American Folklore

Insightful, telling, ironic, and moving, 14 Native-American legends reflect a nomadic non-property-owning culture, with a reverence for all things natural.

Charles Alexander Eastman (1858-1939) was a mixed-blood Sioux. He became one of the best known Indians of his time, receiving a bachelor of science degree from Dartmouth in 1887 and a medical degree from Boston University three years later.

Charles Eastman is unique among Indian writers, whether storytellers or oral historians. He was raised traditionally, as a Woodland Sioux, by his grandmother, from 1858 to 1874, until he was 15. He thus gained a thorough first-hand knowledge of the lifeways, language, culture, and oral history. His father (thought to have been hanged at Mankato, Minnesota) reappeared and insisted he receive the white man's education.

La palabra muisca, significa en lenguaje nativo persona o gente. Y según muy serias investigaciones los nativos muiscas parecen descendientes de los chinos que poblaron la América Central, y de ahí sin duda pasaron a Panamá, territorio que antes pertenecía a Colombia, Perú, Ecuador y otros lugares. Sí, a los “Chibchas” o “Muiscas” los hacen descendientes de los chinos, por cuanto el legisla cultural y legendaria, cuna a la vez de los primeros inventos y de una gran civilización. De la misma manera se afirma que los fenicios también se establecieron en América.

A short listen that packs some powerful magic. When Billy Proudfoot and Terry Blackbird return to the reservation for the funeral of a beloved friend, they are shocked to find themselves alone at the funeral home. When their friend rises from his casket, they make tracks to the only man they know who can help them, Odd Whitefeather. The old man explains that a Windigo is on the loose and that the two of them must defeat it, or die trying.

This story has its beginnings on a day long ago when Earth rolled and heaved, and rocks fell like rain... Thus began what some today would call a “migration” of The Walking People. Leaderless and bereft of the shared knowledge of tradition, they set off on their journey. Their story is the story of how one particular group of human beings was able to start anew - to learn through difficulty and changing circumstance to prosper as a Whole People.

In the 15th century, four Mahu sail from Tahiti to Hawaii and share their gifts of science and healing with the people of Waikiki. The islanders return this gift with a monument of four boulders in their honor, which the Mahu imbue with healing powers before disappearing. As time passes, foreigners inhabit the island and the once-sacred stones are forgotten until the 1960s. Though the true story of these stones was not fully recovered, the power of the Mahu still calls out to those who pass by them at Waikiki Beach today.

Survive. Journey along the dark roads of one American female and experience the manifestation of truths she found in the form of folktales, short stories, and prose. Step into a world of allegory where things are not always as they seem. Blood, sex, violence, emotion, healing, truth, and love appear as apocalyptic characters, mythological beings, and raw verse.

In Cherokee myth - as in other indigenous American traditions - the whole of creation is alive and able to communicate like humans and with the human beings who share their environment. Cherokee myths explain how the world came to be the way it is and imparts important lessons about Cherokee cultural values.

Kushtaka or Kooshdakhaa is a Tlingit word meaning “land otter man.” The Kushtaka is on one hand the nemeses of the Tlingit people, yet necessary to their Shamans who play a critical role in the survival of the Tlingits. The Tlingit people are as mysterious in their beliefs as the Kushtaka, making for strange bedfellows.