African Politics

In this classic account, historian Philip Foner traces the radical history of black workers’ contribution to the American labor movement.

What is Ballroom? Not a song, a documentary, a catchphrase, a TV show, or an individual pop star. It is an underground subculture founded over a century ago by LGBTQ African American and Latino men and women of Harlem. Arts-based and intersectional, it transcends identity, acting as a fearless response to the systemic marginalization of minority populations.

This searing story of slavery and freedom in the Chesapeake reveals the pivot in the nation’s path between the founding and civil war. Frederick Douglass recalled that slaves living along Chesapeake Bay longingly viewed sailing ships as "freedom’s swift-winged angels." In 1813 those angels appeared in the bay as British warships coming to punish the Americans for declaring war on the empire. Drawn from new sources, Alan Taylor's riveting narrative re-creates the events that inspired black Virginians, haunted slaveholders, and set the nation on a new and dangerous course.

Can't get enough of Harper Lee's To Kill a Mockingbird? Wondering if you missed something important in one of the chapters? Dive a little deeper into her world, discover hidden treasures, and hang out with Jem and Scout just a little longer with this sidekick.

Gathering a wide range of traditional African myths, this compelling new collection offers tales of heroes battling mighty serpents and monstrous birds, brutal family conflict and vengeance and desperate migrations across vast and alien lands. From impassioned descriptions of animal-creators to dramatic stories of communities forced to flee monstrous crocodiles, all the narratives found here concern origins - whether of the universe, peoples or families.

Over more than two centuries men, women, and children escaped from slavery to make the Southern wilderness their home. They hid in the mountains of Virginia and the low swamps of South Carolina; they stayed in the neighborhood or paddled to secluded places; they buried themselves underground or built settlements. Known as maroons, they lived on their own or set up communities in swamps or other areas where they were not likely to be discovered. Although well-known, feared, celebrated or demonized at the time, the maroons whose stories are the subject of this book have been forgotten.

A reckoning with the way we choose to see and define ourselves, Self-Portrait in Black and White is the searching story of one American family's multigenerational transformation from what is called Black to what is assumed to be White. Thomas Chatterton Williams, the son of a "Black" father from the segregated South and a "White" mother from the West, spent his whole life believing the dictum that a single drop of "Black blood" makes a person Black. This was so fundamental to his self-conception that he'd never rigorously reflected on its foundations....

Black Joy is everywhere. From the bustling streets of Lagos to hip-hop blasting through apartment windows in the Bronx. From the wide-open coastal desert of Namibia to the lush slopes of Jamaica’s Blue Mountains. From the thriving tradition of Candomblé in Bahia to the innovative and trendsetting styles of Soweto, and beyond, Black Joy is present in every place that Black people exist. Now—at last—is a one-of-a-kind celebration of this truth and a life-giving testament to one of the most essential forces that fuels Black life: The Black Joy Project.

An indispensable corrective to the falsified version of Black history presented by The 1619 Project, radical activists, and money-hungry “diversity consultants". Rejecting this false narrative, a collection of the most prominent and respected Black scholars and thinkers has come together to correct the record and tell the true story of Black Americans in all its complexity, diversity of experience, and poignancy. Collectively, they paint a vivid picture of Black people living the grand American experience.

In Before the Movement, Dylan C. Penningroth brilliantly revises the conventional story. Drawing on long-forgotten sources found in the basements of county courthouses across the nation, Penningroth reveals that African Americans, far from being ignorant about law until the middle of the twentieth century, have thought about, talked about, and used it going as far back as even the era of slavery.

A breakout media and political analyst delivers a sweeping snapshot of American democracy and the role that African Americans have played in its shaping while offering concrete information to help harness the electoral power of the country’s rising majority and exposing political forces aligned to subvert and suppress black voters.

Examines how Black women elders have managed stress, emphasizing how self-care practices have been present since at least the mid-19th century, with roots in African traditions. How have Black women elders managed stress? In Black Women's Yoga History, Stephanie Y. Evans uses primary sources to answer that question and to show how meditation and yoga from eras of enslavement, segregation, and migration to the Civil Rights, Black Power, and New Age movements have been in existence all along.

News for All the People reveals how racial segregation distorted the information Americans received from the mainstream media. It unearths numerous examples of how publishers and broadcasters actually fomented racial violence and discrimination through their coverage. And it chronicles the influence federal media policies exerted in such conflicts. It depicts the struggle of Black, Latino, Asian, and Native American journalists who fought to create a vibrant yet little-known alternative, democratic press.

In the summer of 2020, when the nation was erupting in protest over the murder of George Floyd, Chad Sanders was elated. Why? After years of struggling to get his footing as a writer, he’d finally landed a New York Times op-ed. He wrote an essay about the hollow messages of concern he’d been receiving from white friends and colleagues. It went viral, and in the years that followed, he built a solid career as a creator—of books, podcasts, TV shows, and films—by mining his most painful experiences of being Black in America.

South African politics is riddled with delusions. Many common political arguments come pre-packaged in an old and dusty box - but the self-evident truths are not, in fact, so indisputable. Sizwe Mpofu-Walsh sets out to dismantle that box. He argues that free education is far from impossible, the ANC's liberation narrative is too idyllic to swallow, land reform is not the first step to chaos, and the media is not free....

Written in 1983, The Africans is a remarkable and very personal commentary on the people of this vast continent. It offers colorful, close-up views of presidents, peasants, guerilla leaders, and merchants while tracing a vivid history of one of the most varied populations on earth. Everyone interested in world cultures will find The Africans a fascinating experience.

Rebecca Carroll grew up the only Black person in her rural New Hampshire town. Adopted at birth by artistic parents who believed in peace, love, and zero population growth, her early childhood was loving and idyllic - and yet she couldn’t articulate the deep sense of isolation she increasingly felt as she grew older. Everything changed when she met her birth mother, a young White woman, who consistently undermined Carroll’s sense of her blackness and self-esteem.

The epic history of African American women's pursuit of political power - and how it transformed America.

First published in 1969, Black Theology and Black Power is the first systematic presentation of black theology that also introduced the voice of a young theologian who would shake the foundations of American theology. Relating the militant struggle for liberation with the gospel message of salvation, James Cone laid the foundations for an interpretation of Christianity from the perspective of the oppressed that retains its urgency and challenge today.

Behind the Scenes, or Thirty Years a Slave, and Four Years in the White House is the life story of Elizabeth Keckley, a shrewd entrepreneur who, while enslaved, raised enough money to purchase freedom for herself and her son. Working as a seamstress and dressmaker for the wives of influential politicians, Keckley helped organize an auction of dresses that belonged to Mary Todd Lincoln, the former first lady. The auction elicited strong criticism from the Washington elite.