African American Literature Fiction

You are cordially invited to the wedding of Amerie Cross and Arnold Hightower.

From the best-selling author of Deacon King Kong (an Oprah Book Club pick) and The Color of Water comes the story of a young boy born a slave who joins John Brown’s antislavery crusade - and who must pass as a girl to survive. Henry Shackleford is a young slave living in the Kansas Territory in 1856 - a battleground between anti - and pro-slavery forces - when legendary abolitionist John Brown arrives. When an argument between Brown and Henry's master turns violent, Henry is forced to leave town.

In the previous installment, Owen was faced with her haunting past, and with nowhere to run. Having let her guard down due to being with the handsome and protective Conquer, will she be able to get away unlike the last time? Or will the perpetrator strike again, ruining the progress Owen has made personally and romantically? If so, Owen will quickly realize that Conquer loves very hard and is extremely zealous when it comes to his La Bella. Now that Conquer has decided to go against the grain and make Owen his official girl, he is forced to deal with the many people that don't agree.

Meet Ceazia, a very attractive, very good girl who has just left the safety of her parents' home and entered into the world of bad boys and fast money. Ceazia thinks the world belongs to her when she meets Vegas, one of the Tidewater, Virginia, area's most notorious drug dealers. Even though a relationship with Vegas goes against everything her parents taught her, she still can't resist his bad boy persona.

Thirty years ago, Amelia Vaux Tanner and her husband built a house high on the bluffs, a cottage they named Chateau Laveau. For decades, “Ama” played host to American presidents, Wall Street titans, and cultural icons. But her favorite guests have always been her three “goddaughters”: Esperanza “Perry” Soto, a beautiful, talented Afro-Latina lawyer with Ama’s strong, yet guarded personality; Olivia Jones, a gifted Wall Street analyst with Ama’s brilliant, logical mind; and Billie Hayden, a gifted marine biologist and rule-breaker with Ama’s courageous free spirit.

Baxter’s name isn’t George. But it’s 1929, and Baxter is lucky enough, as a Black man, to have a job as a sleeping car porter on a train that crisscrosses the country. So when the passengers call him George, he has to just smile and nod and act invisible. What he really wants is to go to dentistry school, but he’ll have to save up a lot of nickel and dime tips to get there, so he puts up with “George.” On this particular trip out west, the passengers are more unruly than usual, especially when the train is stalled for two extra days.

For a thousand years, Doro has cultivated a small African village, carefully breeding its people in search of seemingly unattainable perfection. He survives through the centuries by stealing the bodies of others, a technique he has so thoroughly mastered that nothing on Earth can kill him. But when a gang of New World slavers destroys his village, ruining his grand experiment, Doro is forced to go west and begin anew. He meets Anyanwu, a centuries-old woman whose means of immortality are as kind as his are cruel. Now they begin a struggle that will last centuries.

Kimera Davis finds comfort in dating married men. It's easier that way. Her needs are taken care of, and she doesn't have to give more of herself than she wants to. No messy feelings involved. But when the man she's seeing poses an unexpected question, Kimera quickly realizes she's not the only woman pulled in by his charm. Their new arrangement doesn't require much from Kimera, but she soon discovers someone else is pulling the strings. She's not looking for complications, yet she can't help feeling there's something devious at play.

When Lilith lyapo wakes from a centuries-long sleep, she finds herself aboard the vast spaceship of the Oankali. She discovers that the Oankali—a seemingly benevolent alien race—intervened in the fate of the humanity hundreds of years ago, saving everyone who survived a nuclear war from a dying, ruined Earth and then putting them into a deep sleep. After learning all they could about Earth and its beings, the Oankali healed the planet, cured cancer, increased human strength, and they now want Lilith to lead her people back to Earth—but salvation comes at a price.

Captured by slave traders when only 15, At-mun never forgot his roots as a prince. Nor did he ever lose his princely dignity and the courage to hold his head high. Sold at auction in America and haunted by the memory of his young sister left behind in Africa, At-mun, now Amos, began his long march to freedom. He dreamed of being free and of buying the freedom of his closest friends.

Yetu holds the memories for her people - water-dwelling descendants of pregnant African slave women thrown overboard by slave owners - who live idyllic lives in the deep. Their past, too traumatic to be remembered regularly, is forgotten by everyone, save one - the historian. This demanding role has been bestowed on Yetu. Yetu remembers for everyone, and the memories, painful and wonderful, traumatic and terrible and miraculous, are destroying her. And so, she flees to the surface, escaping the memories, the expectations, and the responsibilities.

Gorgeous Nicole is about to get everything she's hustled for. She's having her rich, married lover Rashad's baby. And a lucky break has made her a media heroine - and the perfect new wife material. With one more deception here, a couple more little seductions there, she'll finally push Rashad's wife, Kiara, completely out of his life. With her formidable competition gone, Nicole will lock down Rashad's ever-wandering interest and be the next Mrs. Eason for sure.

Taught by her drug-addict mother to get hers by any means necessary, Tionna's heart is cold, but she holds a warm place in it for Duhan, the father of her two sons, her on-again-off-again boyfriend since they were teenagers, her knight in shining armor. But with Dunham behind bars and everything she loves seized, she finds herself starting over in the same neighborhood that she swore she'd never return to.

Mayme and Katie have become friends, which is unusual given that their friendship has spouted at the end of the Civil War and that Mayme is a former slave, while Katie is the daughter of a plantation owner. Both girls have been orphaned by the war, left alone on Katie's family plantation. The land is the one thing they still share, and they don't want to leave it. But if anyone finds out the two of them live there alone, they will be forced to move.

Award-winning poet Danez Smith is a groundbreaking force, celebrated for deft lyrics, urgent subjects, and performative power. Don't Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality - the dangers experienced in skin and body and blood - and a diagnosis of HIV positive. "Some of us are killed / in pieces", Smith writes, "some of us all at once."

David Champlin is a Black man born into poverty in Depression-era New Orleans who achieves great success and then sacrifices everything to lead his people in the difficult, day-by-day struggle of the civil rights movement. Sara Kent is the beloved and vital White girl who loved David from the moment she first saw him, but they struggled over David's belief that a marriage for them would not be right in the violent world he had to confront.

A collection of Christmas stories written by African American journalists, activists, and writers from the late 19th century to the modern civil rights movement. This landmark collection features writings from well-known black writers, activists, and visionaries such as Pauline Hopkins, Langston Hughes, and John Henrik Clark along with literary gems from rediscovered writers. Originally published in African American newspapers, periodicals, and journals between 1880 and 1953, these enchanting Christmas tales are part of the black literary tradition that flourished after the Civil War.

Nel and Sula's devotion is fierce enough to withstand bullies and the burden of a dreadful secret. It endures even after Nel has grown up to be a pillar of the black community and Sula has become a pariah. But their friendship ends in an unforgivable betrayal—or does it end? Terrifying, comic, ribald and tragic, Sula is a work that overflows with life.

They say that good girls like bad boys, and this was especially true for Pearl Stone, a child born of privilege to a drug baron and reputed killer known in the streets as Big Stone. Although the flashy, fast-paced nature of the streets calls to Pearl, she's been brought up to look but not touch. Yet when a young hustler named Diamonds crawls up from the swamps of Louisiana and sets up shop in New York City, everything Pearl was taught flies out the window.

Celie has grown up poor in rural Georgia, despised by the society around her and abused by her own family. She strives to protect her sister, Nettie, from a similar fate, and while Nettie escapes to a new life as a missionary in Africa, Celie is left behind without her best friend and confidante, married off to an older suitor, and sentenced to a life alone with a harsh and brutal husband. In an attempt to transcend a life that often seems too much to bear, Celie begins writing letters directly to God.