African Art

When there really did seem to be more stars in Hollywood than in heaven, Hollywood Stage had them performing films as radio plays - on the sponsor's dime, of course. Classic films now become audiobooks, with many featuring the original stars from way back when. Here's The African Queen starring Humphrey Bogart and Greer Garson.

John Edgar Wideman’s “slaveroad” is a palimpsest of physical, social, and psychological terrain, the great expanse to which he writes in this groundbreaking work that unsettles the boundaries of memoir, history, and fiction. The slaveroad begins with the Atlantic Ocean, across which enslaved Africans were carried, but the term comes to encompass the journeys and experiences of Black Americans since then and the many insidious ways that slavery separates, wounds, and persists.

This friendly, fun biography series focuses on the traits that made our heroes great - the traits that kids can aspire to in order to live heroically themselves. Each book tells the story of an icon in a lively, conversational way that works well for the youngest nonfiction audiences and that always includes the hero's childhood influences. This book features critically acclaimed talk-show host Oprah Winfrey, who used her struggles in childhood as motivation to become "Queen of All Media".

Michael Jackson's journey to fame began in 1966 at age eight, when he started singing with his brothers in the Jackson 5. In the early 1970s, he launched a solo career, accumulating a dozen number-one singles. His record-breaking album, Thriller, has sold an estimated 110 million copies worldwide. He won 17 Grammy awards and was introduced into the Rock and Roll Hall of Fame twice. In 2009, people of all ages mourned Michael's sudden death.

In 1948, the Orioles, a Baltimore-based vocal group, recorded "It's Too Soon to Know". Combining the sound of Tin Pan Alley with gospel and blues sensibilities, the Orioles saw their first hit reach #13 on the pop charts, thus introducing the nation to vocal rhythm & blues and paving the way for the most successful groups of the 1950s. In the first scholarly treatment of this influential musical genre, Stuart Goosman chronicles the Orioles' story and that of myriad other black vocal groups in the postwar period.

Compelling from cover to cover, this is the story of one of the most recorded and beloved jazz trumpeters of all time. With unsparing honesty and a superb eye for detail, Clark Terry, born in 1920, takes us from his impoverished childhood in St. Louis, Missouri, where jazz could be heard everywhere, to the smoke-filled small clubs and carnivals across the Jim Crow South where he got his start, and on to worldwide acclaim.

Former Washington Post columnist Donna Britt’s memoir presents an honest and thoughtful look at a life spent giving to others. In 1977, Britt lost one of her brothers in a senseless police shooting. Plagued by her grief, she spent the next three decades putting her own needs aside to care for the men in her life.

Within a few years of its first issue in 1951, Jet, a pocket-sized magazine, became the "bible" for news of the civil rights movement. It was said, only half-jokingly, "If it wasn't in Jet, it didn't happen." Writing for the magazine and its glossy, big sister Ebony, for 53 years, longer than any other journalist, Washington bureau chief Simeon Booker was on the front lines of virtually every major event of the revolution that transformed America.

The short-nosed elephants go down to the river to get a drink. But lurking in the depths is a crafty crocodile, who would love to eat one of these big animals. He chooses a young elephant and grabs a hold of his stubby nose. A lengthy struggle ensues. Eventually the young elephant breaks free, but his nose has taken on a long winding shape.

A magnificent leopard discovers that his life is in danger when a wise advisor to the king suggests that only the biggest, most beautiful leopard skin will solve the king’s terrible insomnia. Chased by the king’s warriors, the leopard seeks the advice of the cunning hyena. The very clever plan works for everyone, and the lucky leopard is safe again.

A beautiful water creature with silky golden skin is the envy of all the animals. The admiration and compliments from all who see him go to his head, and the vain crocodile spends far too much time out of the protection of the water, just so he can get more admiring glances. What happens next changes the crocodile’s looks forever.

If not for a stint in reform school, young Louis Armstrong might never have become a musician. It was a teacher at the Colored Waifs' Home who gave him a cornet, promoted him to band leader, and saw talent in the tough kid from the even tougher New Orleans neighborhood called Storyville. But it was Louis Armstrong's own passion and genius that pushed jazz into new and exciting realms with his amazing, improvisational trumpet playing. His 70-year life spanned a critical time in American music as well as black history.

In the 1920s and 1930s, as radio took over the pop music business, record companies were forced to leave their studios in major cities in search of new styles and markets. Ranging the mountains, prairies, rural villages, and urban ghettos of America, they discovered a wealth of unexpected talent - farmers, laborers, and ethnic minorities playing styles that blended the intertwining strands of Europe, Africa, Asia, and the Americas.

Written in the tradition of works by Joan Didion, bell hooks, Toni Morrison, and Eve Ensler, this “profoundly insightful and brilliantly inciting” (Dominique Morisseau, Obie Award-winning playwright) exploration of the soul of the United States - the past, the present, and the future Kevin Powell wants for us all, through the lens and lives of three major figures: his mother, Barack Obama, and Donald Trump.

Dumped by his fiancée, Ferentz Lafargue had a chance encounter with the seminal Stevie Wonder album Songs in the Key of Life. Healed by the songs, Lafargue was inspired to look at how music has shaped his life. In this entertaining memoir, he shares recollections of Michael Jackson, Aerosmith, Kanye West, and many others.

The opening line of this call-and-response style verse asks the question that forms the thread throughout: Blues, what do you mean to me? In a magnificent collaboration of words and song, a timeline of the blues is presented in a soulful reading with dramatic musical accompaniment that offers a compelling evocation of the blues experience.

Through sublime landscapes and warm images of a boy and his family, this adaptation of the beloved folk song creates a dazzling, intimate interpretation that rejoices in the connectedness of people and nature.

In 1964, Martha and the Vandellas recorded "Dancing in the Street." at Motown's Hitsville USA Studio. By the summer, the sixties were in full swing. As the country grew more radicalized in those few months, "Dancing in the Street" gained currency as an activist anthem. Told by the writer who is legendary for finding the big story in unlikely places, Ready for a Brand New Beat chronicles that extraordinary summer of 1964 and showcases the momentous role that a simple song about dancing played in history.

Ryan Speedo Green had a tough upbringing in Southeastern Virginia: His family lived in a trailer park and later a bullet-riddled house across the street from drug dealers. His father was absent; his mother was volatile and abusive. At the age of 12, Ryan was sent to Virginia's juvenile facility of last resort. He was placed in solitary confinement. He was uncontrollable, uncontainable, with little hope for the future. In 2011, at the age of 24, Ryan won a nationwide competition hosted by New York's Metropolitan Opera, beating out 1,200 other talented singers.

When The Flip Wilson Show debuted in 1970, Black faces were still rare on television, Black hosts nonexistent. So how did Clerow “Flip” Wilson go from Jersey City grade-school dropout to national celebrity, heralded on the cover of Time as “TV’s first black superstar”? Flip is a candid, entertaining biography of a consummate comedian who changed the face of American popular culture.