African Art

Nelson George's chronicle of Motown Records' rise and fall remains a classic account of an essential American music company and its dynamic founder, Berry Gordy Jr. Gordy's uncanny instinct for finding extraordinary talent - from performers and musicians to songwriters and producers - packed the label's roster with a who's who of historic artists and hitmakers.

Movies matter—that is the message of Reel to Real, bell hooks' classic collection of essays on film. They matter on a personal level, providing us with unforgettable moments, even life-changing experiences, and they can confront us, too, with the most profound social issues of race, sex and class. Here bell hooks—one of America's most celebrated and thrilling cultural critics—talks back to films that have moved and provoked her, from Quentin Tarantino's Pulp Fiction to the work of Spike Lee.

On the night of her husband Matt’s fortieth birthday, Rachel Abbott receives a sexy, explicit text from her husband that she quickly realizes was meant for another woman. Divorce is inevitable, and Rachel is determined not to leave her thirteen-year marriage empty handed. Meanwhile, Matt, a rising star mayor with his eye on the White House, can’t afford a messy split in the middle of his reelection campaign. They strike a deal: Rachel gets one million dollars and lavish house in the wealthy DC suburb of Oasis Springs, as long as she keeps playing the ideal Black trophy wife until the election.

Fourth-generation fundamentalist Carlton Pearson, a Christian megastar and host, takes a courageous and controversial stand on religion: he proposes a hell-less Christianity and a gospel of inclusion that calls for an end to local and worldwide conflicts and divisions along religious lines.

At the height of the Civil Rights movement, Lydia Abarca was a Black prima ballerina with a major international dance company—the Dance Theatre of Harlem, a troupe of women and men who became each other’s chosen family. She performed in some of ballet’s most iconic works with other trailblazing ballerinas, including the young women who became her closest friends—founding Dance Theatre of Harlem members Gayle McKinney-Griffith and Sheila Rohan, as well as first-generation dancers Karlya Shelton and Marcia Sells. The Swans of Harlem is a riveting account of these five accomplished women.

Learning from Black voices means listening to more than snippets. It means attending to Black stories. Reading Black Books helps Christians hear and learn from enduring Black voices and stories as captured in classic African American literature.

Ida B. Wells is an American icon of truth telling. Born to slaves, she was a pioneer of investigative journalism, a crusader against lynching, and a tireless advocate for suffrage, both for women and for African Americans. She cofounded the NAACP, started the Alpha Suffrage Club in Chicago, and was a leader in the early civil rights movement. This engaging memoir relates Wells’ private life as a mother as well as her public activities as a teacher, lecturer, and journalist in her fight for equality and justice.

Gregory Pardlo's father was a brilliant and charismatic man - a leading labor organizer who presided over a happy suburban family of four. But when he loses his job following the famous air traffic controllers' strike of 1981, he succumbs to addiction and exhausts the family's money on more and more ostentatious whims. In the face of this troubling model and disillusioned presence in the household, young Gregory rebels.

From Nelson George, supervising producer and writer of the hit Netflix series The Get Down, Hip Hop America is the definitive account of the society-altering collision between Black youth culture and the mass media.

Considered by many to be a founder of Afrofuturism, Sun Ra - a.k.a. Herman Blount - was a composer, keyboardist, bandleader, philosopher, entrepreneur, poet, and self-proclaimed extraterrestrial from Saturn. He recorded over 200 albums with his Arkestra, which, dressed in Egypto-space costumes, played everything from boogie-woogie and swing to fusion and free jazz.

Bob Marley was a reggae superstar who is considered to be one of the most influential musicians of all time. Born in rural Jamaica, this musician and songwriter began his career with his band, The Wailing Wailers, in 1963. The Wailers went on to spread the gospel of reggae music around the globe. Bob's distinctive style and dedication to his Rastafari beliefs became a rallying cry for the poor and disenfranchised the world over and led to a hugely successful solo career.

In an extraordinary story unfolding across two hundred years, Kristina Gaddy uncovers the banjo's key role in Black spirituality, ritual, and rebellion. Through meticulous research in diaries, letters, archives, and art, she traces the banjo's beginnings from the seventeenth century, when enslaved people of African descent created it from gourds or calabashes and wood.

Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyonce exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures—a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers.

In the early '80s, the music industry wrote off hip-hop as a passing fad. Few could or would have predicted that the improvised raps and raw beats busting out of New York City's urban underclass would one day become a multimillion-dollar business and one of music's most lucrative genres. Among those few were two visionaries: Russell Simmons, a young black man from Hollis, Queens, and Rick Rubin, a Jewish kid from Long Island.

Did you know that cave dwellers left art on their walls not only to entertain themselves, but also to share their stories? Much of what we know about these prehistoric humans comes from the art they have left behind. This book will discuss prehistoric art in the Asian, European, African, American, and Oceanic regions. Grab a copy today.

Few television shows revolutionized comedy as profoundly or have had such an enormous and continued impact on our culture as In Living Color. Inspired by Richard Pryor, Carol Burnett, and Eddie Murphy, Keenen Ivory Wayans created a television series unlike any that had come before it. In Living Color shaped American culture in ways both seen and unseen. Now, Homey Don't Play That! reveals the complete, captivating story of how In Living Color overcame enormous odds to become a major, zeitgeist-seizing hit.

Award-winning civil rights historian Ray Arsenault describes the dramatic story behind Marian Anderson’s concert at the Lincoln Memorial - an early milestone in civil rights history - on the 70th anniversary of her performance. On Easter Sunday 1939, the brilliant vocalist Marian Anderson sang before a throng of 75,000 at the Lincoln Memorial in Washington - an electrifying moment and an underappreciated milestone in civil rights history.

Lena Horne’s life and career are truly remarkable in American film history. She was the first Black performer to become a true star—to receive the kind of glamour treatment at the fabled MGM that the studio had previously given to the likes of Greta Garbo, Jean Harlow, Lana Turner, and Ava Gardner.

The films, the stars, the filmmakers - all get their due in Hollywood Black, a sweeping overview of Blacks in film from the silent era through Black Panther, with striking photos and an engrossing history by award-winning author Donald Bogle.

Jerry Pinkney drew everywhere, all the time. It was how he made sense of the world—how he coped with the stress of being a sensitive child growing up in crowded spaces, struggling with a learning disability, in a time when the segregation of Black Americans was the norm. Only drawing could offer him a sense of calm, control, and confidence. When friends and siblings teased him about having the nickname “Jerry” as his only name, his mother always said, “Just ‘Jerry’ is enough.