American Horror

Women are being taken in Virginia, and FBI agent Mark Gallagher is determined to put a stop to it. Certain he’s closing in on the killer known as The Embracer, Mark is less than thrilled when he’s partnered with rookie agent Colleen Law, worried she’s a liability when there’s so much at stake. But like everyone in the Krewe of Hunters, Colleen has talents that extend beyond the usual investigative toolbox. She can hear the voices of the victims in her head, and they’re telling her she and Mark are near to uncovering the truth.

Kari James, Urban Native, is a fan of heavy metal, ripped jeans, Stephen King novels, and dive bars. She spends most of her time at her favorite spot in Denver, the White Horse. When her cousin Debby finds an old family bracelet that once belonged to Kari’s mother, it inadvertently calls up both her mother’s ghost and a monstrous entity, and her willful ignorance about her past is no longer sustainable. Haunted by visions of her mother and hunted by this mysterious creature, Kari must search for what happened to her mother all those years ago.

Seventeen-year-old Farrah Turner is one of two Black girls in her country club community, and the only one with Black parents. Her best friend, Cherish Whitman, adopted by a white, wealthy family, is something Farrah likes to call WGS—White Girl Spoiled. With Brianne and Jerry Whitman as parents, Cherish is given the kind of adoration and coddling that even upper-class Black parents can’t seem to afford—and it creates a dissonance in her best friend that Farrah can exploit.

From a colonial manse in New England to a small-town home in Iowa to a Beverly Hills mansion, these residences have taken on a life of their own, gaining everything from local lore and gossip to national - and even global - infamy. Here, writer Steve Lehto recounts the stories behind the houses where Lizzie Borden supposedly gave her stepmother "40 whacks", where the real Amityville Horror was first unleashed by gunfire, and where the demented acts of the Manson Family horrified a nation.

The Conjure Woman is a collection of short stories by noted African American author Charles Waddell Chesnutt. It is considered to be one the seminal collections of African American literature.

Everybody loves scary stories, and nobody loves them more than children. Storytellers Richard and Judy Dockrey Young gathered these stories from the most discerning of critics: the children themselves.

Everybody loves scary stories, and nobody loves them more than children. Storytellers Richard and Judy Dockery Young gathered these stories from the most discerning of critics: the children themselves. These are the tales kids tell most often and most often ask to be told.

It is 1659 and Mary Newbury, theyoung granddaughter of a witch, sees her wise and beloved grandmother tortured and hanged as a servant of the Devil. Then a stranger with hauntingly familiar eyes approaches her with an opportunity - safe passage to America. But the difficult ocean voyage only leads her to a community of inflexible, fearful grownups who try to decide for her who and what she will be. Mary must disguise herself as a pious Puritan girl, hiding her true nature, or else face terrible danger once again.

Said to cure almost any illness, the new street drug Glow has attained almost mythical status in America. The key ingredient in Glow is the Living Blood, which courses through the veins of 17-year-old Washington state resident Fana Wolde. Distrustful of her parents and eager to share her healing powers via an elaborate underground network, Fana sets out on her own. But what she doesn't know is she's being hunted by a mysterious and homicidal group with ties to the Vatican.

The ancient Druid Atticus O’Sullivan gets more than greasy corn dogs and flat soda when he visits a carnival in Kansas to which his apprentice, Granuaile, drags him. He runs across a barker with a strange power over the crowd: attractive women leave their men and disappear into an unmarked tent, never to be seen again, and the men wander away, forgetting that they ever had girlfriends or wives. When Granuaile falls under the barker’s influence and enters the tent, Atticus isn’t about to forget it and move on.

Known throughout Tennessee as "Old Kate", the Bell Witch took up residence with John Bell's family in 1818. It was a cruel and noisy spirit, given to knocking and gnawing sounds before finding its own voices. With these voices and supernatural acts, the Bell Witch tormented the Bell family. The extraordinary tale recounts the only documented case in U.S. History when a spirit "actually caused a man's death".

Carmen Sanchez is back in her home country of Mexico, overseeing the renovation of an ancient cathedral into a boutique hotel. Her teen daughters, Izel and Luna, are with her for the summer, and left to fill their afternoons unsupervised in a foreign city. The locals treat the Sanchez women like outsiders, while Carmen's contractors openly defy and sabotage her work. After a disastrous accident at the construction site nearly injures Luna, Carmen's had enough. They're leaving. Back home in New York, malevolent and unexplainable happenings seem to swarm the Sanchez family.

Whether weaving family life and history into dark fiction or writing speculative Afrofuturism, American Book Award winner and Essence best-selling author Tananarive Due’s work is both riveting and enlightening. In her debut collection of short fiction, Due takes us to Gracetown, a small Florida town that has both literal and figurative ghost; into future scenarios that seem all too real; and provides empathetic portraits of those whose lives are touched by otherness. Featuring an award-winning novella and 15 stories, Ghost Summer: Stories is sure to haunt and delight.

Odysseus Johnson dreams of musical stardom for his three sons: Roman, the rebel, more interested in being a teenager than a performer; Rocco, arguably the most talented of the bunch, but different in a way the world doesn’t understand; and dutiful River, the youngest, who dreams of fame just like his dad. Driving back from another failed audition in Detroit, the Johnson boys come upon the ghost of Christmas Jones the Third, an ebullient, if lonely, young Black orphan who carries the scars of a horrific past as a minstrel sensation.

This cross-genre anthology written by superstar YA authors from across the Latin American diaspora offers bold new thrills for every monster fan. In these fifteen original short stories, bloodthirsty vampires are hunted by a quick-witted slayer; children are taken from their beds by “el Viejo de la Bolsa” while a military dictator steals their parents; and anyone you love might be a monster waiting to strike. The sinister worlds of these narratives are also magical ones, where supernatural beings can be avatars for justice, vengeance, sisterhood, and empowerment.

Based on traditional Vietnamese folk tales told to Violet Kupersmith by her grandmother, these fantastical, chilling, and thoroughly contemporary stories are a boldly original exploration of Vietnamese culture, addressing both the immigrant experience and the lives of those who remained behind. Lurking in the background of them all is a larger ghost—that of the Vietnam War, whose legacy continues to haunt us.

Best friends Anita and Rainie find refuge by an old sycamore tree with its neighboring lot of stray dogs who have a mysterious ability to communicate with humans. The girls learn that they are preceded by generations of dog-headed women and woman-headed dogs whose bloodlines bind them together. Anita convinces Rainie to become a dog with her, tying a collar of red string around each of their necks to preserve their kinship forever. But when the two girls are separated, Anita sinks into a dreamworld that only Rainie knows how to rescue her from.

She had it all. But who, or what, had ripped it all away? In the years since singer-songwriter Christy DeCarli won reality show Nashville Dreams, her life has descended into a wretched personal hell. Reeling from the breakdown of her once perfect marriage and terrified by the haunting visions of her recently still born child, she is ready to end her pain. On the other side of the quaint Massachusetts village of Boxforth, God-fearing grandmother Ida Buckley is battling her own demons.

Rita Todacheene is a forensic photographer working for the Albuquerque police force. Her excellent photography skills have cracked many cases—she is almost supernaturally good at capturing details. In fact, Rita has been hiding a secret: she sees the ghosts of crime victims who point her toward the clues that other investigators overlook. As a lone portal back to the living for traumatized spirits, Rita is terrorized by nagging ghosts who won’t let her sleep and who sabotage her personal life.

We are divided over the history of the United States, and one of the central dividing lines is the frontier. Was it a site of heroism? Or was it where the full force of an all-powerful empire was brought to bear on Native peoples? In this startlingly original work, historian Robert Parkinson presents a new account of ever-shifting encounters between white colonists and Native Americans.