American Essays

Over the last decade, William Giraldi has established himself as a charismatic and uncompromising literary essayist. American Audacity gathers Giraldi's fierce and witty considerations of American writers and themes, including a never-before-published appreciation of James Baldwin and an introductory call to arms for 21st-century American literature.

In a series of penetrating and alarming essays, whose centerpiece is a commentary on the events of September 11, 2001 (deemed then too controversial to publish), Gore Vidal challenges the comforting consensus following September 11th and goes back and draws connections to Timothy McVeigh’s bombing of the federal building in Oklahoma City. He asks were these simply the acts of “evil-doers?”

Zero at the Bone begins with Wiman's preoccupation with despair, and through fifty brief pieces, he unravels its seductive appeal. The book is studded with the poetry and prose of writers who inhabit Wiman's thoughts, and the voices of Wallace Stevens, Lucille Clifton, Emily Dickinson, and others join his own.

Since the fighting Irish first took to the field in 1887, Notre Dame has developed an incomparable level of tradition and achievement - both on the gridiron and in the classroom. With a record 96 All-American players and seven Heisman Trophy winners, it's no wonder several of Notre Dame's stars have gone on not only to star in the NFL, but also to successful careers and accolades in all walks of life. Notre Dame: Where Have You Gone? catches up with Fighting Irish players.

Since the creation of the Minnesota Vikings in 1960, this football team has been more than just another franchise. To the fans who love them, and the haters who can’t help but admire them, the Minnesota Vikings are an unstoppable force in the NFL. In this heartwarming and inspirational book, Jim Bruton takes a look beyond the game and examines what the Minnesota Vikings have meant to fans and communities across the country.

Arguably the most celebrated and revered writer of our time now gives us a new nonfiction collection - a rich gathering of her essays, speeches, and meditations on society, culture, and art, spanning four decades.

The Burden, edited by award-winning Detroit newspaper columnist Rochelle Riley, is a powerful collection of essays that create a chorus of evidence that the burden is real. The Burden expresses the voices of well-known Americans, such as actor/director Tim Reid who compares slavery to a cancer diagnosis, and former Detroit News columnist Betty DeRamus who recounts the discrimination she encountered as a young Black Detroiter in the south.

Award-winning journalist J. Malcolm Garcia's essays highlight the struggle, survival, and endurance of average people affected by the injustices of America's remorseless mammoth institutions and public indifference. They include families and small businesses still recovering from the BP oil spill; the man sentenced to life in prison for transporting drugs to save his son's life; the widows of soldiers who died, not in war, but from toxic fumes at their bases; and the Iraqi interpreter who was promised American asylum, only to arrive and be forced to live in poverty.

Remember that moment when you first encountered a character who seemed to be written just for you? That feeling of belonging remains with readers the rest of their lives - but not everyone regularly sees themselves on the pages of a book. In this timely anthology, Glory Edim brings together original essays by some of our best black women writers to shine a light on how important it is that we all - regardless of gender, race, religion, or ability - have the opportunity to find ourselves in literature.

Davy Rothbart is looking for love in all the wrong places. Constantly. He falls helplessly in love with pretty much every girl he meets - and rarely is the feeling reciprocated. Time after time, he hops in a car and tears across half of America with his heart on his sleeve. He’s continually coming up with outrageous schemes, which he always manages to pull off. Well, almost always. But even when things don’t work out, Rothbart finds meaning and humor in every moment.

In a book that begins with a series of lynchings and ends with a series of apologies, Eula Biss explores race in America. Her response to the topic is informed by the experiences chronicled in these essays - teaching in a Harlem school on the morning of 9/11, reporting for an African American newspaper in San Diego, watching the aftermath of Katrina from a college town in Iowa, and settling in Chicago’s most diverse neighborhood.

The wry and the heartfelt join in David Rakoff's prose to resurrect that most neglected of literary virtues: wit. As he finds himself in all the far-flung hinterlands of our culture, this fish out of water winds up satirizing himself more than his subject matter, to hilarious effect.

The inimitably witty David Rakoff, New York Times best-selling author of Don’t Get Too Comfortable, defends the commonsensical notion that you should always assume the worst, because you’ll never be disappointed. In this deeply funny (and, no kidding, wise and poignant) audiobook, Rakoff examines the realities of our sunny, gosh­ everyone-can-be-a-star contemporary culture and finds that, pretty much as a universal rule, the best is not yet to come, adversity will triumph, justice will not be served, and your dreams won’t come true.

Jenny Diski was a fearless writer, for whom no subject was too difficult, even her own cancer diagnosis. Her columns in the London Review of Books - selected here by her editor and friend Mary-Kay Wilmers, on subjects as various as death, motherhood, sexual politics and the joys of solitude - have been described as ‘virtuoso performances’ and ‘small masterpieces'. Why Didn’t You Just Do What You Were Told? is a collective interrogation of the universal experience from a very particular psyche.

Encompassing themes of race, education, fame, law, and America’s past and future, these essays are James Alan McPherson at his most prescient and invaluable. Born in segregated 1940s Georgia, McPherson graduated from Harvard Law School only to give up law and become a writer. In 1978, he became the first Black author to win the Pulitzer Prize for fiction. But all the while, McPherson was also writing and publishing nonfiction that stand beside contemporaries such as James Baldwin and Joan Didion, as this collection amply proves.

Compiled, edited, and newly revised by Ralph Ellison's literary executor, John F. Callahan, this classic collection includes posthumously discovered reviews, criticism, and interviews, as well as the essay collections Shadow and Act (1964), hailed by Robert Penn Warren as "a body of cogent and subtle commentary on the questions that focus on race," and Going to the Territory (1986), an exploration of literature and folklore, jazz and culture, and the nature and quality of lives that Black Americans lead.

A striking and nuanced collection, bringing to life awkward college students, disgraced public figures, raunchy grandparents, and mystical godmothers. To listen to these stories is to experience the transporting joys of discovery and affirmation, and to realize that story writing in America continues to flourish.

The NFL has come a long way from its founding in Canton, Ohio, in 1920. In the 100 years since that fateful day, football has become America’s most popular and lucrative professional sport. The former scrappy upstart league that struggled to stay afloat has survived a host of challenges to produce American icons like Vince Lombardi, Joe Montana, and Tom Brady. It is an extraordinary and entertaining history that could be told only by Joe Horrigan, former executive director of the Pro Football Hall of Fame and perhaps the greatest living historian of the NFL.

According to the Washington Post, no one who cares about contemporary African-American cultures can ignore Bell Hooks's electrifying feminist explorations. Targeting cultural icons as diverse as Madonna and Spike Lee, Outlaw Culture presents a collection of essays that pulls no punches. As Hooks herself notes, interrogations of popular culture can be a "powerful site for intervention, challenge and change." And intervene, challenge, and change is what hooks does best.

America Ferrera has always felt wholly American, and yet, her identity is inextricably linked to her parents’ homeland and Honduran culture. Speaking Spanish at home, having Saturday morning salsa-dance parties in the kitchen, and eating tamales alongside apple pie at Christmas never seemed at odds with her American identity. Still, she yearned to see that identity reflected in the larger American narrative. Now, in American Like Me, America invites 31 of her friends, peers, and heroes to share their stories about life between cultures.