American Folklore

The original, full accounting of a rebellion in the Heart of Dixie.

A maverick, unionist district in the heart of the Old South? A notorious county that seceded from the Confederacy? This is how Jones County, Mississippi, is known in myth and legend. Since 1864 the legend has persisted. Differing versions give the name of this new nation as Republic of Jones, Jones County Confederacy, and Free State of Jones. Over the years this story has captured the imaginations of many.

Mihi Whan Park loves fairy tales. She wants to be a princess more than anything, but everyone tells her she’s not the princess type. Then Mihi gets her shot: When she and her new friends Savannah and Reese discover a portal to a fairy tale realm, they get a chance to learn how to be princesses! But the fairy tale world turns out not to be the wonderful place Mihi imagined. Soon, Savannah and Reese decide they’re ready to go home, and Mihi has to decide where her loyalties lie: With her friends and her future at home, or with her princess dreams?

A northern white couple has relocated to the South to operate a vineyard on a North Carolina plantation. There, they pass their idle hours listening to the stories of one Uncle Julius, who has a deep knowledge of the land. These stories, however, are more than mere entertainments. They all have their time and place, and they offer not only a quiet commentary on the events of the day but also a deeper reckoning with the plantation’s disturbing past.

Charles Eastman is unique among Indian writers, whether storytellers or oral historians. He was raised traditionally, as a Woodland Sioux, by his grandmother, from 1858 to 1874, until he was 15. He thus gained a thorough first-hand knowledge of the lifeways, language, culture, and oral history. His father (thought to have been hanged at Mankato, Minnesota) reappeared and insisted he receive the white man's education.

La palabra muisca, significa en lenguaje nativo persona o gente. Y según muy serias investigaciones los nativos muiscas parecen descendientes de los chinos que poblaron la América Central, y de ahí sin duda pasaron a Panamá, territorio que antes pertenecía a Colombia, Perú, Ecuador y otros lugares. Sí, a los “Chibchas” o “Muiscas” los hacen descendientes de los chinos, por cuanto el legisla cultural y legendaria, cuna a la vez de los primeros inventos y de una gran civilización. De la misma manera se afirma que los fenicios también se establecieron en América.

A short listen that packs some powerful magic. When Billy Proudfoot and Terry Blackbird return to the reservation for the funeral of a beloved friend, they are shocked to find themselves alone at the funeral home. When their friend rises from his casket, they make tracks to the only man they know who can help them, Odd Whitefeather. The old man explains that a Windigo is on the loose and that the two of them must defeat it, or die trying.

This story has its beginnings on a day long ago when Earth rolled and heaved, and rocks fell like rain... Thus began what some today would call a “migration” of The Walking People. Leaderless and bereft of the shared knowledge of tradition, they set off on their journey. Their story is the story of how one particular group of human beings was able to start anew - to learn through difficulty and changing circumstance to prosper as a Whole People.

In the 15th century, four Mahu sail from Tahiti to Hawaii and share their gifts of science and healing with the people of Waikiki. The islanders return this gift with a monument of four boulders in their honor, which the Mahu imbue with healing powers before disappearing. As time passes, foreigners inhabit the island and the once-sacred stones are forgotten until the 1960s. Though the true story of these stones was not fully recovered, the power of the Mahu still calls out to those who pass by them at Waikiki Beach today.

Survive. Journey along the dark roads of one American female and experience the manifestation of truths she found in the form of folktales, short stories, and prose. Step into a world of allegory where things are not always as they seem. Blood, sex, violence, emotion, healing, truth, and love appear as apocalyptic characters, mythological beings, and raw verse.

Kushtaka or Kooshdakhaa is a Tlingit word meaning “land otter man.” The Kushtaka is on one hand the nemeses of the Tlingit people, yet necessary to their Shamans who play a critical role in the survival of the Tlingits. The Tlingit people are as mysterious in their beliefs as the Kushtaka, making for strange bedfellows.