African Politics

Actor Mahershala Ali performs the gripping tale of an armed band of Confederate deserters and slaves living in a mixed-race community who rose up against the Confederate Cavalry in 1863 to form their own republic, free of slavery, in what is now the state of Mississippi. The community they formed - and the ambiguous racial identity of their descendants - confounded the rules of the segregated South well into the 20th century.

You may know W. Kamau Bell from his new Emmy-nominated hit show on CNN, United Shades of America. Or maybe you've read about him in The New York Times, which called him "the most promising new talent in political comedy in many years." Or maybe from The New Yorker fawning over his brand of humor writing: "Bell's gimmick is intersectional progressivism: he treats racial, gay, and women's issues as inseparable."

The Hairstons is the extraordinary story of the largest family in America, the Hairston clan. With several thousand black and white members, the Hairstons share a complex and compelling history: divided in the time of slavery, they have come to embrace their past as one family.

Pick up almost any book on early and medieval world history and empire, and where do you find West Africa? On the periphery. This pioneering book tells a different story. Interweaving political and social history and drawing on a rich array of sources, Michael Gomez unveils a new vision of how categories of ethnicity, race, gender, and caste emerged in Africa and in global history.

Most people assume that racism grows from a perception of human difference: the fact of race gives rise to the practice of racism. Sociologist Karen E. Fields and historian Barbara J. Fields argue otherwise: the practice of racism produces the illusion of race, through what they call “racecraft.” And this phenomenon is intimately entwined with other forms of inequality in American life. So pervasive are the devices of racecraft in American history, economic doctrine, politics, and everyday thinking that the presence of racecraft itself goes unnoticed.

On February 18, 1965, an overflowing crowd packed the Cambridge Union in Cambridge, England, to witness a historic televised debate between James Baldwin, the leading literary voice of the civil rights movement, and William F. Buckley Jr., a fierce critic of the movement and America's most influential conservative intellectual. The topic was "the American dream is at the expense of the American Negro", and no one who has seen the debate can soon forget it. Nicholas Buccola's The Fire Is upon Us is the first book to tell the full story of the event.

In 1994, Nelson Mandela became the first president of democratic South Africa. Five years later, he stood down. In that time, he and his government wrought the most extraordinary transformation, turning a nation riven by centuries of colonialism and apartheid into a fully functioning democracy in which all South Africa’s citizens, black and white, were equal before the law. Dare Not Linger is the story of Mandela’s presidency, drawing heavily on the memoir he began to write as he prepared to finish his term as president, but was unable to finish

An acclaimed chronicler of the Civil Rights Movement, Peniel Joseph presents this sweeping overview of a key component of the struggle for racial equality: the Black Power movement. This is the story of the men and women who sacrificed so much to begin a more vocal and radical push for social change in the 1960s and 1970s.

Conducting hundreds of interviews during the course of over one year reporting on the ground, Washington Post writer Wesley Lowery traveled from Ferguson, Missouri, to Cleveland, Ohio; Charleston, South Carolina; and Baltimore, Maryland; and then back to Ferguson to uncover life inside the most heavily policed, if otherwise neglected, corners of America today.

If We Must Die examines nearly 500 shipboard rebellions that occurred over the course of the entire slave trade, directly challenging the prevailing thesis that such resistance was infrequent or insignificant. As Eric Robert Taylor shows, though most revolts were crushed quickly, others raged on for hours, days, or weeks, and, occasionally, the Africans captured the vessel and returned themselves to freedom.

The Mis-Education of the Negro by Carter Godwin Woodson (1933), addresses important economic and social issues that were faced by African Americans. Woodson criticises education in American schools and the emphasis on the history of the Greeks, Romans, and British. He explores the legacy of slavery and the economic situation of Blacks in the time of depression. In each chapter, he considers the results of miseducation on the church, business, politics, and leadership.

At once incendiary and icy, mischievous and provocative, celebratory and elegiac - here is a deeply felt meditation on race, sex, and American culture through the prism of Margo Jefferson's rarefied upbringing and education among a Black elite concerned with distancing itself from Whites and the Black generality while tirelessly measuring itself against both.

Home is, in effect, the ideological autobiography of LeRoi Jones/Amiri Baraka. The two dozen essays that constitute this book were written during a five-year span - a turbulent and critical period for African Americans and Whites. The Cuban Revolution, the Birmingham bombings, Robert Williams’s Monroe Defense movement, the Harlem riots, the assassination of Malcolm X...each changed the way Jones/Baraka looked at America. This progressive change is recorded with honesty, anger, and passion in his writings.

Based on the African American Women's Voices Project, Shifting reveals that a large number of African American women feel pressure to compromise their true selves as they navigate America's racial and gender bigotry. Black women "shift" by altering the expectations they have for themselves or their outer appearance....

Fifty years after the Atlantic slave trade was outlawed, the Clotilda became the last ship in history to bring enslaved Africans to the United States. The ship was scuttled and burned on arrival to hide the wealthy perpetrators to escape prosecution. Despite numerous efforts to find the sunken wreck, Clotilda remained hidden for the next 160 years. But in 2019, journalist Ben Raines made international news when he successfully concluded his obsessive quest through the swamps of Alabama to uncover one of our nation’s most important historical artifacts.

"Boys, let us get up a club." Six restless young men raided the linens at a friend's mansion, pulled pillowcases over their heads, hopped on horses, and cavorted through the streets of Pulaski, Tennessee. The six friends named their club the Ku Klux Klan, and, all too quickly, their club grew into the self-proclaimed Invisible Empire with secret dens spread across the South. This is the story of how a secret terrorist group took root in America's democracy.

Langston Hughes, born in 1902, came of age early in the 1920s. In The Big Sea he recounts those memorable years in the two great playgrounds of the decade - Harlem and Paris. In Paris he was a cook and waiter in nightclubs. He knew the musicians and dancers, the drunks and dope fiends. In Harlem he was a rising young poet - at the center of the "Harlem Renaissance." Arnold Rampersad writes in his incisive new introduction to The Big Sea, an American classic: "This is American writing at its best...."

In this classic account, historian Philip Foner traces the radical history of black workers’ contribution to the American labor movement.

After moonrise on the cold night of January 21, 1897, a mob of 25 White men gathered in a patch of woods near Big Road in Southwestern Simpson County, Kentucky. Half carried rifles and shotguns, and a few tucked pistols in their pants. Their target was George Dinning, a freed slave who'd farmed peacefully in the area for 14 years and who had been wrongfully accused of stealing livestock from a neighboring farm. When the mob began firing through the doors and windows of Dinning's home, he fired back in self-defense, shooting and killing the son of a wealthy Kentucky family.

In the vibrant tapestry of humanity, "Nature Knows No Color-Line" unravels the threads of shared ancestry across continents and time. This groundbreaking work challenges rigid racial lines, exposing the myths of purity and celebrating the interconnectedness of our roots. Prepare to embark on a captivating journey through history, anthropology, and genetics, where evidence whispers a powerful truth: skin may differ, but beneath it all, we bloom from the same soil.