African Humor

Born and raised in the heart of old Dixie, D'aron Davenport finds himself in unfamiliar territory his freshman year at UC Berkeley. Two thousand miles and a world away from his childhood, he is a small-town fish floundering in the depths of a large, hyperliberal pond. Caught between the prosaic values of his rural hometown and the intellectualized, multicultural cosmopolitanism of Berzerkeley, the 19-year-old white kid is uncertain about his place until one disastrous party brings him three idiosyncratic best friends.

This freewheeling black comedy features a bizarre cast of characters, including a Japanese man with a ball floating six inches in front of his head, an American CEO with three arms, and a Brazilian peasant who discovers the art of healing by tickling one’s earlobe with a feather. By the end of this hilarious tale, they each have risen to the heights of wealth and fame, before arriving at disasters—both personal and ecological— that destroy the rain forest and all birds of Brazil.

Sahara is Not Okay. Entering her sophomore year, she already feels like a failure: her body is too much, her love life is nonexistent, she’s not Nigerian enough for her family, her grades are subpar, and, well, the few Black classmates she has are vanishing—or dying. Sahara herself is close to giving up: depression has been her longtime “Life Partner."" She believes that this narrative—taking the form of an irreverent, no-holds-barred “thesis” addressed to the powerful University Committee that will judge her.

In many ways Iceberg Slim's most mature fictional work, Shetani's Sister relates, in taut, evocative vernacular torn straight from the street corner, the deadly duel between two complex antiheroes: Sergeant Russell Rucker, an LAPD vice detective attempting to clean up street prostitution and police corruption, and Shetani (Swahili for Satan), a veteran master pimp who controls his stable of whores with violence and daily doses of heroin.

According to Max Disher, an ambitious young black man in 1930s New York, someone of his race has only three alternatives: "Get out, get white, or get along." Incapable of getting out and unhappy with getting along, Max leaps at the remaining possibility. Thanks to a certain Dr. Junius Crookman and his mysterious process, Max and other eager clients develop bleached skin that permits them to enter previously forbidden territory. What they discover in white society, however, gives them second thoughts.

With dark humor, Chris L. Terry's Black Card is an uncompromising examination of American identity. In an effort to be "black enough", a mixed-race punk rock musician indulges his own stereotypical views of African American life by doing what his white bandmates call "black stuff". After remaining silent during a racist incident, the unnamed narrator has his Black Card revoked by Lucius, his guide through Richmond, Virginia, where Confederate flags and memorials are a part of everyday life.

Savannah Carlson has one month before she hits the big four-oh. With her best friends, Jamaica and Ronni, she’s making every weekend toward that milestone count—party-wise. Vanna’s plans go awry when her shady, no-good, unreliable, estranged husband, Caleb, dies in a boating accident. The real sucker punch lands when Vanna is arrested for embezzlement at his funeral. Her man certainly is the gift that keeps on giving.

When the unlucky in love Birdie Tweet meets Afro-Latino hunk Lyon Lipps, she thinks her romantic fortunes may change. But then she shows his picture to the other ladies of the Oh Lawd Why Am I Still Single church group, and several recognize Lyon as the con artist who previously seduced them. So the ladies decide it's payback time.

Framed as a reference work of humorous “entries” that offer trenchant social commentary, Everything Abridged presages a dark vision of the near future but tells jokes in the face of it: An intelligence agency operative uncovers a conspiracy to generate conspiracies and realizes his participation in the scheme. A Caribbean monarch meets four decades of American presidents and adjusts his country’s foreign policy accordingly. Experiment participants are asked to bring back a gun as quickly as possible.

Meet Relebogile Naledi Mpho Moruakgomo. Or, for short, Eddie: an aspiring playwright who dreams of making it big in London’s theater world. But after repeated rejections from white talent agents, Eddie suspects her non-white sounding name might be the problem. Enter Hugo Lawrence Smith: good looking, well-connected, charismatic and…very white. Stifled by his law degree and looking for a way out of the corporate world, he finds a kindred spirit in Eddie after a chance encounter at a cafe. Together they devise a plan, one which will see Eddie’s play on stage and Hugo’s name in lights.

After fourteen years in prison, Gerald “Stew Pot” Reeves, age thirty-one, returns home to live with his mom in Parkland, a black middle-class neighborhood on Chicago’s South Side. The residents are in a tailspin, dreading the arrival of the man they remember as a frightening delinquent. The anxiety only grows when Stew Pot announces that he experienced a religious awakening in prison.

Wanderlust has taken Jimmy Jay Leander Johnson on numerous adventures, from Mississippi to Washington D.C., Vietnam, London and eventually to Africa, to the fictitious Independent People’s Democratic Republic of Guanaya, where the young musician hopes to “find himself.” But this small sliver of a country in West Africa, recently freed from British colonial rule, is thrown into turmoil with the discovery of cobanium—a radioactive mineral 500 times more powerful than uranium, making it irresistible for greedy speculators, grifters, and charlatans.

The First Lady of Gospel Comedy, Pat G’Orge-Walker, pens faith-based fiction that deftly blends spirituality and hilarity. Prayer warrior Sister Betty knows that trouble is brewing for the Crossing Over Sanctuary Church. Millions of dollars in debt, the church has numerous saviors waiting in the wings, but each of these angels has a tarnished halo. It’s going to take all of Sister Betty’s faith, and maybe even a few Christmas miracles, to get the church back on its feet and open for worship.

Essence best-selling author and Gospel comedy queen Pat G’Orge-Walker delights millions with her riotous send-ups of church life. Don’t Blame the Devil is a hilarious and inspiring novel of mistakes and second chances, heartache and love, sin and salvation. Delilah is in for a few surprises when she decides to come to the rescue of her long-estranged son Jesse—whose wife just died—and her granddaughter Tamara.

Comedian Cameron B is a man with his back against the wall. The rent is due, his family needs food, and bill collectors are blowing up his phone. Since his career is stalled, he's faced with doing agricultural work to make ends meet...that is until fellow entertainer, Lance the Great, throws him a lifeline - two grand and a proposal. The loan and the opportunity changes Cameron's fortunes, but at what price?

When The Flip Wilson Show debuted in 1970, Black faces were still rare on television, Black hosts nonexistent. So how did Clerow “Flip” Wilson go from Jersey City grade-school dropout to national celebrity, heralded on the cover of Time as “TV’s first black superstar”? Flip is a candid, entertaining biography of a consummate comedian who changed the face of American popular culture.

BlackWash: The Untold Stories of Reverse Racism produces this narrative using factual events of the past and present. It is a fictional twist on nonfiction that the world needs to heal. This novel aims to produce a mental shift within its listeners while alleviating systemic racism and oppression, without experiencing the same trauma lived by the subjugated.

After spending better than two decades working in call centers, I cannot help but notice the glaring similarities shared by call centers in North Texas. The pay is rarely close to the industry standard for the frontline call-taker. Most of the call centers I hired into operated like poorly run daycare centers. Those individuals who were well-liked by management rarely found themselves targets of bathroom break micromanagement and the questionable practices and tactics which made Tina Faye's "Mean Girls" so infamously popular.

Mitchell Pierce is a well-off New York ad executive whose marriage is falling apart. He no longer feels any passion for his pregnant wife, Tam, and even feels estranged from his toddler son, Jake. Mitchell is trapped in an unrewarding and loveless life, and though domestic violence isn't in his character, it is never very far away, either. Mitchell's life will irrevocably change one day, though, when a young man appears at his apartment door to pick up the family's black maid, Opal, for a date. Cooley it turns out is not a stranger to the household.

William Melvin Kelley's final work, a Joycean, Rabelaisian romp in which he brings back some of his most memorable characters in a novel of three intertwining stories.