African American Politics

Nadine Cohodas's biography of the passionate, talented and difficult, but ultimately lovable, Nina Simone is an object lesson in American life. With thorough interviews and research, much new material and information that has never before come to light, Nadine tells the story of Eunice Wayman, born in Tryon NC in 1933, with a stunning musical talent that was spotted early by family and friends.

In centering Black women’s stories, two award-winning historians seek both to empower African American women and to show their allies that Black women’s unique ability to make their own communities while combatting centuries of oppression is an essential component in our continued resistance to systemic racism and sexism. Daina Ramey Berry and Kali Nicole Gross offer an examination and celebration of Black womanhood, beginning with the first African women who arrived in what became the United States to African American women of today.

On April 29, 1992, following the acquittal of four police officers charged with the beating and arrest of Rodney King and the earlier killing of teenager Latasha Harlins, the city of Los Angeles erupted in violence. Many of these events were centered on the city’s Koreatown, where tensions between the Black and Korean American communities had simmered for years, fueled by economic challenges and redlining and enflamed by sensationalized and racist media.

Drawing from stratification economics, intersectionality, and respectability politics, The Love Jones Cohort centers on the voices and lifestyles of members of the Black middle class who are single and living alone (SALA). While much has been written about both the Black middle class and the rise of singlehood, this book represents a first foray into bridging these two concepts.

American culture loves Blackness. From music and fashion to activism and language, Black culture constantly achieves worldwide influence. Yet, when it comes to who is allowed to thrive from Black hipness, the pioneers are usually left behind as Black aesthetics are converted into mainstream success - and White profit. Weaving together narrative, scholarship, and critique, Lauren Michele Jackson reveals why cultural appropriation - something that's become embedded in our daily lives - deserves serious attention.

Of all the many horrors of slavery, the cruelest was the separation of families in slave auctions. Spouses and siblings were sold away from one other. Young children were separated from their mothers. Fathers were sent down river and never saw their families again. As soon as slavery ended in 1865, family members began to search for one another, in some cases persisting until as late as the 1920s. They took out advertisements in newspapers and sent letters to the editor. Judith Giesberg draws on the archive that she founded to compile these stories in a narrative form for the first time.

Al apuntar a hombres negros por medio de la Guerra contra las Drogas y diezmando las comunidades de gente de color, el sistema de justicia criminal de Estados Unidos funciona como un sistema contemporaneo de control racial - al relegar a millones de personas a un estatus de segunda clase - incluso mientras este se adhiere al principio de ceguera para los colores.

Emmett Till offers the first truly comprehensive account of the 1955 murder and its aftermath. It tells the story of Emmett Till, the 14-year-old African American boy from Chicago brutally lynched for a harmless flirtation at a country store in the Mississippi Delta. His death and the acquittal of his killers by an all-white jury set off a firestorm of protests that reverberated all over the world and spurred on the civil rights movement.

Born a slave, William Wells Brown (1814-1884) escaped to the North where he became a prominent abolitionist, historian, novelist and playwright. His 1863 book The Black Man: His Antecedents, His Genius, and His Achievements portrays the lives of individuals selected by Brown that had “by their own genius, capacity, and intellectual development, surmounted the many obstacles which slavery and prejudice have thrown in their way, and raised themselves to positions of honor and influence."

Enslaved West Indian women had few opportunities to record their stories for posterity. Yet from their dusty footprints and the umpteen small clues they left for us to unravel, there's no question that they earned their place in history. Pick any Caribbean island and you'll find race, skin color, and rank interacting with gender in a unique and often volatile way. In A Kick in the Belly, Stella Dadzie follows the evidence and finds women played a distinctly female role in the development of a culture of slave resistance - a role that was not just central, but downright dynamic.

This book contains a collection of academic articles ranging from African-American history, Jewish history, early Christian history, the New Testament, Patristic history, medieval history, and the history of the Reformation. This academic work is a bold quest to capture the essence of history and canon as phenomenalized in the human experience. Scholars and students of history, religion, literary criticism, sociology, anthropology, humanities, and theology will surely benefit from reading this book.

In this unforgettable work, Pulitzer Prize-winning journalist Chris Hedges provides an intimate and moving look at the lives of the students he teaches in a maximum-security prison. He and 28 students (who together are serving a combined sentence of 515 years) read and discussed plays by Amiri Baraka, John Herbert, Tarell Alvin McCraney, Miguel Piñero, and August Wilson, among others. Together they set out to write an original play drawing on their experiences of poverty, institutionalized racism, police brutality, and mass incarceration.

This fascinating distillation of a great leader's experience is published here.

This audiobook is not a verbatim reading of The Negro Motorist Green-Book: 1938 Facsimile, but rather an in-depth exploration of its historical significance. Through expert analysis, firsthand accounts, and historical context, it examines how The Green-Book served as a vital tool for Black travelers navigating segregation-era America.

Sociologist and law professor Kevin Woodson knows firsthand what life at a top law firm feels like as a Black man. Examining the experiences of more than one hundred Black professionals at prestigious firms, Woodson discovers that their biggest obstacle in the workplace isn’t explicit bias but racial discomfort, or the unease Black employees feel in workplaces that are steeped in Whiteness. The Black Ceiling is a vital resource for leaders at preeminent firms, Black professionals and students, managers within mostly White organizations, and anyone committed to cultivating diverse workplaces.

The Underground Railroad: Next Stop, Toronto! explores Toronto’s role as a destination for thousands of freedom seekers before the American Civil War. This new edition traces pathways taken by people, enslaved and free, who courageously made the trip north in search of liberty and offers new biographies, images, and information, some of which is augmented by a 2015 archaeological dig in downtown Toronto.

Kelley unearths freedom dreams in this exciting history of renegade intellectuals and artists of the African diaspora in the 20th century. Focusing on the visions of activists from C. L. R. James to Aime Cesaire and Malcolm X, Kelley writes of the hope that Communism offered, the mindscapes of Surrealism, the transformative potential of radical feminism, and of the 400-year-old dream of reparations for slavery and Jim Crow.

In 1972, during the Black Power Movement, iconoclast Dick Gregory challenged one of the foundations of America itself - its history, which had been written almost exclusively from the white male perspective. In No More Lies, this true trailblazer gave voice to African Americans, speaking their truth about the past and race relations in the United States. No More Lies offers this incomparable satirist’s intellectual, conspiratorial, and humorous spin on the facts.

The slave ship Amistad set sail from Havana on July 2, 1839, on a routine delivery of human cargo. A few days into its voyage, the 53 African captives aboard would seize control and steer a new course - one that took them to freedom and ultimately into history. Though the Amistad rebellion has been celebrated in films and books, its story has largely been told through the eyes of white abolitionists, with the Supreme Court victory by the Africans as the ultimate triumph. Now, Marcus Rediker’s captivating new history turns the lens on the Africans themselves.

For more than 30 years, Michael Eric Dyson has played a prominent role in the nation as a public intellectual, university professor, cultural critic, social activist and ordained Baptist minister. He has presented a rich and resourceful set of ideas about American history and culture. Now for the first time he brings together the various components of his multihued identity and eclectic pursuits.