American Literature Anthology

Two traveling college students confront their disintegrating relationship and the new American reality in a breakdown lane along the Italian Superstrade. A woman chases the ghost of her neglectful father to a vanished amusement park at the end of the Long Beach pier. In these atmospheric, wide-ranging, surprisingly playful, and deeply mournful stories, grandkids and widows, ice cream-truck drivers and judges, travelers and invalids all discover — and sometimes even survive — the everyday losses from which the most vengeful ghosts so often spring.

This collection of early Agatha Christie short stories includes "The Actress", "While the Light Lasts", "Within the Wall", "The House of Dreams", and "The Lonely God".

No ritmo das pedaladas de uma bicicleta, a estrada passa sob os pés do protagonista André, enquanto este percorre o sul do Brasil, o Uruguai, a Argentina, até chegar a Sucre, na Bolívia, cidade onde desaparece. Através de seu diário, enviado ao amigo Jean pouco depois da última nota, é que temos acesso aos lugares onde passou, as pessoas com quem conviveu e os fantasmas que o perseguiram durante a jornada.

In this eye-opening short story, a tech reporter’s mistake unites two women eight thousand miles apart. One in New Jersey, one in the Philippines. Same name: Sandra Guzman. Same job: content moderators for a mega social media website. What transpires between them is a friendship that changes their perceptions of each other’s privilege and challenges the power of the very industry they work for.

American Myths and Legends is another collection of folklore from author Charles M. Skinner, whose exhaustive and expansive work in the field popularized many of these stories in the public imagination. It is intended as a follow-up work to his multivolume magnum opus, Myths and Legends of Our Own Land. This is the first of two volumes.

A collection of Christmas stories written by African American journalists, activists, and writers from the late 19th century to the modern civil rights movement. This landmark collection features writings from well-known black writers, activists, and visionaries such as Pauline Hopkins, Langston Hughes, and John Henrik Clark along with literary gems from rediscovered writers. Originally published in African American newspapers, periodicals, and journals between 1880 and 1953, these enchanting Christmas tales are part of the black literary tradition that flourished after the Civil War.

The electric, unsettling, and often surreal stories in Let's Go Let's Go Let's Go explore the alienated, technology-mediated lives of restless Asian and Asian American women today. A woman escapes into dating simulations to forget her best friend’s abandonment; a teenager begins to see menacing omens on others’ bodies after her double eyelid surgery; reunited schoolmates are drawn into the Japanese mountains to participate in an uncanny social experiment; a supernatural karaoke machine becomes a K-pop star’s channel for redemption. In every story, characters refuse dutiful, docile stereotypes.

Justin C. Key has long been obsessed with monsters. Reading R. L. Stine’s Goosebumps as a kid, he imagined himself battling monsters and mayhem to a triumphant end. But when watching Scream 2, in which the movie’s only Black couple is promptly killed off, he realized that the Black and Brown characters in his favorite genre were almost always the victim or villain—if they were portrayed at all.

When Four Stories by American Women was first published by Penguin Classics in 1990, it understandably reflected the second-wave feminist interpretations of that time—a period marked by an impressive recovery of what were then considered to be minor American writers. This updated and expanded volume, Twelve Stories by American Women edited by Arielle Zibrak, offers a more diverse selection of writers—including Frances Ellen Watkins Harper, María Cristina Mena, Zitkala-Ša, Sui Sin Far, and Barbara E. Pope.

Set in Soweto, the urban heartbeat of South Africa, Innards tells the intimate stories of everyday Black folks processing the savagery of apartheid with grit, wit, and their own distinctive bewildering humor. Rich with the thrilling textures of township language and life, it braids the voices and perspectives of an indelible cast of characters into a breathtaking collection flush with forgiveness, rage, ugliness, and beauty.

An early desktop computer becomes the third partner in a doomed relationship; an older brother figure whose father lives in exile imparts hilarious life lessons to his young protégé. A man attempts to quit smoking despite the fact that he’s very good at it; another masquerades as the family man he'll never be. Throughout, Pinochet’s dictatorship casts a long shadow, and men in relationships exhibit their profound capacity for both love and harm.

Katia, la primera en su tradicional familia mexicoestadounidense en terminar la secundaria, entra a la edad adulta en una época de cambios turbulentos. En todo el país, los jóvenes luchan por los derechos civiles y de las mujeres, y protestan contra la Guerra de Vietnam y las brutales dictaduras de América del Sur. Como muchos de su generación, Katia quiere hacer del mundo un lugar mejor y está decidida a seguir su propio camino.

The first person in her traditional Mexican American family to graduate from high school, Katia is entering adulthood at a time of turbulent change. Across the nation young people are fighting for civil and women’s rights and protesting the Vietnam War and brutal dictatorships in South America. Like so many of her generation, Katia wants to make the world a better place, and is determined to follow her own path.

In the fifteen masterful stories that make up this collection, Jai Chakrabarti crosses continents and cultures to explore what it means to cultivate a family today, across borders, religions, and race.

In her dynamic debut, Halle Hill’s Good Women delves into the lives of twelve Black women across the Appalachian South. A woman boards a Greyhound bus barreling toward Florida to meet her sugar daddy’s mother; a state fair employee considers revenge on a local preacher; a sister struggles with guilt as she helps her brother plan to run away with a man he's seeing in secret; a young woman who works for a scam for-profit college navigates the lies she sells for a living.

Gary Pak has emerged as one of the most important Asian Hawaiian writers of our time. In this new collection, Pak expertly crafts a memorable cast of Hawai'i's Korean Americans, Chinese Americans, Japanese Americans, and Native Hawaiians, amplifying our cross-cultural understanding of Hawaiian life today.

Based on traditional Vietnamese folk tales told to Violet Kupersmith by her grandmother, these fantastical, chilling, and thoroughly contemporary stories are a boldly original exploration of Vietnamese culture, addressing both the immigrant experience and the lives of those who remained behind. Lurking in the background of them all is a larger ghost—that of the Vietnam War, whose legacy continues to haunt us.

A group of women contemplate violence after they’re sent into foreign territory to make husbands of the enemy. A support network of traumatized joggers meets to discuss the bodies they’ve found on their runs. And a town replaces its Confederate monument with a rotating cast of local residents. Slippery but muscular, sly but electric, this stunning debut collection moves from horror to magical realism to satire with total authority. In these stories, characters build and remake their sense of home, be it with one another or within themselves.

Profoundly moving and powerful, the stories in this collection dig deeply into the question of belonging. A young woman is torn between overwhelming love for her mother and the need to break free from her damaging influence during a desperate and disastrous attempt to rescue her brother from foster care. A man, his wife, and his mistress each confront the borders separating love and hate, obligation and longing, on the eve of a flight to San Juan. A college student grapples with the space between chivalry and machismo in a tense encounter involving a nun.

Set on five continents and spanning nearly a century, We Two Alone traces the long arc and evolution of the Chinese immigrant experience. From the vulnerable and disenfranchised to the educated and elite, the characters in this extraordinary collection embody the diversity of the diaspora at key moments in history and in contemporary times. Jack Wang has crafted deeply affecting stories that not only subvert expectations but contend with mortality and delicately draw out the intimacies and failings of love.