American Literature Anthology

A collection of Christmas stories written by African American journalists, activists, and writers from the late 19th century to the modern civil rights movement. This landmark collection features writings from well-known black writers, activists, and visionaries such as Pauline Hopkins, Langston Hughes, and John Henrik Clark along with literary gems from rediscovered writers. Originally published in African American newspapers, periodicals, and journals between 1880 and 1953, these enchanting Christmas tales are part of the black literary tradition that flourished after the Civil War.

Two traveling college students confront their disintegrating relationship and the new American reality in a breakdown lane along the Italian Superstrade. A woman chases the ghost of her neglectful father to a vanished amusement park at the end of the Long Beach pier. In these atmospheric, wide-ranging, surprisingly playful, and deeply mournful stories, grandkids and widows, ice cream-truck drivers and judges, travelers and invalids all discover — and sometimes even survive — the everyday losses from which the most vengeful ghosts so often spring.

This collection of early Agatha Christie short stories includes "The Actress", "While the Light Lasts", "Within the Wall", "The House of Dreams", and "The Lonely God".

The Legendary Casey Jones brings together many of Geoffrey Thomas’s short stories for the first time, each brimming with the big heartedness, warmth, and homespun humor that he is known for. Sweeping through southern deltas, western prairies and colonial outposts, Geoffrey Thomas introduces a host of extraordinary characters in his mesmerizing tales of American heritage: blacksmiths, farmers, frontiersmen try to get by; a brave railroad engineer becomes a national hero; a Native American girl changes the course of history.

“The People Could Fly,” the title story in Virginia Hamilton’s prize-winning American Black folktale collection, is a fantasy tale of the slaves who possessed the ancient magic words that enabled them to literally fly away to freedom. And it is a moving tale of those who did not have the opportunity to “fly” away, who remained slaves with only their imaginations to set them free as they told and retold this tale.

Akira Tanaka's past as an undercover agent in Tokyo's underworld has caught up with his present. Now he must find out who kidnapped his only daughter, and why. Can he rescue her before it's too late? The lives of a father, a daughter, and a yakuza's daughter are all intertwined in this fast-paced 7,500 word short story. This is the first in a series of thrilling adventures featuring Tanaka.

In this eye-opening short story, a tech reporter’s mistake unites two women eight thousand miles apart. One in New Jersey, one in the Philippines. Same name: Sandra Guzman. Same job: content moderators for a mega social media website. What transpires between them is a friendship that changes their perceptions of each other’s privilege and challenges the power of the very industry they work for.

American Myths and Legends is another collection of folklore from author Charles M. Skinner, whose exhaustive and expansive work in the field popularized many of these stories in the public imagination. It is intended as a follow-up work to his multivolume magnum opus, Myths and Legends of Our Own Land. This is the first of two volumes.

In the tradition of narrativa de lo inusual (narrative of the unusual), The Only Sound Is the Wind combines the fantastic with the everyday, weaving elements of magical realism and surrealist twists to sharpen our view of human (and animal) connection. In the title story, the arrival of a mail-order clone complicates a burgeoning romance; a lonely librarian longing for her homeland strikes up an unusual relationship in the award-winning “The Moth”; when humans start giving birth to puppies and kittens in “This New Turn,” a realignment of the natural order ensues.

A critic explores the paradox of finding community in “the dozens” while grieving. A violent town ritual causes an all-too-familiar moral panic. An email thread between friends on why we need an updated “Green Book” but for public toilets. All across the nation “Karens” become illegal overnight. These are just a few of the hilarious worlds contained in Damon Young’s groundbreaking anthology featuring the best, funniest, and Blackest essays, short stories, letters, and rants.

The electric, unsettling, and often surreal stories in Let's Go Let's Go Let's Go explore the alienated, technology-mediated lives of restless Asian and Asian American women today. A woman escapes into dating simulations to forget her best friend’s abandonment; a teenager begins to see menacing omens on others’ bodies after her double eyelid surgery; reunited schoolmates are drawn into the Japanese mountains to participate in an uncanny social experiment; a supernatural karaoke machine becomes a K-pop star’s channel for redemption. In every story, characters refuse dutiful, docile stereotypes.

Justin C. Key has long been obsessed with monsters. Reading R. L. Stine’s Goosebumps as a kid, he imagined himself battling monsters and mayhem to a triumphant end. But when watching Scream 2, in which the movie’s only Black couple is promptly killed off, he realized that the Black and Brown characters in his favorite genre were almost always the victim or villain—if they were portrayed at all.

When Four Stories by American Women was first published by Penguin Classics in 1990, it understandably reflected the second-wave feminist interpretations of that time—a period marked by an impressive recovery of what were then considered to be minor American writers. This updated and expanded volume, Twelve Stories by American Women edited by Arielle Zibrak, offers a more diverse selection of writers—including Frances Ellen Watkins Harper, María Cristina Mena, Zitkala-Ša, Sui Sin Far, and Barbara E. Pope.

Set in Soweto, the urban heartbeat of South Africa, Innards tells the intimate stories of everyday Black folks processing the savagery of apartheid with grit, wit, and their own distinctive bewildering humor. Rich with the thrilling textures of township language and life, it braids the voices and perspectives of an indelible cast of characters into a breathtaking collection flush with forgiveness, rage, ugliness, and beauty.

An early desktop computer becomes the third partner in a doomed relationship; an older brother figure whose father lives in exile imparts hilarious life lessons to his young protégé. A man attempts to quit smoking despite the fact that he’s very good at it; another masquerades as the family man he'll never be. Throughout, Pinochet’s dictatorship casts a long shadow, and men in relationships exhibit their profound capacity for both love and harm.

Katia, la primera en su tradicional familia mexicoestadounidense en terminar la secundaria, entra a la edad adulta en una época de cambios turbulentos. En todo el país, los jóvenes luchan por los derechos civiles y de las mujeres, y protestan contra la Guerra de Vietnam y las brutales dictaduras de América del Sur. Como muchos de su generación, Katia quiere hacer del mundo un lugar mejor y está decidida a seguir su propio camino.

The first person in her traditional Mexican American family to graduate from high school, Katia is entering adulthood at a time of turbulent change. Across the nation young people are fighting for civil and women’s rights and protesting the Vietnam War and brutal dictatorships in South America. Like so many of her generation, Katia wants to make the world a better place, and is determined to follow her own path.

In the fifteen masterful stories that make up this collection, Jai Chakrabarti crosses continents and cultures to explore what it means to cultivate a family today, across borders, religions, and race.

In her dynamic debut, Halle Hill’s Good Women delves into the lives of twelve Black women across the Appalachian South. A woman boards a Greyhound bus barreling toward Florida to meet her sugar daddy’s mother; a state fair employee considers revenge on a local preacher; a sister struggles with guilt as she helps her brother plan to run away with a man he's seeing in secret; a young woman who works for a scam for-profit college navigates the lies she sells for a living.

Gary Pak has emerged as one of the most important Asian Hawaiian writers of our time. In this new collection, Pak expertly crafts a memorable cast of Hawai'i's Korean Americans, Chinese Americans, Japanese Americans, and Native Hawaiians, amplifying our cross-cultural understanding of Hawaiian life today.