African Dance

Wise Black women have known for centuries that the blues have been a platform for truth-telling, an underground musical railroad to survival, and an essential form of resistance, healing, and learning. In her highly anticipated follow-up to the widely acclaimed Pushout, now a core text for teachers and principals on the criminalization of Black girls in schools, leading advocate Monique W. Morris invokes the spirit of the blues to articulate a radically healing and empowering pedagogy for Black and Brown girls.

Anansi the spider used to be handsome, but his never-ending appetite eventually cost him his hair.

Fannie Johnson has seen darn near all the world has to offer at her Thank the Lord Boarding House. It is home to a variety of interesting people who regard each other as family. One such is Sarah Jolene Tilman, who is ready to strike out on her own. In stark contrast, Richard Peterson has done more than his share of living and is looking for simpler pleasures. Under Fannie's watchful eye, each will embark on a path of self-exploration and find that life is nothing if not a wildly unpredictable journey.

Kimani reimagines the rise and fall of colonialism in Africa by telling the story of the birth of Kenya's railroad. Set in the shadow of Kenya's independence from Great Britain, Dance of the Jakaranda reimagines the rise and fall of colonialism and the special circumstances that brought black, brown, and white men together to lay the railroad that heralded the birth of the nation.

At twenty-two years old, Cece Cordell reaches the pinnacle of her career as a ballet dancer when she’s promoted to principal at the New York City Ballet. She’s instantly catapulted into celebrity, heralded for her “inspirational” role as the first Black ballerina in the famed company’s history. Even as she celebrates the achievement of a lifelong dream, Cece remains haunted by the feeling that she doesn’t belong.

This is a story of a little girl who is motivated by her dreams to enter a dancing competition in her village. African dance uses improvisation and the entire body. Some dancers learn their moves from former dancers, who became famous by participating in dance during various rituals, celebrations, or festivities.

Liv. Reese. Faith. Yes, they are plus-size, curvy, thick, whatever. Point is, they are past sick of society’s relentless body shaming defining them. Liv slays in dance classes, where she shakes off her frustrations as a struggling writer. Introverted Reese avoids “taking up too much space” by staying in the background as Liv’s sidekick. And while diva-cold professional dancer Faith aces countless auditions, she’s “too big” for starring roles. At the end of their respective ropes, all it takes is one more insult … for Liv to suddenly have an idea that will unite them all.

Throughout his life, Cleveland Robeson has shouldered life's challenges and traumas without asking for help. Whether it is because of his age, his gender, or because he is black, he has survived by putting his head down, plowing ahead, and never acknowledging the well-being of his mental health. But when he suggests therapy for his wife, what follows could change their marriage and his life.

This long-awaited story collection from Wesley Brown summons up the smoky clubs and gritty streets of a long-gone New York City, one that moved in the frenetic rhythms of jazz. A more innocent city fueled by cool, not money. We meet Billie Holiday, Dizzy Gillespie, John Coltrane, Coleman Hawkins, Cab Calloway, and many giants of the era in these sharply observed, carefully intertwined stories. In Brown's deft hands, these legends become real - like we've never seen them before.

At the peak of the civil rights movement, Lydia Abarca was the first ballerina in a Black ballet company to grace the cover of Dance magazine. Alongside founding members Shelia Rohan and Gayle McKinney-Griffith and first-generation dancers Karlya Shelton and Marcia Sells, Abarca invited a bright light to shine on Black professional classical dancers. Grit, determination, and exquisite artistry propelled these swans of Harlem to dizzying heights as they performed around the world for audiences that included celebrities, dignitaries, and royalty.

JC Burke catapulted straight from film school to Hollywood darling, churning out “Black trauma” films that have made her a household name but at what price? When she abandons the set of her latest production to flee to her hometown Parable, Texas, JC is forced to reconsider the career that made her a superstar, as well as reexamine her deteriorating relationship with her producing partner, Hudson Pyke.

Winner of the African American Literary Award for Fiction, Essence® best-selling author Victoria Christopher Murray delivers a cautionary tale about debt and the dangers of an overly tempting offer. Married at 17, Adam and Evia Langston have worked their way up from rags to riches. But as they are enjoying all the trappings of their success, a financial downturn leaves them teetering on the brink of disaster. And that’s when Evia’s boss makes the Langstons a fivemillion dollar offer they can’t refuse.

Dancing has always made her feel free, like she can do anything. But when Jennifer was a child, some people didn’t think that she had a future as a dancer because of the color of her skin. With the support of her family, especially her mother, she proved that anything is possible when you believe you belong. On the Line is a captivating true story about manifesting your dreams.

Leila is crushed when Dev, her boyfriend of four years, breaks up with her right before graduation. Just when she’s thinking she wasted her entire high school experience on a dead-end relationship, her best friend Bree reminds her that Last Chance Dance is just around the corner. A high school tradition, the Last Chance Dance gives all the students one last opportunity to find love before they graduate. All Leila has to do is submit three unrequited crushes to the dance committee and if any of her crushes list her too, they’ll get matched. Presto: new relationship, just like that.