African Studies

In August 1955, a fourteen-year-old African American, Emmett Till, was visiting family in Mississippi when he was kidnapped from his bed in the middle of the night by two White men and brutally murdered. His crime: allegedly whistling at a White woman in a convenience store. The killers were eventually acquitted.

Fifty years ago Malcolm X told a White woman who asked what she could do for the cause, "Nothing." Dyson believes he was wrong. In Tears We Cannot Stop, he responds to that question. If we are to make real racial progress, we must face difficult truths, including being honest about how Black grievance has been ignored, dismissed, or discounted.

The popular Washington Post contributing opinion columnist challenges listeners to have uncomfortable conversations about race, drawing on the first-person perspectives of the author and Americans from diverse viewpoints and walks of life.

From Wilbert Rideau, the award-winning journalist who spent 44 years in Louisiana prisons working against unimaginable odds to redeem himself, the story of a remarkable life: A crime, its punishment, and ultimate triumph. After killing a woman in a moment of panic following a botched bank robbery, Rideau, denied a fair trial, was improperly sentenced to death at the age of 19. After more than a decade on death row, his sentence was amended to life imprisonment, and he joined the inmate population of the infamous Angola penitentiary.

In this classic account, historian Philip Foner traces the radical history of black workers’ contribution to the American labor movement.

In America, Babylon is often used as a metaphorical term referring to a city or a cultural phenomenon that represents excessive materialism, corruption, or moral decay; it is derived from the ancient city of Babylon in Mesopotamia, known for opulence and decadence.

Social worker, activist, and cultural commentator Feminista Jones explores how Black women are changing culture, society, and the landscape of feminism by building digital communities and using social media as powerful platforms. As Jones reveals, some of the best-loved devices of our shared social media language are a result of Black women’s innovations, from well-known, movement-building hashtags (#BlackLivesMatter, #SayHerName, and #BlackGirlMagic) to the now ubiquitous use of threaded tweets as a marketing and storytelling tool.

The Third Option is a plea on behalf of a brokenhearted God who, scripture teaches, is frustrated with those of us who claim to believe in him but are really “faking the faith”. McPherson argues that we must rise above the issues that divide us and be part of something bigger. The Third Option challenges both believers and seekers to fully embrace God’s goodness and power. McPherson believes that instead of choosing one of two sides, there is a third option - one that’s proven to bring people together, mend relationships, and promote genuine peace in communities.

Philadelphia, 1825: Five young, free Black boys fall into the clutches of the most fearsome gang of kidnappers and slavers in the US. Lured onto a small ship with the promise of food and pay, they are instead met with blindfolds, ropes, and knives. Over four long months, their kidnappers drive them overland into the Cotton Kingdom to be sold as slaves. Determined to resist, the boys form a tight brotherhood as they struggle to free themselves and find their way home.

From Nelson George, supervising producer and writer of the hit Netflix series The Get Down, this passionate and provocative book tells the complete story of Black music in the last 50 years, and in doing so, outlines the perilous position of Black culture within white American society. In a fast-paced narrative, Nelson George’s book chronicles the rise and fall of “race music” and its transformation into the R&B that eventually dominated the airwaves, only to find itself diluted and submerged as crossover music.

Black women have higher rates of premature birth than other women in America. This cannot be simply explained by economic factors, with poorer women lacking resources or access to care. Even professional, middle-class Black women are at a much higher risk of premature birth than low-income White women in the United States. Dána-Ain Davis looks into this phenomenon, placing racial differences in birth outcomes into a historical context, revealing that ideas about reproduction and race today have been influenced by the legacy of ideas which developed during the era of slavery.

Why is it that so many efforts by liberals to lift the Black underclass not only fail, but often harm the intended beneficiaries? In Please Stop Helping Us, Jason L. Riley examines how well-intentioned welfare programs are in fact holding Black Americans back. Minimum-wage laws may lift earnings for people who are already employed, but they price a disproportionate number of Blacks out of the labor force. Affirmative action in higher education is intended to address past discrimination, but the result is fewer Black college graduates than would otherwise exist.

The Narrative of the Life of Frederick Douglass was published in 1845; it is a memoir and treatise on abolition written by the famous author and former slave Frederick Douglass. The book includes two introductions by well-known abolitionists: a preface by William Lloyd Garrison, and a letter by Wendell Phillips, both confirming the veracity of the account and the literacy of its author. It is generally considered to be the most famous of a number of abolition narratives written by former slaves in the same era.

Carter Godwin Woodson (December 19, 1875-April 3, 1950) was an American historian, author, journalist, and the founder of the Association for the Study of African American Life and History (ASALH). He was one of the first scholars to study the history of the African diaspora, including African American history. A founder of The Journal of Negro History in 1916, Woodson has been called the “father of black history."

The first genocide of the 20th century, though not well known, was committed by Germans between 1904-1907 in the country we know today as Namibia, where they exterminated thousands of Herero and Nama people and subjected the surviving indigenous men, women, and children to forced labor. The perception of Africans as subhuman - lacking any kind of civilization, history, or meaningful religion - and the resulting justification for the violence against them is what author Elizabeth R. Baer refers to as the "genocidal gaze", an attitude that was later perpetuated by the Nazis.

In an era of stark racial injustice and decisive action, Aaron Dixon dedicated his life to the struggle for change, founding the Seattle chapter of the Black Panther Party in 1968 at age 19. Through his eyes, we see the courage of a generation that stood up to injustice, their political triumphs and tragedies, and the unforgettable legacy of Black Power.

C. P. Ellis grew up in the poor white section of Durham, North Carolina, and as a young man joined the Ku Klux Klan. Ann Atwater, a single mother from the poor black part of town, quit her job as a household domestic to join the civil rights fight. During the 1960s, as the country struggled with the explosive issue of race, Atwater and Ellis met on opposite sides of the public school integration issue. Their encounters were charged with hatred and suspicion.

From the New York Times bestselling author of The Good Lord Bird, winner of the 2013 National Book Award for Fiction, Deacon King Kong, and Five-Carat Soul, Kill ’Em and Leave is more than a book about James Brown. Brown embodied the contradictions of American life: He was an unsettling symbol of the tensions between North and South, Black and White, rich and poor. After receiving a tip that promises to uncover the man behind the myth, James McBride goes in search of the “real” James Brown.

A powerful wartime saga in the best-selling tradition of Flags of Our Fathers, Brothers in Arms recounts the extraordinary story of the 761st Tank Battalion, the first all-Black armored unit to see combat in World War II.

Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyonce exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures—a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers.