African American Literature Fiction

Two young people meet at a pub in South East London. Both are Black British, both won scholarships to private schools where they struggled to belong, both are now artists - he a photographer, she a dancer - trying to make their mark in a city that by turns celebrates and rejects them. Tentatively, tenderly, they fall in love. But two people who seem destined to be together can still be torn apart by fear and violence.

Young Lensinda Martin is a protegee of a crusading Black journalist in mid-18th century southwestern Ontario, finding a home in a community founded by refugees from the slave-owning states of the American south—whose agents do not always stay on their side of the border. One night, a neighbouring farmer summons Lensinda after a slave hunter is shot dead on his land by an old woman recently arrived via the Underground Railroad. When the old woman, whose name is Cash, refuses to flee before the authorities arrive, the farmer urges Lensinda to gather testimony from her before Cash is condemned.

Originally published in 1953, Go Tell It on the Mountain was James Baldwin's first major work, based in part on his own childhood in Harlem. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson of the minister of a Pentecostal storefront church in Harlem.

In September 1969, a fumbling, cranky old church deacon known as Sportcoat shuffles into the courtyard of the Cause Houses housing project in south Brooklyn, pulls a .38 from his pocket, and, in front of everybody, shoots the project's drug dealer at point-blank range. The reasons for this desperate burst of violence and the consequences that spring from it lie at the heart of Deacon King Kong, James McBride's funny, moving novel and his first since his National Book Award-winning The Good Lord Bird.

Thelonious "Monk" Ellison's writing career has bottomed out: his latest manuscript has been rejected by seventeen publishers, which stings all the more because his previous novels have been "critically acclaimed." He seethes on the sidelines of the literary establishment as he watches the meteoric success of We's Lives in Da Ghetto, a first novel by a woman who once visited "some relatives in Harlem for a couple of days."

In weekly phone calls to his daughter in Australia, widower Hubert Birdpaints a picture of the perfect retirement, packed with fun, friendship, and fulfillment. But it's a lie. In reality, Hubert's days are all the same, dragging on without him seeing a single soul. Until he receives some good news - good news that in one way turns out to be the worst news ever, news that will force him out again, into a world he has long since turned his back on.

Canisia Lubrin's debut fiction is that rare work of art—a brilliant, startlingly original book that combines immense literary and political force. Its structure is deceptively simple: it departs from the infamous real-life “Code Noir,” a set of historical decrees originally passed in 1685 by King Louis XIV of France defining the conditions of slavery in the French colonial empire. The original Code had fifty-nine articles; Code Noir has fifty-nine linked fictions—vivid, unforgettable, multi-layered fragments filled with globe-wise characters who desire to live beyond the ruins of the past.

Kimera Davis finds comfort in dating married men. It's easier that way. Her needs are taken care of, and she doesn't have to give more of herself than she wants to. No messy feelings involved. But when the man she's seeing poses an unexpected question, Kimera quickly realizes she's not the only woman pulled in by his charm. Their new arrangement doesn't require much from Kimera, but she soon discovers someone else is pulling the strings. She's not looking for complications, yet she can't help feeling there's something devious at play.

For Reece and Qwess, being rap superstars was the dream, but in real life, nothing moved without the money. So they formed the Crescent Crew, an outfit of young, ruthless hustlers who locked the Southern drug trade in a stranglehold. They're at the height of their power when Qwess is offered a record deal from a major label. He accepts and makes plans for his whole crew to go legit, but Reece enjoys his position as king of the streets and has no desire to relinquish his crown.

Thanks to James Johnson's ground-breaking technology, the drug game and oil exports are now on life support. His prophecy has been fulfilled. However, the Saudi Arabian Oil King, Shalik Khalid, has unleashed a vicious death squad on American soil. The message is clear, and now the surviving members of the Johnson clan must regroup, while the architect of their movement lies in critical condition. The reigns have been passed down and now there exists one logical decision for the heirs to the throne. "Bring to them what they brought to us!"

Dontay Walker had it rough growing up in the projects with a drug-addicted mother who forced him to become a man at the young age of 15. His father was a rolling stone, having multiple children with many women. Dontay always fought for his father's attention - until taking his spot became more important than gaining his love. Now, at the age of 30, Don is the leader of one of the most successful and most feared drug organizations in the city of Philadelphia.

A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court, Paul Beatty's The Sellout showcases a comic genius at the top of his game. It challenges the sacred tenets of the United States Constitution, urban life, the civil rights movement, the father-son relationship, and the holy grail of racial equality: the black Chinese restaurant.

Set in 1950s New Orleans, Little Black Girl Lost is a powerful tale filled with sex, greed, and the explosive political and social climates of an America long gone. Fifteen-year-old beauty Johnnie Wise lives her life devoted to God. But her innocence is shattered when her mother, who has been a prostitute for years, sells Johnnie's body to lecherous insurance man Earl Shamus.

Raised on the deadly streets of New Orleans, James Johnson is displeased and disheartened by the drug game and the sickness it's inflicting on his race. Unexpectedly, James has befriended America's most wanted and deadliest fugitive, Osama Bin Laden. Now he and Osama have joined forces in an effort to eliminate the nation's drug trade.

In this compelling urban tale, Karim Spencer becomes a successful businessman - despite being raised by a bootlegger in a bad section of town. His sister is a down-on-her-luck stripper with a gangsta-wannabe son, and his despondent brother is serving a life sentence for a murder he didn't commit.

Gigi Costner needs four million dollars she doesn't have and time she hasn't got. Her ex-con ex-lover swears to make her pay for the multimillion-dollar stash of diamonds she stole as she ditched him for a new life as a suburban wife. With time running out, will Gigi's new plan get her in front of the drama or drag her back into hood madness...?

Yetu holds the memories for her people - water-dwelling descendants of pregnant African slave women thrown overboard by slave owners - who live idyllic lives in the deep. Their past, too traumatic to be remembered regularly, is forgotten by everyone, save one - the historian. This demanding role has been bestowed on Yetu. Yetu remembers for everyone, and the memories, painful and wonderful, traumatic and terrible and miraculous, are destroying her. And so, she flees to the surface, escaping the memories, the expectations, and the responsibilities.

A Charleston belle with slavery on her conscience. A slave with rebellion in her heart. In South Carolina in 1858, no friendship could be more dangerous.

Philadelphia, 1837. After Charlotte escaped from the crumbling White Oaks plantation down South, she’d expected freedom to feel different from her former life as an enslaved housemaid. After all, Philadelphia is supposed to be the birthplace of American liberty. Instead, she’s locked away playing servant to her white-passing father, as they both attempt to hide their identities from slavecatchers who would destroy their new lives.

Twenty-five year old Calla Williams is struggling since becoming guardian to her brother, Jamie. Calla is overwhelmed and tired of being the one who makes sacrifices to keep the family together. When Jamie’s actions at a protest spiral out of control, the siblings must go on the run. Taking refuge in a remote cabin that looks like it belongs on a slasher movie poster rather than an AirBNB, the siblings now face a new threat where their lives–and reality–hang in the balance. Their sister always warned them about her nightmares. They really should have listened.