African American Memoirs

The Radio City Rockettes are as American as baseball, hot dogs, and the Fourth of July. Their legendary synchronized leg kicks, precise lines, and megawatt smiles have charmed audiences for a century. But there is a hidden side to this illustrious national institution. Like Gelsey Kirkland’s iconic Dancing on My Grave, Becoming Spectacular allows us to walk in Jones’ tap shoes—beautiful and glittering, yet painful and binding. Bringing into focus the wounded life of a trailblazer, this searing memoir is also a triumphant celebration of a spirit who refused to be counted out.

LeBron James is the hero in two very American tales: one, a success story the nation loves; the other, the latest installment in an ongoing chronicle of American antiblackness. James has lived in the public eye ever since high school when his extraordinary athletic skills subjected his every action, every statement, every fashion choice to intense public scrutiny that tells us less about James himself and more about a nation still wrestling with many social inequities.

Ella Fitzgerald (1917-1996) possessed one of the twentieth century's most astonishing voices. Historian Judith Tick offers a sublime portrait of this ambitious risk-taker whose exceptional musical spontaneity made her a transformational artist. Becoming Ella Fitzgerald clears up long-enduring mysteries. Archival research and in-depth family interviews shed new light on the singer's difficult childhood, the tragic death of her mother, and the year she spent in a girls' reformatory school—where she sang in its renowned choir and dreamed of being a dancer.

Langston Hughes, born in 1902, came of age early in the 1920s. In The Big Sea he recounts those memorable years in the two great playgrounds of the decade - Harlem and Paris. In Paris he was a cook and waiter in nightclubs. He knew the musicians and dancers, the drunks and dope fiends. In Harlem he was a rising young poet - at the center of the "Harlem Renaissance." Arnold Rampersad writes in his incisive new introduction to The Big Sea, an American classic: "This is American writing at its best...."

Junius Wilson (1908-2001) spent 76 years at a state mental hospital in Goldsboro, North Carolina, including 6 in the criminal ward. He had never been declared insane by a medical professional or found guilty of any criminal charge. But he was deaf and Black in the Jim Crow South. Unspeakable is the story of his life.

Red Tails, George Lucas’s celebration of America’s first Black flying squadron, the Tuskegee Airmen, should have been a moment of victory for Doug Melville. He expected to see his great-uncle Benjamin O. Davis Jr.—the squadron’s commander—immortalized on-screen for his selfless contributions to America. But as the film rolled, Doug was shocked when he realized that Ben Jr.’s name had been omitted and replaced by the fictional Colonel A. J. Bullard. And Ben’s father, Benjamin O. Davis Sr., America’s first Black general who helped integrate the military, was left out completely.

When Shane McCrae was three years old, his grandparents kidnapped him and took him to suburban Texas. His mom was white and his dad was Black, and to hide his Blackness from him, his maternal grandparents stole him from his father. In the years that followed, they manipulated and controlled him, refusing to acknowledge his heritage—all the while believing they were doing what was best for him.

On June 17, 2015, 12 members of the historically black Emanuel AME Church in Charleston, South Carolina welcomed a young white man to their evening Bible study. He arrived with a pistol, 88 bullets, and hopes of starting a race war. Dylann Roof’s massacre of nine innocents during their closing prayer horrified the nation. In Grace Will Lead Us Home, Pulitzer Prize-winning journalist Jennifer Berry Hawes provides a definitive account of the tragedy’s aftermath.

The Narrative of the Life of Frederick Douglass was published in 1845; it is a memoir and treatise on abolition written by the famous author and former slave Frederick Douglass. The book includes two introductions by well-known abolitionists: a preface by William Lloyd Garrison, and a letter by Wendell Phillips, both confirming the veracity of the account and the literacy of its author. It is generally considered to be the most famous of a number of abolition narratives written by former slaves in the same era.

A powerful wartime saga in the best-selling tradition of Flags of Our Fathers, Brothers in Arms recounts the extraordinary story of the 761st Tank Battalion, the first all-Black armored unit to see combat in World War II.

From the New York Times bestselling author of The Good Lord Bird, winner of the 2013 National Book Award for Fiction, Deacon King Kong, and Five-Carat Soul, Kill ’Em and Leave is more than a book about James Brown. Brown embodied the contradictions of American life: He was an unsettling symbol of the tensions between North and South, Black and White, rich and poor. After receiving a tip that promises to uncover the man behind the myth, James McBride goes in search of the “real” James Brown.

In August 1955, a fourteen-year-old African American, Emmett Till, was visiting family in Mississippi when he was kidnapped from his bed in the middle of the night by two White men and brutally murdered. His crime: allegedly whistling at a White woman in a convenience store. The killers were eventually acquitted.

The Burden, edited by award-winning Detroit newspaper columnist Rochelle Riley, is a powerful collection of essays that create a chorus of evidence that the burden is real. The Burden expresses the voices of well-known Americans, such as actor/director Tim Reid who compares slavery to a cancer diagnosis, and former Detroit News columnist Betty DeRamus who recounts the discrimination she encountered as a young Black Detroiter in the south.

Will Jawando tells a deeply affirmative story of hope and respect for men of color. As a boy growing up outside DC, Will, who went by his Nigerian name, Yemi, never quite fit in. He was a Black kid with a divorced white mother, a frayed relationship with his biological father, and teachers who scolded him for being disruptive in class. Eventually, he became close to Kalfani, a kid he looked up to. Years after he got the call that Kalfani was dead, another casualty of gun violence, Will looks back on the extraordinary mentors that enabled him to thrive.

In The Black Calhouns, Gail Lumet Buckley - daughter of actress Lena Horne - delves deep into her family history, detailing the experiences of an extraordinary African American family from Civil War to civil rights. Beginning with her great-great-grandfather, Moses Calhoun, a house slave who used the rare advantage of his education to become a successful businessman in postwar Atlanta, Buckley follows her family's two branches: one that stayed in the South and the other that settled in Brooklyn.

A history of the activism and achievement of African American athletes from Jesse Owens to Serena Williams to Colin Kaepernick, who advanced the cause of social justice through their outspokenness, commitment, and integrity. Muhammad Ali refused to fight in a war he believed was immoral. Wilma Rudolph retired from track and field to campaign for civil rights. Taking a Knee, Taking a Stand tells their stories and the stories of other prominent African American male and female athletes who often risked their careers to fight racial discrimination and promote social justice.

Meet. Love. Break. Recover. That’s been the routine of Staceyann Chin’s romantic life. But at 35, after yet another devasting breakup and overcome by an urgent and all-consuming desire to have a child, Chin realizes she’s running out of time. So she sets her sights on a single target: motherhood.

The Names of All the Flowers connects one tragic death to a collective grief for all Black people who die too young. A lyrical recounting of a life lost, Melissa Valentine’s debut memoir is an intimate portrait of a family fractured by the school-to-prison pipeline and an enduring love letter to an adored older brother. It is a call for justice amid endless cycles of violence, grief, and trauma, declaring: “We are all witness and therefore no one is spared from this loss.”

In her senior year of college, asha bandele and a group of other writers went to a prison to read their works for a Black History Month program. There, she met Rashid, a man who was serving 20 to life for murder, a man who spoke softly and wisely, a man who would become asha’s soul mate. This is her account of a relationship that has thrived despite terrific odds.

When Cassandra Lane finds herself pregnant at 35, the knowledge sends her on a poignant exploration of memory to prepare for her entry into motherhood. She moves between the 20th-century rural South and present-day Los Angeles, reimagining the intimate life of her great-grandparents Mary Magdelene Magee and Burt Bridges, and Burt’s lynching at the hands of vengeful White men in his Southern town.