American Horror

Kylie Macklin is eager to live a normal life. Freshly moved from Florida to Alabama and finally in remission from cancer, the optimistic nine-year-old is used to dodging her overprotective mom’s warnings. So when a new playmate invites her to hang out, the happy girl thinks nothing of the playground being located in a graveyard for young victims of the Spanish Flu… and a local serial killer.

From King Kong to Candyman, the boundary-pushing genre of horror film has always been a site for provocative explorations of race in American popular culture. This book offers a comprehensive chronological survey of Black horror from the 1890s to present day. In this second edition, Robin R. Means Coleman expands upon the history of notable characterizations of Blackness in horror cinema, with new chapters spanning the 1960s, 2000s, and 2010s to the present, and examines key levels of Black participation on screen and behind the camera. The book addresses a full range of Black horror films.

There have been monsters among us lurking in the darkest corners of America, preying on children since the first settlers arrived on our shores. They have always been with us, stalking the innocent, from the days of the original colonies, to the Gilded Age, the Depression, and beyond. These monsters are not the stuff of fiction. They are bloodcurdlingly real, and they still walk among us, always looking for their next victim.

Are you a fan of American Horror Story? How much do you know about the first six seasons of the show? There's only one way to find out! Whether you're the ultimate superfan, or a casual viewer who enjoys a bit of trivia, this is the perfect audiobook for you. With sections on characters, places, episodes and names plus much more, you’ll enjoy this audiobook whether you buy it to test your own knowledge or to play with friends.

The American empire emerged from the shadows of World War II. As the nation's influence swept the globe with near impunity, a host of evil forces followed—from racism, exploitation, and military invasion to killer clowns, flying saucers, and monsters borne of a fear of the other. By viewing American imperial history through the prism of the horror genre, Dark Carnivals lays bare how the genre shaped us, distracted us, and gave form to a violence as American as apple pie.

In American Scary, noted cultural historian and Columbia professor Jeremy Dauber takes the listener to the startling origins of the horror genre in the United States, drawing a surprising through-line between the lingering influence of the European Gothic, the enslaved insurrection tales propagated by slaveholders, and the apocryphal chronicles of colonial settlers kidnapped by Native Americans, among many others.

On December 18, 1867, the Buffalo and Erie Railroad's eastbound New York Express derailed as it approached the high truss bridge over Big Sister Creek, just east of the small settlement of Angola, New York, on the shores of Lake Erie. The last two cars of the express train were pitched completely off the tracks and plummeted into the creek bed below. When they struck bottom, one of the wrecked cars was immediately engulfed in flames as the heating stoves in the coach spilled out coals and ignited its wooden timbers

With a voice as persuasive as it is insightful, Columbia University’s Dr. Eleanor Johnson reveals how classics like Rosemary’s Baby, The Exorcist, and The Shining expose and critique issues of reproductive control, domestic violence, and patriarchal oppression. Scream with Me weaves these iconic films into the fabric of American feminism, revealing that true horror often lies not in the supernatural, but in the familiar confines of the home, exposing the deep-seated fears and realities of women’s lives.

She had it all. But who, or what, had ripped it all away? In the years since singer-songwriter Christy DeCarli won reality show Nashville Dreams, her life has descended into a wretched personal hell. Reeling from the breakdown of her once perfect marriage and terrified by the haunting visions of her recently still born child, she is ready to end her pain. On the other side of the quaint Massachusetts village of Boxforth, God-fearing grandmother Ida Buckley is battling her own demons.

As Melanie Carson and Kim Foster board their flight in Milwaukee, Wisconsin, bound for Paris, France, they are giddy with excitement to be on their first international adventure - studying at the Sorbonne. They could never have imagined the horror that will confront them only weeks into their Parisienne adventure. When Melanie disappears from her room one night, Inspector Pierre Dubois is called in to investigate. His sharp instincts and experience, after a brief investigation, tell him she didn’t leave on her own but was kidnapped. But by whom? And why Melanie?

Some people are born lucky. Others make their own luck. As a boy, Hank wanted nothing more than to fly like the fighter pilots he admires in the skies over Amsterdam. When the lives of Dutch citizens are turned upside down with the Nazi occupation of Holland, his dreams will have to wait as he witnesses the tragic unfolding of events affecting those around him before finding himself in a fight for his own life.

We are divided over the history of the United States, and one of the central dividing lines is the frontier. Was it a site of heroism? Or was it where the full force of an all-powerful empire was brought to bear on Native peoples? In this startlingly original work, historian Robert Parkinson presents a new account of ever-shifting encounters between white colonists and Native Americans.

An American Giallo short story series consisting of three connected stories: "Street Stalker", "Macabre Motel", and "Ghost Town 2012: Graveyard" with colorful characters, violence, and a strange motel in the small town of Elkmont, Tennessee.

In 1673 the first European explorers to travel down the Mississippi River spot on the high, sheer bluffs the painting of a huge, winged monster. Where does it come from? Why did somebody take the trouble and risk to paint it on the bluff face? The Indians told them the terrifying story of a man-eating, dragon-like creature, and the brave chief who killed it.