African Wars

Ever since running away at the age of fourteen, Paul-Edward, the son of a white landowner and a black slave, has had one dream: to own land every bit as good as his daddy's. While growing up, Paul-Edward loved, and feared, his father, but he loved the land unconditionally. Then, after a rash act of youthful rebellion, he leaves his family behind and vows to succeed on his own. However, for anyone black coming of age in 1880's Mississippi, this is no simple goal.

When World War I began, it seemed unlikely that a unit such as the Harlem Hellfighters would ever be formed. Given their nickname by their German foes who admired their bravery, the Harlem Hellfighters were members of the 369th, an all-Black regiment. The 369th played key roles in critical battles and helped secure an Allied victory.

Late on the evening of October 16, 1859, John Brown and his band of 18 raiders descended on Harpers Ferry at the confluence of the Potomac and Shenandoah Rivers. In an ill-fated attempt to incite a slave insurrection, they seized the federal arsenal, took hostages, and retreated to a fire engine house. The raiders were routed, and several were captured. Soon after, they were tried, convicted, and hanged. Among Brown's raiders were five African Americans whose lives and deaths have long been overshadowed by their martyred leader and, even today, are little remembered.

When it comes to Confederate monuments, there is no common ground. Polarizing debates over their meaning have intensified into legislative maneuvering to preserve the statues, legal battles to remove them, and rowdy crowds taking matters into their own hands. These conflicts have raged for well over a century - but they've never been as intense as they are today. In this eye-opening narrative of the efforts to raise, preserve, protest, and remove Confederate monuments, Karen L. Cox depicts what these statues meant to those who erected them.

For the Americans, defeating the Japanese came at a high price, and not only in the Far East. On the night of July 17, 1944, as Admirals Ernest King and Chester Nimitz were celebrating the Saipan battle's end, the Port Chicago Naval Ammunition Depot, just 35 miles northeast of San Francisco, exploded with a force nearly that of an atomic bomb. The men who died in the blast were predominantly Black sailors....

They say all is fair in love and war, but how do you fight when you don't know the enemy is the one you love? Will the Hoover gang be able to reign supreme, or will they fall at the hands of the women who are supposed to have their backs? The infamous Hoover gang - Babyface, Blaze, Quick, and Shadow - have taken Chicago by storm. These four are not your average street thugs. Bank robbers by day and club owners by night, they have held on to their place at the top by never trusting anyone enough to allow them in their circle. The moment they do, all hell breaks loose.

When club owner Adrian Bryant discovers his biological father is hotel magnate Elliot Crawford, his life unravels. Shunned by Crawford while he and his mother struggled, Adrian hatches a high-profile plan to destroy the Crawford name - and the reputations of his two half-brothers. But to shield the woman he loves from the hell he intends to unleash, Adrian has to let her go. Photographer Dana Singleton is heartbroken and confused by Adrian's behavior. But just when she's given up on their relationship, she begins to discover the truth - and a dark side of Adrian.

The feud between YaYa and Leah has ruined the lives of everyone around them. In The Prada Plan 4, the animosity is alive, and the resentments run deeper than ever. Indie has watched YaYa's past destroy the woman he once knew, and his patience has run thin. After being left at the altar, he is heartbroken and confused. His quests to save YaYa from herself have failed, and he finally decides it's time to let the love of his life go. Her thirst for blood is unquenchable, and like a black hole she sucks the life out of everything around her.

The consensus view of the Civil War - that it was first and foremost a war to restore the Union, and an antislavery war only later when it became necessary for Union victory - dies here. James Oakes’s groundbreaking history shows how deftly Lincoln and congressional Republicans pursued antislavery throughout the war, pragmatic in policy but steadfast on principle. In the disloyal South the federal government quickly began freeing slaves, immediately and without slaveholder compensation, as they fled to Union lines.

In January 1944, 16 Black enlisted men gathered at the Great Lakes Naval Training Station in Illinois to begin a cram course that would turn them into the US Navy's first African American officers on active duty. Years later, these pioneers came to be known as the Golden Thirteen, but at the outset they were treated more as pariahs than pioneers. This book collects their stories.

It was a mild May morning in Charleston, South Carolina, in 1862, the second year of the Civil War, when a 23-year-old slave named Robert Smalls did the unthinkable and boldly seized a Confederate steamer. With his wife and two young children hidden on board, Smalls and a small crew ran a gauntlet of heavily armed fortifications in Charleston Harbor and delivered the valuable vessel and the massive guns it carried to nearby Union forces.

In 1993, Jacqueline Tobin visited the Old Market Building in the historic district of Charleston, South Carolina, where craftspeople sell their wares. Amid piles of beautiful handmade quilts, Tobin met African American quilter Ozella Williams and the two struck up a conversation. With the admonition to "write this down," Williams began to tell a fascinating story that had been handed down from her mother and grandmother before her. As Tobin sat in rapt attention, Williams began to describe how slaves made coded quilts and then used them to navigate their escape on the Underground Railroad.

In The Accident of Color, Daniel Brook journeys to 19th-century New Orleans and Charleston and introduces us to cosmopolitan residents who elude the racial categories the rest of America takes for granted. Before the Civil War, these free, openly mixed-race urbanites enjoyed some rights of citizenship and the privileges of wealth and social status. But after Emancipation, as former slaves move to assert their rights, the black-white binary that rules the rest of the nation begins to intrude.

Actor Mahershala Ali performs the gripping tale of an armed band of Confederate deserters and slaves living in a mixed-race community who rose up against the Confederate Cavalry in 1863 to form their own republic, free of slavery, in what is now the state of Mississippi. The community they formed - and the ambiguous racial identity of their descendants - confounded the rules of the segregated South well into the 20th century.

In the South of the 1890s, Booker T. Washington stood as the often controversial personification of the aspirations of the Black masses. The Civil War had ended, casting uneducated Blacks adrift or, equally tenuous, creating a class of sharecroppers still dependent on the whims of their former owners. Black Reconstruction, for all its outward trimming, had failed to deliver its promised economic and political empowerment.

When John Brown decided to raid the federal armory in Harper's Ferry as the starting point of his intended liberation effort in the South, some closest to him thought it was unnecessary and dangerous. Frederick Douglass, a pioneering abolitionist, refused Brown's invitation to join him in Virginia, believing that the raid on the armory was a suicide mission. Yet in front of Douglass, "Emperor" Shields Green, a fugitive from South Carolina, accepted John Brown's invitation. When the raid failed, Emperor was captured with the rest of Brown's surviving men and hanged on December 16, 1859.

The Buffalo Soldiers were the first peacetime all-Black regiment of the US Army. Created around the time of the Civil War, they fought bravely in several wars, and also played an important role in the history of the American West.

New York Times best-selling author Kristen Green draws on years of research to tell the extraordinary and little-known story of young Mary Lumpkin, an enslaved woman who blazed a path of liberation for thousands. She was forced to have the children of a brutal slave trader and live on the premises of his slave jail, known as the “Devil’s Half Acre”. When she inherited the jail after the death of her slaveholder, she transformed it into “God’s Half Acre”, a school where Black men could fulfill their dreams.

When W. E. B. Du Bois, believing in the possibility of full citizenship and democratic change, encouraged African Americans to “close ranks” and support the Allied cause in World War I, he made a decision that would haunt him for the rest of his life. Seeking both intellectual clarity and personal atonement, for more than two decades Du Bois attempted to write the definitive history of Black participation in World War I. His book, however, remained unfinished.

Ady, a curious, sharp-witted girl, and her fierce mother, Sanite, are inseparable. Enslaved to a businessman in the French Quarter of New Orleans, the pair spend their days dreaming of a loving future and reminiscing about their family’s rebellious and storied history. When mother and daughter are separated, Ady is left hopeless and directionless until she stumbles into the Mockingbird Inn and meets Lenore, a free Black woman with whom she becomes fast friends. Lenore invites Ady to join a clandestine society of spies called the Daughters.