American Actor

When Bogart died in 1957, Bacall was still in her 30s, yet from 1957 onward her name scarcely surfaces in popular culture, as though Bacall was simply wiped away with her late husband.

Over the course of a career that spanned several decades and ranged from the stage to movies and television, Shirley MacLaine has been one of the most critically acclaimed actresses in America.

If one assembled a list of the most iconic actors of the film noir genre, Robert Mitchum would surely rank at the top of the list. With his deadpan façade and slow, monotone verbal delivery, Mitchum encapsulated the disillusioned hero of the postwar crime genre.

Bette Davis presided over Hollywood at a time in which the film industry was at its most influential. Every actress, from Katharine Hepburn to Ingrid Bergman and Ginger Rodgers, themselves now considered among Hollywood's greatest icons, lived in the shadow of Bette Davis.

When Robert Redford first entered the national spotlight in the early 1960s, he was hardly viewed as a serious actor, and with his red hair, blond complexion, and athletic build, he was seen more as a handsome man than a skilled one. On top of that, he came at a time in which most Hollywood stars were tall, dark, and slender - like one of his most famous costars, Paul Newman - and by comparison, Redford looked more like a surfer.

By the 1920s English comic Stan Laurel had been in dozens of films, and American Oliver Hardy had appeared in hundreds, but it was not until they formed a duo together in 1926 that they began to be noticed. Once they did, however, Laurel & Hardy became one of the most famous comedy teams in American history, with a career that spanned four decades and included over 100 combined shorts and feature films.

One of the more well-known Mel Brooks quips is his statement, in reference to his birth, that "we were so poor, my mother couldn't afford to have me; the lady next door gave birth to me." While obviously fabricated, the story is worthy of note, as it illustrates Brooks' self-deprecatory Jewish humor and his way of transforming a childhood of deep adversity into fodder for comedy.

Over the course of his long film career, Paul Newman was one of the most bankable stars in Hollywood during his peak. Having come to prominence as a handsome but rebellious young man in the mold of James Dean, Newman was able to maintain an aura that viewers found both cool and irresistible even into his 60s, typically an age when leading men find themselves on the outs. Newman was even nominated for an Academy Award for Best Supporting Actor for Road to Perdition (2002) when he was in his late 70s.

Hollywood has never had a shortage of actors who thrived in one genre, whether it was John Wayne in Westerns or James Cagney in gangster films, but few had success across the entire spectrum like Gary Cooper, who managed to earn five Academy Award nominations despite an untimely death that cut short his career. Those nominations came for comedies, Westerns, and dramas, with wins for High Noon and the World War I film Sergeant York.

When the American Film Institute ranked its top 50 screen legends of the 20th century, many of the people named had careers spanning several decades, but one of them managed the feat despite living less than three decades. Ranked as the 22nd greatest actress of the 20th century, Jean Harlow was on the screen for less than 10 years, but in that time the "blonde bombshell" became the most popular actress of the 1930s. The platinum blonde was a leading lady for just five years before her premature death of renal failure at just 26 years old.

Rita Hayworth's life and career remain fascinating to both the general public and avid movie fans alike. Even people with just a casual interest in movies appreciate her performances in films such as Gilda (1946), The Lady from Shanghai (1947), and Salome (1953), and few actresses could rival Hayworth's popularity during the late 1940s and early 1950s.

Americans have always loved movie stars, and there have been no shortage of Hollywood icons, but one man has long been considered the greatest male star. From the time he first became a leading man, Humphrey Bogart's screen image has resonated with viewers more than perhaps any other actor.

In the 1920s, the burgeoning movie industry was starting to come into its own. Alongside actor and director Charlie Chaplin, Buster Keaton was at the peak of Hollywood. It’s no surprise that Keaton was so effective in silent films. He had been practicing comedy in his family’s vaudeville acts as “The Little Boy Who Can’t Be Damaged”, and became a popular performer by the age of 5.

Few actresses have ever gotten the kind of career start that Natalie Wood did during the 1950s. After appearing in film and on TV as a child, Wood broke out by appearing in the classic Rebel Without a Cause alongside James Dean in 1955, despite the fact she was still just 15 years old. She earned an Oscar nomination for Best Supporting Actress for that role, one of three Academy Award nominations she would rack up before the age of 25. Altogether, she was in over 50 films.

Marlon Brando. Few names in the acting profession evoke such a strong, almost visceral reaction. Over the course of his long, prolific career, he was considered perhaps the greatest actor of the 20th century, as well as one of the most complicated and misunderstood. Uniquely able to be both emotionally charged and technically constrained in the same performance, he single-handedly changed the direction of not only the American style of acting.

When it comes to the entertainment world and movie business, few names are as recognizable as Walt Disney, a versatile writer, producer, director, artist, and voice actor who literally turned his name into a billion-dollar business. Whether it was through the creation of iconic cartoons like Mickey Mouse or America's favorite theme parks, Disney and his assorted businesses have entertained countless numbers of people across the globe, particularly young kids.

In the 1960s and 1970s, no actor personified cool, calm and collected like Steve McQueen, whose suave anti-hero protagonists made men jealous and women swoon. As actor Donald Logue puts it in The Tao of Steve, "Steve is the prototypical cool American male. He's the guy on his horse, the guy alone. He has his own code of honor, his own code of ethics, his own rules of living. He never, ever tries to impress the women, but he always gets the girl."

The leading men of the 1940s and ‘50s ably represented the visual and cultural expectations of those decades in their iconic films. Some were handsome and glib with quasi-classical dialogue, some could sing, and a few could dance, while others brought an imposing athletic presence to thrillers, westerns, and urban crime dramas.

Growing up in the shadow of one of America's most famous actors would be intimidating for anyone, but few have emerged out of that shadow like Jane Fonda, the oldest daughter of screen legend Henry Fonda. In fact, when Jane costarred with her father in the last film he made, On Golden Pond, he won the Academy Award for Best Actor for it. However, she has accomplished more than enough in her own career to make her father proud, winning two Academy Awards, an Emmy, and seven Golden Globe Awards herself.

"I was a 13 year old boy for 30 years." (Mickey Rooney) In 1939, the year of Gone with the Wind and The Wizard of Oz, Time magazine noted, "Hollywood's No. 1 box office bait in 1939 was not Clark Gable, Errol Flynn or Tyrone Power, but a rope-haired, kazoo-voiced kid with a comic-strip face, who until this week had never appeared in a picture without mugging or overacting it."