African Art

Jerry Pinkney drew everywhere, all the time. It was how he made sense of the world—how he coped with the stress of being a sensitive child growing up in crowded spaces, struggling with a learning disability, in a time when the segregation of Black Americans was the norm. Only drawing could offer him a sense of calm, control, and confidence. When friends and siblings teased him about having the nickname “Jerry” as his only name, his mother always said, “Just ‘Jerry’ is enough.

Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyonce exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures—a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers.

From Nelson George, supervising producer and writer of the hit Netflix series The Get Down, this passionate and provocative book tells the complete story of Black music in the last 50 years, and in doing so, outlines the perilous position of Black culture within white American society. In a fast-paced narrative, Nelson George’s book chronicles the rise and fall of “race music” and its transformation into the R&B that eventually dominated the airwaves, only to find itself diluted and submerged as crossover music.

Anna Cameron is disheartened. With her usually peaceful world under attack, the 14-year-old is anxious about fighting against invisible enemies. When an African chief takes his place as a new Quentin Academy professor, bringing with him a new science, she hopes all is not lost.

After Baz Luhrmann’s movie, Elvis, hit theaters in the summer of 2022, audiences and critics alike couldn't help but question the Black origins of Elvis Presley’s music and style, reigniting a debate that has been circling for decades. In Before Elvis: The African American Musicians Who Made the King​, author Preston Lauterbach answers these questions definitively, based on new research and extensive, previously unpublished interviews with the artists who blazed the way and the people who knew them.

At the peak of the civil rights movement, Lydia Abarca was the first ballerina in a Black ballet company to grace the cover of Dance magazine. Alongside founding members Shelia Rohan and Gayle McKinney-Griffith and first-generation dancers Karlya Shelton and Marcia Sells, Abarca invited a bright light to shine on Black professional classical dancers. Grit, determination, and exquisite artistry propelled these swans of Harlem to dizzying heights as they performed around the world for audiences that included celebrities, dignitaries, and royalty.

Cheryl D. Holmes-Miller is one of the design field's most respected figures. She is legendary for her decades of scholarship and activism and is known as a touchstone and conscience for the design profession. This long-awaited book documents the history of the question she has been asking for decades: “Where are the Black designers?” along with related questions that are urgent to the design profession: Where did they originate? Where have they been? Why haven't they been represented in design histories and canons?

Listen to the sound of survival, courage, and democracy—the soundtrack of America. Hear Billie Holiday's raspy, mournful voice, and tap your foot to Louis Armstrong's trumpet. Scream with James Brown and bop your head to Grandmaster Flash and the Furious Five. Can you spot the 80+ references to artists like Robert Johnson, Ella Fitzgerald, Jimi Hendrix, Whitney Houston, Lauryn Hill, and Beyonce?

Born into slavery in Kentucky, raised on the Western frontier on the farm adjacent to Daniel Boone’s, “rented” out in adolescence to a succession of steamboat captains on the Mississippi and Missouri rivers, the young man known as “Sandy” reinvented himself as “William Wells” Brown after escaping to freedom. He lifted himself out of illiteracy and soon became an innovative, widely admired, and hugely popular speaker on antislavery circuits (both American and British) and went on to write the earliest African American works in a plethora of genres....

How nature came to be is the basis of African folklore. From a greedy baboon, a vain crocodile, and a clever jackal, African animals are often the characters used to convey the message of human characteristics, their pitfalls, and their triumphs. And unlike stories in other parts of the world, the ending is not always happy. In fact, some African fables are downright gruesome! It was from this point that I wanted to adapt some of Africa’s best-loved stories into tales that could delight a very young audience.

Amid the ongoing reckoning over America’s history of anti-Black racism, scores of monuments to slaveowners and Confederate soldiers still proudly dot the country’s landscape, while schools and street signs continue to bear the names of segregationists. With poignant, lyrical prose, cultural commentator Irvin Weathersby confronts the inescapable specter of white supremacy in our open spaces and contemplates what it means to bear witness to sites of lasting racial trauma.

At twenty-five years old, Michael Stewart was a young Black aspiring artist, deejay, and model, looking to make a name for himself in the vibrant downtown art scene of the early 1980’s New York City. On September 15, 1983, he was brutally beaten by New York City Transit Authority police for allegedly tagging a 14th Street subway station wall.

A tale from the best-selling African Fable series, a handsome creature named Rhino, with tightly fitting, glossy skin and perfectly symmetrical horns on the sides of his head, takes pleasure in making fun of all the other African animals. His never-ending hurtful remarks finally get the better of the other creatures, who decide to teach him a lesson. What happens next leaves Rhino very sorry for being so rude and vain.

A tale from the best-selling African Fable Series, a young Hippo greedily guzzles all the food she can find on the land, leaving the other African animals very hungry. Getting fatter and fatter, and uncomfortable in the heat, Hippo finds a new source of food in the water. But the Crocodile and the Eagle are not at all happy with her eating their fish.

When photographer Adraint Bereal graduated from the University of Texas, he self-published an impressive volume of portraits, personal statements, and interviews that explored UT's campus culture and offered an intimate look at the lives of Black students matriculating within a majority white space. Bereal's work was inspired by his first photo exhibition at the George Washington Carver Museum in Austin, entitled 1.7, that unearthed the experiences of the 925 Black men that made up just 1.7% of UT's total 52,000 student body.

In this biography of Chester B. Himes (1909-1984), Lawrence P. Jackson depicts the improbable life of the controversial writer whose novels confront sexuality, racism, and social injustice. In absorbing detail, Jackson explores Chester Himes's middle-class origins, eight years in prison, painful odyssey as a Black World War II-era artist, and escape to Europe, where Himes became internationally famous for his Harlem detective series.

Michael Jackson's journey to fame began in 1966 at age eight, when he started singing with his brothers in the Jackson 5. In the early 1970s, he launched a solo career, accumulating a dozen number-one singles. His record-breaking album, Thriller, has sold an estimated 110 million copies worldwide. He won 17 Grammy awards and was introduced into the Rock and Roll Hall of Fame twice. In 2009, people of all ages mourned Michael's sudden death.

In 1948, the Orioles, a Baltimore-based vocal group, recorded "It's Too Soon to Know". Combining the sound of Tin Pan Alley with gospel and blues sensibilities, the Orioles saw their first hit reach #13 on the pop charts, thus introducing the nation to vocal rhythm & blues and paving the way for the most successful groups of the 1950s. In the first scholarly treatment of this influential musical genre, Stuart Goosman chronicles the Orioles' story and that of myriad other black vocal groups in the postwar period.

Compelling from cover to cover, this is the story of one of the most recorded and beloved jazz trumpeters of all time. With unsparing honesty and a superb eye for detail, Clark Terry, born in 1920, takes us from his impoverished childhood in St. Louis, Missouri, where jazz could be heard everywhere, to the smoke-filled small clubs and carnivals across the Jim Crow South where he got his start, and on to worldwide acclaim.

Former Washington Post columnist Donna Britt’s memoir presents an honest and thoughtful look at a life spent giving to others. In 1977, Britt lost one of her brothers in a senseless police shooting. Plagued by her grief, she spent the next three decades putting her own needs aside to care for the men in her life.