published in 1953, Go Tell It on the Mountain was James Baldwin's first major work, based in part on his own childhood in Harlem. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson of the minister of a Pentecostal storefront church in Harlem.

On October 20, 1973, in San Francisco, a White couple strolling down Telegraph Hill was set upon and butchered by four young Black men. Thus began a reign of terror that lasted six months and left 15 Whites dead and the entire city in a state of panic. The perpetrators wanted nothing less than a race war.

Harlow Shaw feels naïve for believing in happily ever afters, but she craves a love that lights her up. She thinks she has it all with her boyfriend—Until his promising baseball career overshadows their relationship, and he asks her a life-changing question. It causes her to wonder if what they have is all she ever truly wanted. Harlow is yearning for more than the curated life she is living. A trip to Bali, a move to Seattle, and an alleged burned cup of coffee lead her to a friendship she didn't know she needed and a love so deep she can feel it in her bones.

It's 2017 at the University of Arkansas. Millie Cousins, a senior resident assistant, wants to graduate, get a job, and buy a house. So when Agatha Paul, a visiting professor and writer, offers Millie an easy yet unusual opportunity, she jumps at the chance. But Millie's starry-eyed hustle becomes jeopardized by odd new friends, vengeful dorm pranks, and illicit intrigue.

In Choosing Sides, Malek became affiliated with the North Side's biggest kingpin, and Halleigh was manipulated into the streets by his South Side adversary. North versus South, love versus loyalty, and lies versus truth. Now the saga continues in Working Girls, as we are introduced to the Manolo Mamis, the baddest chicks in the game. They're playin' for keeps, and their services come with a price - an expensive one.

Cassandra Williams is twelve; her little brother, Wayne, is seven. One day, when they’re alone together, there is an accident and Wayne is lost forever. His body is never recovered. The missing boy cleaves the family with doubt. Their father leaves, starts another family elsewhere. But their mother can’t give up hope and launches an organization dedicated to missing children. As C grows older, she sees her brother everywhere: in bistros, airplane aisles, subway cars.

A Charleston belle with slavery on her conscience. A slave with rebellion in her heart. In South Carolina in 1858, no friendship could be more dangerous.

Along the streets of Manhattan, a young Nigerian doctor doing his residency wanders aimlessly. The walks meet a need for Julius: They are a release from the tightly regulated mental environment of work, and they give him the opportunity to process his relationships, his recent breakup with his girlfriend, his present, his past. Though he is navigating the busy parts of town, the impression of countless faces does nothing to assuage his feelings of isolation.

A retired employee of the Illinois Department of Motor Vehicles, Mrs. Washington runs the mean, cold streets of Chi-town messing with all types of young thugs with multiple felonies. A widow for some time now, Vernita is determined to make up for her stale marriage. However, when a major health scare sets her back, she finds herself losing everything. Reality sets in that her time on Earth is about to come to a close. Now faced with a death sentence, Vernita seeks to live out her remaining days being the biggest old super freak.

Neither of them was looking for the other. Neither of them intended to fall in love. And now, neither of them wants to let go.

Founded in the late 1800s by the son of Frederick Douglass, Highland Beach along the Chesapeake Bay is the oldest Black resort community in America. Inside this proud and secluded beach community of about 100 private homes is Olivia Jones’s legacy. But Oliva’s legacy comes with thorns—intertwined are secrets of her aunt’s death; a controlling grandmother who is determined to crush anyone or anything that will interfere with her son’s political career; and a father who wants to rebuild the family he rejected decades ago.

Someday, Maybe is a stunning, witty debut novel about a young woman’s emotional journey through unimaginable loss, pulled along by her tight-knit Nigerian family, a posse of friends, and the love and laughter she shared with her husband.

I forget things too. It makes me sad. Or it makes me the saddest. The sadness is not really about George W. or our American optimism; the sadness lives in the recognition that a life can not matter. The award-winning poet Claudia Rankine, well known for her experimental multigenre writing, fuses the lyric and the essay in this politically and morally fierce examination of solitude in the rapacious and media-driven assault on selfhood that is contemporary America.

It’s 1986, the heart of the Cold War, and Marie Mitchell is an intelligence officer with the FBI. She’s brilliant, but she’s also a young Black woman working in an old boys’ club. Her career has stalled out, she’s overlooked for every high-profile squad, and her days are filled with monotonous paperwork. So when she’s given the opportunity to join a shadowy task force aimed at undermining Thomas Sankara, the charismatic revolutionary president of Burkina Faso whose Communist ideology has made him a target for American intervention, she says yes.

Healing requires separation. When Ethic discovers malice in a woman he thought was perfect, he walks away from their love. Keeping his family safe is his main priority, and falling for Alani Lenika Hill is dangerous. The history of their love haunts him, however, and getting over her isn't easy. Alani has beguiled his two youngest children and they crave her presence as much as Ethic. They want a mother. He wants a woman, but with ghosts and lies between them, the couple is forced apart yet again.

Queenie Jenkins is a 25-year-old Jamaican British woman living in London, straddling two cultures and slotting neatly into neither. She works at a national newspaper, where she’s constantly forced to compare herself to her white middle-class peers. After a messy breakup from her White long-term boyfriend, Queenie seeks comfort in all the wrong places...including several hazardous men who do a good job of occupying brain space and a bad job of affirming self-worth.