African American Teen

In this incredible narrative, Erica Armstrong Dunbar reveals a fascinating and heartbreaking behind-the-scenes look at the Washingtons when they were the First Family and an in-depth look at their slave, Ona Judge, who dared to escape from one of the nation’s Founding Fathers. Born into a life of slavery, Ona Judge eventually grew up to be George and Martha Washington’s “favored” dower slave. When she was told she was going to be given as a wedding gift to Martha Washington’s granddaughter, Ona made the bold and brave decision to flee to the North, where she'd be a fugitive.

When the future of Grandeur nears the brink of collapse in the face of band rivalry, Tess finds to her chagrin that she must team up with Brandon in a desperate attempt to revive the company. As Tess and Brandon spend more time together, Tess begins to wonder if everything she thought she knew might not be so certain after all….

From preschool to higher education and everything in between, Everything I Learned About Racism I Learned in School focuses on the experiences Black and Brown students face as a direct result of the racism built into schools across the United States. The overarching nonfiction narrative follows author Tiffany Jewell from early elementary school through her time at college, unpacking the history of systemic racism in the American educational system along the way.

Lucas has been in the fight against the evil forces in his town since the beginning, but he is tired of feeling like an outsider. When the start of high school presents Lucas with options beyond D&D and being bullied, he wonders if he can be more than invisible. After connecting with one of the few other Black students at school, Lucas starts to learn more about himself apart from his friend group. And he begins to understand himself as a Black teen in Hawkins, which feels unlike anything—in this world or any other—he’s ever experienced.

Bryan knows what's tight for him--reading comics, drawing superheroes, and hanging out with no drama. But drama is every day where he's from, and that gets him tight, wound up. And now Bryan's friend Mike pressures him with ideas of fun that are crazy risky. At first, it's a rush following Mike, hopping turnstiles, subway surfing, and getting into all kinds of trouble. But Bryan never really feels right acting so wrong, and drama really isn't him. So which way will he go, especially when his dad tells him it's better to be hard and feared than liked?

In early 1968 the grisly on-the-job deaths of two African-American sanitation workers in Memphis, Tennessee, prompted an extended strike by that city's segregated force of trash collectors. Workers sought union protection, higher wages, improved safety, and the integration of their work force. Their work stoppage became a part of the larger civil rights movement and drew an impressive array of national movement leaders to Memphis, including, on more than one occasion, Dr. Martin Luther King, Jr. King added his voice to the struggle in what became the final speech of his life.

Traces the progression of the civil rights movement and its effect on history through biographical sketches of four prominent and influential African Americans: Frederick Douglass, Marcus Garvey, Martin Luther King, Jr., and Malcolm X.

Rhea's neighborhood is fading away—the mom-and-pop shops of her childhood forced out to make space for an artisanal kombucha brewery here, a hot yoga studio there. And everywhere, the feeling that this place is no longer meant for her. Because while their little corner of South L.A. isn't perfect, to Rhea and her two best friends, it's something even more important—it's home. And it's worth protecting. But as more white people flock to their latest edgy, urban paradise, more of Rhea's friends and family are pushed out. Until Rhea decides it's time to push back.

Madam C. J. Walker was beloved within her community for her philanthropy and expanding the local black YMCA, but she couldn't have done that if she weren't the first female self-made millionaire and one of the most successful African American business owners ever. Born Sarah Breedlove, she was the first person born free in her family. She married Charles Joseph Walker and became known as Madam C. J. Walker, the name she would later use on her haircare products.

Wherever your home is, it’s probably not as tough as Gary, Indiana. Gary has been called a lot of things. The Armpit of Chicago. The Land of Robbing Hoods. Hell. For the children of Gary, living often boils down to surviving. Maybe these kids get caught up in games of gin rummy. Maybe they spin tops as a way to scratch something fun out of their desperation. Maybe they stand by helplessly as their tenement buildings go up in flames. Or maybe they get held up at gunpoint by somebody who wants more money than he could steal from his church collection box.

One of America's favorite African-American storytellers remembers her childhood in tender, unforgettable new stories. Jackie Torrence, a frequent headliner at the National Storytelling Festival, is known to audiences nationwide as The Story Lady.

This is not how seventeen-year-old Gil imagined beginning his senior year—on the subway dressed in a tie and khakis headed towards Manhattan instead of his old public school in Brooklyn. Augustin Prep may only be a borough away, but the exclusive private school feels like it's a different world entirely compared to Gil's predominately Caribbean neighborhood in Brooklyn. If it weren't for the partial scholarship, the school's robotic program and the chance for a better future, Gil wouldn't have even considered going.

It is 1937, and Laura Ann Langston lives in an America divided—between those who work the mystical arts and those who do not. Ever since the Great Rust, a catastrophic event that blighted the arcane force called the Dynamism and threw America into disarray, the country has been rebuilding for a better future. And everyone knows the future is industry and technology—otherwise known as Mechomancy—not the traditional mystical arts.

Fifteen-year-old Amari witnesses the murder of her family and the destruction of her remote African village. She endures countless humiliations as she is beaten, branded, and forced to board a slave ship. The atrocities continue as she struggles through endless days of backbreaking work and daily degradation on a plantation.

Sixteen-year-old Bethany Greene, though confident and self-assured, is what they call a late-bloomer. She’s never had a boyfriend, date, or first kiss. She’s determined to change that but after her crush turns her down cold for Homecoming—declaring her too inexperienced—and all her back-up ideas fall through, she cautiously agrees to go with her best friend’s boyfriend Jacob. A platonic date is better than no date, right? Until Saylor breaks up with said boyfriend.

Most kids of color grow up talking about racism. They have “The Talk” with their families - the honest talk about survival in a racist world. But White kids don’t. They’re barely spoken to about race at all - and that needs to change. Because not talking about racism doesn’t make it go away. Not talking about White privilege doesn’t mean it doesn’t exist. The Other Talk begins this much-needed conversation for White kids.

Stevie Wonder is one of the most successful singer-songwriter-musicians of our time. Signing his first record deal when he was only 11, he had his first number one hit when he was 13. Since then he has had 30 US top 10 hits, won a range of awards for his music and his civil rights work, and created such iconic songs as "Isn't She Lovely" and "I Just Called to Say I Love You". Stevie Wonder is a beloved entertainer who continues to tour and perform around the world.

As a 14-year-old, he was Malcolm Little, the president of his class and a top student. At 16, he was hustling tips at a Boston nightclub. In Harlem, he was known as Detroit Red, a slick street operator. At 19, he was back in Boston, leading a gang of burglars. At 20, he was in prison. It was in prison that Malcolm Little started the journey that would lead him to adopt the name Malcolm X, and there he developed his beliefs about what being Black means in America: beliefs that shook America then and still shake America today.

Rex M. Ellis weaves the strands of African folklore, early American history, and contemporary interpretations into the rich quilt that is the African-American experience. His stories spin a thread from the Windward Coast of West Africa to the shores of Jamestown and beyond. He uses storytelling as both a historical teaching tool and a method for dealing with controversial subjects.

When 11-year-old Langston's mother dies in 1946, he and his father leave rural Alabama for Chicago's brown belt as a part of what came to be known as the Great Migration. It's lonely in the small apartment with just the two of them, and Langston is bullied at school. But his new home has one fantastic thing. Unlike the whites-only library in Alabama, the local public library welcomes everyone. There, hiding out after school, Langston discovers another Langston, a poet whom he learns inspired his mother enough to name her only son after him.