American Folklore

A short listen that packs some powerful magic. When Billy Proudfoot and Terry Blackbird return to the reservation for the funeral of a beloved friend, they are shocked to find themselves alone at the funeral home. When their friend rises from his casket, they make tracks to the only man they know who can help them, Odd Whitefeather. The old man explains that a Windigo is on the loose and that the two of them must defeat it, or die trying.

Kushtaka or Kooshdakhaa is a Tlingit word meaning “land otter man.” The Kushtaka is on one hand the nemeses of the Tlingit people, yet necessary to their Shamans who play a critical role in the survival of the Tlingits. The Tlingit people are as mysterious in their beliefs as the Kushtaka, making for strange bedfellows.

This story has its beginnings on a day long ago when Earth rolled and heaved, and rocks fell like rain... Thus began what some today would call a “migration” of The Walking People. Leaderless and bereft of the shared knowledge of tradition, they set off on their journey. Their story is the story of how one particular group of human beings was able to start anew - to learn through difficulty and changing circumstance to prosper as a Whole People.

In Cherokee myth - as in other indigenous American traditions - the whole of creation is alive and able to communicate like humans and with the human beings who share their environment. Cherokee myths explain how the world came to be the way it is and imparts important lessons about Cherokee cultural values.

Freddie Ruiz is cursed. While other people may have bad days, Freddie and his family have had bad generations: from bird poop splatting on him during picture day to the many tumbles and trips that earned him the nickname Faceplant Freddie.

Cece Rios thought saving her sister would be the end of her adventures in the world of criaturas. But part of Juana’s soul is still trapped in Devil’s Alley. As Cece tries to find a way to get it back using her new curandera abilities, Juana takes her fate in her own hands and sets off alone, intent on restoring her soul and getting revenge on El Sombrerón.

Mihi Whan Park loves fairy tales. She wants to be a princess more than anything, but everyone tells her she’s not the princess type. Then Mihi gets her shot: When she and her new friends Savannah and Reese discover a portal to a fairy tale realm, they get a chance to learn how to be princesses! But the fairy tale world turns out not to be the wonderful place Mihi imagined. Soon, Savannah and Reese decide they’re ready to go home, and Mihi has to decide where her loyalties lie: With her friends and her future at home, or with her princess dreams?

In the tradition of Calvino’s Italian Folktales, Greg Sarris, author of the award-winning novel Grand Avenue, turns his attention to his ancestral homeland of Sonoma Mountain in Northern California. In 16 interconnected original stories, the twin crows Question Woman and Answer Woman take us through a world unlike yet oddly reminiscent of our own: one that blooms bright with poppies, lupines, and clover; one in which Water Bug kidnaps an entire creek; in which songs have the power to enchant; in which Rain is a beautiful woman who keeps people’s memories in stones.

In the 15th century, four Mahu sail from Tahiti to Hawaii and share their gifts of science and healing with the people of Waikiki. The islanders return this gift with a monument of four boulders in their honor, which the Mahu imbue with healing powers before disappearing. As time passes, foreigners inhabit the island and the once-sacred stones are forgotten until the 1960s. Though the true story of these stones was not fully recovered, the power of the Mahu still calls out to those who pass by them at Waikiki Beach today.

A northern white couple has relocated to the South to operate a vineyard on a North Carolina plantation. There, they pass their idle hours listening to the stories of one Uncle Julius, who has a deep knowledge of the land. These stories, however, are more than mere entertainments. They all have their time and place, and they offer not only a quiet commentary on the events of the day but also a deeper reckoning with the plantation’s disturbing past.