American Entertainment History

Dumped by his fiancée, Ferentz Lafargue had a chance encounter with the seminal Stevie Wonder album Songs in the Key of Life. Healed by the songs, Lafargue was inspired to look at how music has shaped his life. In this entertaining memoir, he shares recollections of Michael Jackson, Aerosmith, Kanye West, and many others.

In 1964, Martha and the Vandellas recorded "Dancing in the Street." at Motown's Hitsville USA Studio. By the summer, the sixties were in full swing. As the country grew more radicalized in those few months, "Dancing in the Street" gained currency as an activist anthem. Told by the writer who is legendary for finding the big story in unlikely places, Ready for a Brand New Beat chronicles that extraordinary summer of 1964 and showcases the momentous role that a simple song about dancing played in history.

Doty Meets Coyote is an audio tapestry of traditional and original Native American stories from the American West told by master storyteller Thomas Doty. It is Thomas Doty's work as a storyteller not only to perpetuate the Old Time myths with integrity but to add new stories to the collective basket of folklore, just as tellers before him have done for centuries. Storytelling is an ancient tradition as well as a living art.

A son of poor Jamaican immigrants who grew up in Depression-era Harlem, Harry Belafonte became the first Black performer to gain artistic control over the representation of African Americans in commercial television and film.

At once the most lucrative, popular, and culturally oppositional musical force in the United States, hip-hop demands the kind of interpretation Imani Perry provides here: criticism engaged with this vibrant musical form on its own terms. A scholar and a fan, Perry considers the art, politics, and culture of hip-hop through an analysis of song lyrics, the words of the prophets of the hood.

Through the telling of events from his own life, Wes Moore (author of the best-selling adult title The Other Wes Moore) explores the issues that separate success and failure. He also counterpoints his story with another man, someone who shared the same name, was almost the same age, grew up fatherless in a similar Baltimore neighborhood, but is serving a life sentence for murder. Compelled to write to the other Wes, the author was surprised to receive a reply. And so began a friendship, as letters turned into visits and the two men got to know one another.

Selecting the beautiful game's greatest moments isn't easy. Everyone has their own favorites - moments that made them scream for joy, moments that made them howl in frustration, moments that made them laugh or even made them weep. Here are our choices: from moments of majestic skill to moments of madness, great matches, and golden goals - 100 magic moments that will forever stand the test of time.

Benjamin Franklin is renowned for his landmark inventions, including bifocals, the Franklin stove, and the lightning rod. Yet his own favorite invention is unknown to the general public. The glass armonica, the first musical instrument invented by an American, was constructed of stacked glass bowls and played by rubbing one's fingers on the rims. It was so popular in the late 18th and early 19th centuries that Mozart, Beethoven, Handel, and Strauss composed for it. In Angelic Music, Corey Mead describes how Franklin's instrument fell out of popular favor.

The American World War II film depicted a united America, a mythic America in which the average guy, the girl next door, the 4-F patriot, and the grieving mother were suddenly transformed into heroes and heroines, warriors and goddesses. The Star-Spangled Screen examines the historical accuracy—or lack thereof—of films about the Third Reich, the Resistance, and major military campaigns.

The American theater was not ignorant of the developments brought on by World War II, and actively addressed and debated timely, controversial topics for the duration of the war, including neutrality and isolationism, racism and genocide, and heroism and battle fatigue. McLaughlin and Parry's work fills a significant gap in the history of theater and popular culture, showing that American society was more divided and less idealistic than the received histories of the WWII home front and the entertainment industry recognize.

Only one performance style has dominated the lexicon of the casual moviegoer: "Method acting." The first reception-based analysis of film acting, Imagining the Method investigates how popular understandings of the so-called Method—what its author Justin Rawlins calls "methodness"—created an exclusive brand for white, male actors while associating such actors with rebellion and marginalization. Drawing on extensive archival research, the book maps the forces giving shape to methodness and policing its boundaries.

In 1836 in East Texas, nine-year-old Cynthia Ann Parker was kidnapped by Comanches. She was raised by the tribe and eventually became the wife of a warrior. Twenty-four years after her capture, she was reclaimed by the U.S. cavalry and Texas Rangers and restored to her white family, to die in misery and obscurity. Cynthia Ann's story has been told and re-told over generations to become a foundational American tale.

Script Culture and the American Screenplay treats the screenplay as a literary work in its own right, presenting analyses of screenplays from a variety of frameworks, including feminism, Marxism, structuralism, philosophy, and psychology. Boon demonstrates that whether we are concerned with aesthetics and identifying rules for distinguishing the literary from the non-literary, or whether we align ourselves with more contemporary theories, which recognize texts as distinguishable in their inter-relationships.

Exploring American Folk Music: Ethnic, Grassroots, and Regional Traditions in the United States reflects the fascinating diversity of regional and grassroots music in the United States. The book covers the diverse strains of American folk music - Latin, Native American, African, French-Canadian, British, and Cajun - and offers a chronology of the development of folk music in the United States. A chapter includes detailed information about the roots of hip hop.

Throughout his career, Johnny Cash was depicted - and depicted himself - as a walking contradiction: social protestor and establishment patriot, drugged wildman and devout Christian crusader, rebel outlaw hillbilly thug and elder statesman. Leigh H. Edwards explores the allure of this paradoxical image and its cultural significance. She argues that Cash embodied irresolvable contradictions of American identity that reflect foundational issues in the American experience.

Today it is widely recognized that gay men played a prominent role in defining the culture of mid-20th-century America, with such icons as Tennessee Williams, Edward Albee, Aaron Copland, Samuel Barber, Montgomery Clift, and Rock Hudson defining much of what seemed distinctly "American" on the stage and screen. Even though few gay artists were "out," their sexuality caused significant anxiety during a time of rampant anti-homosexual attitudes.

An independent nation now exists forged in the fires of battle and founded upon lofty principles. But treaties with indigenous people have been broken, women had no rights, and slavery was still legal. Can integrity be legislated? Can equality be lived? Can truth be heard? Can individual rights be secured? These questions are answered in A Voice for the People.

Summer 1787. After a long, difficult, and devastating war for independence was won, the Articles of Confederation–our first form of government–was falling apart at the seams. Controversy and dissention reigned supreme as Congress convened at Independence Hall. Fiery passions, ablaze with visions of a new form of government “by and for the people,” hovered on the horizon. Would the sun of a New Age sink under a cloud of doubt and dissention? Or would it represent the dawn of a new era breaking over the world as A Rising Sun.

Everybody's Doin' It is the eye-opening story of popular music's 70-year rise in the brothels, dance halls, and dives of New York City. It traces the birth of popular music, including ragtime and jazz, to convivial meeting places for sex, drink, music, and dance. Whether coming from a single piano player or a small band, live music was a nightly feature in New York's spirited dives, where men and women, often black and white, mingled freely - to the horror of the elite.

In thinking about her native land, Julia Reed quotes another Southern writer, Willie Morris, who said, “It’s the juxtapositions that get you down here.” These juxtapositions are, for Julia Reed, the soul of the South and in her warmhearted and funny new audiobook, South Toward Home, she chronicles her adventures through the highs and the lows of Southern life - the Delta hot tamale festival, a masked ball, a rollicking party in a boat on a sand bar, scary Christian billboards, and the southern affection for the lowly possum.