African American Literature Memoirs

John Edgar Wideman’s “slaveroad” is a palimpsest of physical, social, and psychological terrain, the great expanse to which he writes in this groundbreaking work that unsettles the boundaries of memoir, history, and fiction. The slaveroad begins with the Atlantic Ocean, across which enslaved Africans were carried, but the term comes to encompass the journeys and experiences of Black Americans since then and the many insidious ways that slavery separates, wounds, and persists.

The Burden, edited by award-winning Detroit newspaper columnist Rochelle Riley, is a powerful collection of essays that create a chorus of evidence that the burden is real. The Burden expresses the voices of well-known Americans, such as actor/director Tim Reid who compares slavery to a cancer diagnosis, and former Detroit News columnist Betty DeRamus who recounts the discrimination she encountered as a young Black Detroiter in the south.

World-renowned poet and Professor of African American Studies at U.C., Berkeley, June Jordan writes a deeply personal memoir of her formative years. June recalls her childhood experiences and reveals the duality of her parents’ influence on her stellar achievement as a poet. The first 12 years in Harlem were both peaceful and tumultuous for June, as she was raised the daughter of dirt-poor West Indian immigrants.

Society has created many great men; yet before they were great, they were persecuted. During their plights, they stood up for what they believed in; even when others were afraid to stand. They were galvanized by truths, which created followers. It was then that trends emerged. The trends contradicted the norm and uprooted communities, which created fear. Society rejects what it does not understand. The unknown makes them tremble. The thought makes them cower.

Within a few years of its first issue in 1951, Jet, a pocket-sized magazine, became the "bible" for news of the civil rights movement. It was said, only half-jokingly, "If it wasn't in Jet, it didn't happen." Writing for the magazine and its glossy, big sister Ebony, for 53 years, longer than any other journalist, Washington bureau chief Simeon Booker was on the front lines of virtually every major event of the revolution that transformed America.

In Look For Me and I’ll Be Gone, his sixth collection of stories, John Edgar Wideman imbues with energy and life the concerns that have consistently infused his fiction and nonfiction. How does it feel to grow up in America, a nation that - despite knowing better, despite its own laws, despite experiencing for hundreds of years the deadly perils and heartbreak of racial division - encourages (sometimes unwittingly, but often on purpose) its citizens to see themselves as colored or white, as inferior or superior.

Born into slavery in Kentucky, raised on the Western frontier on the farm adjacent to Daniel Boone’s, “rented” out in adolescence to a succession of steamboat captains on the Mississippi and Missouri rivers, the young man known as “Sandy” reinvented himself as “William Wells” Brown after escaping to freedom. He lifted himself out of illiteracy and soon became an innovative, widely admired, and hugely popular speaker on antislavery circuits (both American and British) and went on to write the earliest African American works in a plethora of genres....

Moving from a brownstone in Bed-Stuy, Brooklyn, to a housing project in the small town of Plainfield, New Jersey, young Kamil is exposed to another world and a different breed of people. Bonded by the pain caused by their absentee fathers, Kamil and his brother befriend a group of boys from the neighborhood, forming an unbreakable bond. The boys vow not to travel down the same road as their dads, making a pact to stay in school and out of the streets.

Twelve Years a Slave is the autobiographical account of Solomon Northup, an African American who was born free in New York in the early 1800s. In 1841, Solomon Northup was captured and forced into slavery for a period of twelve years. Northup's account is detailed in its account of life on a cotton and sugar plantation and the daily routine of slave life during the first part of the 19th century.

In this startling group memoir, four friends - Black and White, gay and straight, immigrant and American-born - use Toni Morrison’s novels as a springboard for intimate and revealing conversations about the problems of everyday racism and living whole in times of uncertainty. Tackling everything from first love and Soul Train to police brutality and the Black Lives Matter movement, the authors take up what it means to read challenging literature collaboratively and to learn in public as an act of individual reckoning and social resistance.

Written in the tradition of works by Joan Didion, bell hooks, Toni Morrison, and Eve Ensler, this “profoundly insightful and brilliantly inciting” (Dominique Morisseau, Obie Award-winning playwright) exploration of the soul of the United States - the past, the present, and the future Kevin Powell wants for us all, through the lens and lives of three major figures: his mother, Barack Obama, and Donald Trump.

Uplifting and occasionally heartbreaking stories of love from the time of slavery in the American south.

12 Years a Slave is the harrowing account of a Black man, born free in New York State, who was drugged, kidnapped, and sold into slavery in 1841. Having no way to contact his family, and fearing for his life if he told the truth, Solomon Northup was sold from plantation to plantation in Louisiana, toiling under cruel masters for twelve years before meeting Samuel Bass, a Canadian who finally put him in touch with his family, and helped start the process to regain his freedom.

Acclaimed author Marita Golden is a respected voice in both fiction and nonfiction. She is also the founder and CEO of theHurston/Wright Foundation, whose mission is to develop, nurture and sustain the world community of writers of African descent. In this thoughtful and personal work, Golden tackles the dangerous notion that it is preferable for African-Americans to have lighter instead of darker complexions.

Seen around the world, John Carlos and Tommie Smith’s Black Power salute on the 1968 Olympic podium sparked controversy and career fallout. Yet their show of defiance remains one of the most iconic images of Olympic history and the Black Power movement. Here is the remarkable story of one of the men behind the salute, lifelong activist John Carlos.

Maya Angelou: A Glorious Celebration offers an unusual and irresistible look at her life and her myriad interests and accomplishments. Created by the people who know her best - her longtime friends Marcia Ann Gillespie and Richard A. Long, and her niece, Rosa Johnson Butler - it captures Angelou at home, at work, and in the public eye.

Walking Gentry Home tells the story of Alora Young’s ancestors, from the unnamed women forgotten by the historical record but brought to life through Young’s imagination; to Amy, the first of Young’s foremothers to arrive in Tennessee, buried in an unmarked grave, unlike the white man who enslaved her and fathered her child; through Young’s great-grandmother Gentry, unhappily married at fourteen; to her own mother, the teenage beauty queen rejected by her white neighbors.

We've heard the name "Condoleezza Rice" over and over again as the spokesperson for President George W. Bush in matters of national security and foreign affairs. She presented a balanced, firm, unafraid presence to the country after the terrible events of September 11, 2001, as she spoke to the media and the public on behalf of the President. And, when the President has something to say about our friends and foes overseas, "Condi," as she is known to her friends, is usually standing in the background.

Former Washington Post columnist Donna Britt’s memoir presents an honest and thoughtful look at a life spent giving to others. In 1977, Britt lost one of her brothers in a senseless police shooting. Plagued by her grief, she spent the next three decades putting her own needs aside to care for the men in her life.

Born in 1937 and raised by her physician great aunt, chorus-line dancing grandmother, and glamorous murdermystery writing mother, psychotherapist Carole Ione knew more about the men in her family than she did about her secretive female forbearers. This critically acclaimed memoir is the lyrical fruit of an 18-year quest for her maternal roots. This is the fascinating truth of the complexities of race and class that make up her family.