American High

In this powerful and passionate memoir - his final work - Cone describes the obstacles he overcame to find his voice, to respond to the signs of the times, and to offer a voice for those - like the parents who raised him in Bearden, Arkansas, in the era of lynching and Jim Crow - who had no voice. Recounting lessons learned both from critics and students, and the ongoing challenge of his models King, Malcolm X, and James Baldwin, he describes his efforts to use theology as a tool in the struggle against oppression and for a better world.

Phantoms is a fierce saga of American culpability. A Vietnam vet still reeling from war, John Frazier finds himself an unwitting witness to a confrontation, decades in the making, between two steely matriarchs: his aunt, Evelyn Wilson, and her former neighbor, Kimiko Takahashi. John comes to learn that in the onslaught of World War II, the Takahashis had been displaced as once-beloved tenants of the Wilson orchard and sent to an internment camp. What happened to the Takahashi son, Ray, when he returned from service and found that that nowhere was home for a Japanese American?

In total, Coach Ken Purcell and Chris Doelle have been involved in Texas high school football for over 87 years!..with a unique insight into what make Texas high school football coaches so effective in positively affecting the lives of these kids. The impact they have, instills in their students a self-worth that makes all the difference in their adult lives. The knowledge included in this audiobook is applicable to any parent regardless of a child's interest in sports. These are life lessons - not football lessons.

Lil Chris is just nineteen when he arrives at Angola as an AU—an admitting unit, a fresh fish, a new 'vict. He's got a life sentence with no chance of parole, but he's also got a clear mind and sharp awareness—one that picks up quickly on the details of the system, his fellow inmates, and what he can do to claim a place at the top. When he meets Rise, a mature inmate who's already spent years in the system, Lil Chris learns to find his way in a system bent on repressing every means he has to express himself.

On July 2, 1822, Denmark Vesey, a formerly enslaved man, was hanged in Charleston, South Carolina. He was convicted of plotting what might have been the largest insurrection against slaveholders in US history. Witnesses claimed that Vesey appealed to numerous biblical texts to promote and justify the revolt.

Albert Richardson and Junius Browne, two correspondents for the New York Tribune, were captured at the Battle of Vicksburg and spent 20 months in horrific Confederate prisons before escaping and making their way to Union territory. Their amazing, long-forgotten odyssey is one of the great escape stories in American history, packed with drama, courage, horrors and heroics, plus many moments of antic comedy.

Paul Jennings was born into slavery on the plantation of James and Dolley Madison in Virginia, later becoming part of the Madison household staff at the White House. Once finally emancipated by Senator Daniel Webster later in life, he would give an aged and impoverished Dolley Madison, his former owner, money from his own pocket, write the first White House memoir, and see his sons fight with the Union Army in the Civil War.

Nineteenth-century African Americans felt deep affection for their "liberator" as a "homely" man who did not hold himself apart; Southerners felt a nostalgia for Abraham Lincoln as a humble "conciliator". Later, educators glorified Lincoln as a symbol of nationhood to help assimilate poor immigrants. Monument makers focused not only on a gigantic body but also on a nationalist "union", downplaying "emancipation". Among both Black and White liberals in the 1960s and 1970s, Lincoln was derided or fell out of fashion.

Though the lives of Mexico's characters are effected by the corrupt and dangerous subculture of their country, these are much more than simple "crime stories". They are complicated and deeply moving tales that tap into universal and enduringly powerful themes: love and loss, religion, family relationships, government abuse, sexual identity, professional ambition, cancer; they introduce us to characters that feel fully realized in their humanity.

Through deep and thoughtful exploration of diaries, letters, and other personal writings penned during the spring and summer of 1865, Martha Hodes, one of our finest historians, captures the full range of reactions to the president's death - far more diverse than public expressions would suggest. She tells a story of shock, glee, sorrow, anger, blame, and fear.

Central to America's idea of itself is the character of Benjamin Franklin. We all know him, or think we do: In recent works and in our inherited conventional wisdom, he remains fixed in place as a genial polymath and self-improver who was so very American that he is known by us all as the first American.

Aloft offers a reexamination of the American dream from the inside out. Jerry Battle's favorite diversion is to fly his small plane solo, slipping away for quick flights over his Long Island home or to the coastal towns of New England. Then a family crisis occurs, and Jerry finds he must face his disengagement in his relationships.

It's 1943. As air-raid sirens blare in Japanese-occupied Taiwan, eight-year-old Saburo is in no hurry to go home to the abuse he suffers at the hands of his parents and older brother. In the peach forests of Taoyuan, he encounters Yoshiko, whose loving family is like a glimpse of paradise for him. Their brief meeting is a memory he cherishes from that moment forward, and for years after he tries to locate her again. But when he finally does, she is by the side of his eldest brother and greatest rival.

Through the lens of Sammy Davis Jr.'s six-decade career in show business—from vaudeville to Vegas to Broadway, Hollywood, and network TV—Dancing Down the Barricades examines the workings of race in American culture. The title phrase holds two contradictory meanings regarding Davis's cultural politics: Did he dance the barricades down, as he liked to think, or did he simply dance down them, as his more radical critics would have it?

Hair is not simply a biological feature; it's a canvas for expression. Yet, its significance extends beyond mere aesthetics. Hair can carry profound moral, spiritual, and cultural connotations, serving as a reflection of one's beliefs, heritage, and even political stance. In Natural, Chelsea Mary Elise Johnson delves into the complex world surrounding Black women's hair, and offers a firsthand look into the kitchens, beauty shops, conventions, and blogs that make up the twenty-first century natural hair movement, the latest evolution in Black beauty politics.

It has been called Robert E. Lee's supreme moment: riding into the Chancellorsville clearing...the mansion itself aflame in the background...his gunpowder-smeared soldiers crowding around him, hats off, cheering wildly. After one of the most audacious gambits of the war, Lee and his men had defeated a foe more than two and half times their size. The Federal commander, "Fighting Joe" Hooker, had boasted days earlier that his plans were perfect - yet his army had crumbled, and Hooker himself had literally been knocked senseless.

We live in a world of seemingly limitless consumer choice. Yet, as every shopper knows without thinking about it, many everyday goods—from beds to batteries to printer paper—are available in a finite number of "standard sizes." What makes these sizes "standard" is an agreement among competing firms to make or sell products with the same limited dimensions. But how did firms—often hotly competing firms—reach such collective agreements?

"Where are you from . . . ? No—where are you from from?" It's a question every Asian American gets asked as part of an incessant chorus saying you'll never belong here, you're a perpetual foreigner, you'll always be seen as an alien, an object, or a threat. Monica Youn's From From brilliantly evokes the conflicted consciousness of deracination. If you have no core of "authenticity," no experience of your so-called homeland, how do you piece together an Asian American identity out of Westerners' ideas about Asians? Your sense of yourself is part stereotype, part aspiration, part guilt.

Our narrator is a gifted photographer, an uncertain wife, an infertile mother, a biracial woman in an unraveling America. As she grapples with a lifetime of ambivalence about motherhood, yet another act of police brutality makes headlines, and this time the victim is Noah, a boy in her photography class. Unmoored by the grief of a recent devastating miscarriage and Noah's fight for his life, she worries she can no longer chase the hope of having a child, no longer wants to bring a Black body into the world.

Far from the chaste, self-sacrificing image imposed on Mistral after her death because she never married, the characters of One in Me I Never Loved reflect womanhood in all its complexities, challenging the limits on their freedom and sexuality.