American Literature Anthology

Today’s fans of science fiction and fantasy have an appetite for stories that address a wide variety of voices, perspectives, and styles. There is an openness to experiment and pushing boundaries, combined with the classic desire to hear about spaceships and dragons, future technology and ancient magic, and the places where they intersect. With a diverse selection of stories chosen by series editor John Joseph Adams and Diana Gabaldon, The Best American Science Fiction and Fantasy 2020 explores the ever-expanding and changing world of SFF today.

Like Gloria Naylor’s The Women of Brewster Place, Sidik Fofana’s electrifying collection of eight interconnected stories showcases the strengths, struggles, and hopes of one residential community in a powerful storytelling experience. Each short story follows a tenant in the Banneker Homes, a low-income high rise in Harlem where gentrification weighs on everyone’s mind. We root for these characters and more as they weave in and out of each other’s lives, endeavoring to escape from their pasts and blaze new paths forward for themselves and the people they love.

En Eva Luna, su tercera novela, Isabel Allende recupera su país a través de la memoria y la imaginación. La cautivadora protagonista de esta historia constituye un nostálgico álter ego de la autora, que se llama a sí misma «ladrona de historias» precisamente porque en las historias radica el secreto de la vida y el mundo.Novela de hondo perfil humano, Eva Luna funde el destino individual con el colectivo mediante una fulgurante prosa de carácter épico.

The lure of the American West is in the spirit of adventure, in the majestic expanse of unconquered wilderness and in rugged individuals on a quest for identity and sometimes for survival. Owen Wister's unsmiling Virginian... Dorothy M. Johnson's, "A Man Called Horse": These are a few of the colorful, even legendary characters who populate The American West in Fiction, a collection of stories edited by Jon Tuska.

In the collection's title story, a pack of girls raised by wolves are painstakingly reeducated by nuns. In "Haunting Olivia", two young boys make midnight trips to a boat graveyard in search of their dead sister, who set sail in the exoskeleton of a giant crab. In "Sleepaway Camp for Disordered Dreamers", a boy whose dreams foretell implacable tragedies is sent to a summer camp for troubled sleepers (Cabin 1, Narcoleptics; Cabin 2, Sleep Apneics; Cabin 3, Somnambulists . . . ).

Mara is teamed up with KATT, a female AI inside a super-up sports car—who is not only eager to help Mara on her missions but also eager to pleasure Mara in every way possible. Will Mara and KATT be able to stop the world's sexiest thief, Carla Santiago, and her band of beautiful criminals from committing the crime of the century? Will Mara submit to KATT's wonderfully kinky toys? And how far will she be willing to take her relationship with her new AI partner?

A wonderful collection of stories that captures the spirit of Mexican culture and its peoples.

To mark its 15th anniversary, and the very last edition of the series, the top-selling erotica anthology achieves a scorching new climax with a special edition showcasing standout stories from the entire series as well as never before published pieces - plus a hot and edgy piece from Susie Bright herself.

In his introduction, guest editor S. A. Cosby observes that writing short stories is “a special skill that combines brevity with wit and cleverness and the hint of the existential malaise that imbues crime fiction with its gravitas.” The stories in this collection overflow with gravitas in the most unexpected ways: a cryptic note left on a windshield, a murder for hire meets a game of Mouse Trap, a swipe right on a dating app goes horribly wrong.

The son of Maya Angelou, Guy Johnson is a critically acclaimed author and poet in his own right. Echoes of a Distant Summer is the story of Jackson St. Clair Tremain, a San Francisco civil servant who thought he had left his old life far behind. In 1982, Jackson is summoned to Mexico to confer with his dying grandfather, the brutal hustler King Tremain. When King dies, Jackson inherits $50 million - and the unwanted attentions of a malevolent bayou crime lord named Pug DuMont.

Zero at the Bone begins with Wiman's preoccupation with despair, and through fifty brief pieces, he unravels its seductive appeal. The book is studded with the poetry and prose of writers who inhabit Wiman's thoughts, and the voices of Wallace Stevens, Lucille Clifton, Emily Dickinson, and others join his own.

Spanning from a mediocre spa in Florida, to New York’s gritty East Village, to death row in Alabama, this collection reveals boundless suspense in small, quiet moments, offering startling twists in the least likely of places. From a powerful response to hateful bullying, to a fight for health care, to a gripping desperation to vote, these stories are equal parts shocking, devastating, and enthralling, revealing the tension pulsing through our everyday lives and affirming that mystery and suspense writing is better than ever before.

Kali Fajardo-Anstine’s magnetic story collection breathes life into her Indigenous Latina characters and the land they inhabit. Against the remarkable backdrop of Denver, Colorado - a place that is as fierce as it is exquisite - these women navigate the land the way they navigate their lives: with caution, grace, and quiet force. In “Sugar Babies,” ancestry and heritage are hidden inside the Earth but tend to rise during land disputes.

The stories in this collection are drawn mainly from those tribes which lived in the northern and central areas of North America. These represent the linguistic groups gerneally referred to as Algonquian, Iroquois, and Sioux. A final chapter covers the tales of the northwest Pacific Coast.

In the tradition of narrativa de lo inusual (narrative of the unusual), The Only Sound Is the Wind combines the fantastic with the everyday, weaving elements of magical realism and surrealist twists to sharpen our view of human (and animal) connection. In the title story, the arrival of a mail-order clone complicates a burgeoning romance; a lonely librarian longing for her homeland strikes up an unusual relationship in the award-winning “The Moth”; when humans start giving birth to puppies and kittens in “This New Turn,” a realignment of the natural order ensues.

Hot Water Music is a collection of short stories by Charles Bukowski, published in 1983. The collection deals largely with: drinking, women, gambling, and writing. It is an important collection that establishes Bukowski's minimalist style and his thematic oeuvre.

Gripping and compassionate, Land of Big Numbers traces the journeys of the diverse and legion Chinese people, their history, their government, and how all of that has tumbled—messily, violently, but still beautifully—into the present. Cutting between clear-eyed realism and tongue-in-cheek magical realism, Chen’s stories coalesce into a portrait of a people striving for openings where mobility is limited.

As a window into the magic and potential of the Northwest Territories, Richard Van Camp's fourth short-story collection is hilarious and heartbreaking. A teenaged boy confesses to a vicious assault on a cross-dressing classmate; Lance tells the sensual story of becoming much closer to his wife's dear friend Juanita; while a reluctant giant catches up with gangsters Torchy and Sfen in a story with shades of supernatural and earthly menace.

This is the second collection of short stories relating to the fictional sea-sprayed Canadian village of Avonlea. Anne Shirley appears in a few, but most concern other characters from the Anne Shirley series, including Diana Barry and members of the Meredith and Blair families. Published in 1920, these tales of hidden hopes and cherished dreams are sure to enchant fans of Anne of Green Gables.

Best friends since second grade, Fiona Lin and Jane Shen explore the lonely freeways and seedy bars of Los Angeles together through their teenage years, surviving unfulfilling romantic encounters, and carrying with them the scars of their families' tumultuous pasts. Fiona was always destined to leave, her effortless beauty burnished by fierce ambition—qualities that Jane admired and feared in equal measure. When Fiona moves to New York and cares for a sick friend through a breakup with an opportunistic boyfriend, Jane remains in California.