American Literature Anthology

Based on traditional Vietnamese folk tales told to Violet Kupersmith by her grandmother, these fantastical, chilling, and thoroughly contemporary stories are a boldly original exploration of Vietnamese culture, addressing both the immigrant experience and the lives of those who remained behind. Lurking in the background of them all is a larger ghost—that of the Vietnam War, whose legacy continues to haunt us.

A group of women contemplate violence after they’re sent into foreign territory to make husbands of the enemy. A support network of traumatized joggers meets to discuss the bodies they’ve found on their runs. And a town replaces its Confederate monument with a rotating cast of local residents. Slippery but muscular, sly but electric, this stunning debut collection moves from horror to magical realism to satire with total authority. In these stories, characters build and remake their sense of home, be it with one another or within themselves.

Profoundly moving and powerful, the stories in this collection dig deeply into the question of belonging. A young woman is torn between overwhelming love for her mother and the need to break free from her damaging influence during a desperate and disastrous attempt to rescue her brother from foster care. A man, his wife, and his mistress each confront the borders separating love and hate, obligation and longing, on the eve of a flight to San Juan. A college student grapples with the space between chivalry and machismo in a tense encounter involving a nun.

Set on five continents and spanning nearly a century, We Two Alone traces the long arc and evolution of the Chinese immigrant experience. From the vulnerable and disenfranchised to the educated and elite, the characters in this extraordinary collection embody the diversity of the diaspora at key moments in history and in contemporary times. Jack Wang has crafted deeply affecting stories that not only subvert expectations but contend with mortality and delicately draw out the intimacies and failings of love.

Gayl Jones, who was first edited by Toni Morrison, has been described as one of the great literary writers of the 20th century and was recently a finalist for the Pulitzer Prize in fiction. This new collection of short fiction is only the second in her rich career, and one that displays her strengths in the genre in many facets. Opening with two novella-length works, “Butter” and “Sophia,” this collection features Jones’s legendary talents in a range of settings and styles.

In stories charged by the complexities of mother-daughter relationships, grief, exes, and the profundities of friendship, She Is Haunted features injured ballerinas, cloned dogs, and competitive call centers in settings as far ranging as future and present Australia, New York City’s Chinatown, and suburban California.

No ritmo das pedaladas de uma bicicleta, a estrada passa sob os pés do protagonista André, enquanto este percorre o sul do Brasil, o Uruguai, a Argentina, até chegar a Sucre, na Bolívia, cidade onde desaparece. Através de seu diário, enviado ao amigo Jean pouco depois da última nota, é que temos acesso aos lugares onde passou, as pessoas com quem conviveu e os fantasmas que o perseguiram durante a jornada.

"Nachbarn" ist eines jener seltenen Werke in der Literatur, die ihre Zeit einfangen und ihr doch weit voraus sind. Diane Oliver erkundet darin die sich wandelnden sozialen Umstände: Beäugt von den Nachbarn, fragen sich Ellie und ihre Familie, ob es richtig ist, den kleinen Bruder morgen als einziges Kind auf die Schule der Weißen zu schicken. Ein Paar wird durch rassistische Übergriffe dazu getrieben, im Wald zu leben, und entwickelt eine mörderische Wut. Meg heiratet einen Schwarzen, doch die Liebe fordert über die Grenzen der Hautfarbe ihren Preis.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Dr. Harmon refers to her style of writing as "Short Stories With A Purpose". Her fictional Christian short stories were created to highlight God's goodness, grace, and mercy. Sometimes we become so busy with our everyday lives that we forget to pause and say thank you. The stories in this book will inspire and encourage discussions about faith and purpose.

Josie Tucker is in a pickle. She's a rising food critic in the blogosphere, but she can't eat. Her testy stomach is always in knots - is it anxiety, a food allergy, or something else? With a Boston blueblood matron funding her adventures, and a trio of loyal friends, Josie finds herself in scrape after bizarre scrape, barely escaping by the skin of her neck.

The collection contains 12 provocative tales that explore the emotional and mental terrain of a diverse cast of characters, from the innocent to the insane. In each, Jones displays her unflinching ability to dive into the most treacherous of psyches and circumstances: the title story examines the identity and relationship conundrums of a Black man who can pass for white, earning him the name “White Rat” as an infant; “The Women” follows a girl whose mother brings a line of female lovers to live in their home.

Composed of several interconnected stories, each taking place in a year ending with the number six, ironically a number that in Chinese divination signifies “a smooth life,” Dear Chrysanthemums is a novel about the scourge of inhumanity, survival, and past trauma that never leaves. The women in these stories are cooks, musicians, dancers, protestors, mothers and daughters, friends and enemies, all inexplicably connected in one way or another.

Before being torn down in 2007, the Stateway Gardens public housing projects on Chicago’s South Side were ridden with deprivation and crime. But for some, like Tracy, the shy, intelligent young boy at the center of this enthralling collection of linked stories, they are simply home. Set in the mid-1980s and taking listeners up to the point of the destruction of the infamous Cabrini-Green housing projects, this collection gives an intimate look at the hopes, dreams, failures, and fortunes of a group of people growing up with the deck always stacked against them.

Once again on the American side of the Atlantic talent pours forth from the pens of these literary women. Even to choose a mere ten seems to be a choice too difficult to make. Society may hold women back but these writers are equal to the challenge and overcome its boundaries with superbly written stories that are a beacon for all others who follow.

Americans have vivid, colourful and mesmerising imaginations. On the flip side they are equally adept at Realism. In this volume their famed authors explore short stories that bring us up close and personal to reality.

An ordinary man wakes one morning to discover he’s a famous reggaetón star. An aging abuela slowly morphs into a marionette puppet. A struggling academic discovers the horrifying cost of becoming a Self-Made Man. In There Is a Rio Grande in Heaven, Ruben Reyes Jr. conjures strange dreamlike worlds to explore what we would do if we woke up one morning and our lives were unrecognizable. Boundaries between the past, present, and future are blurred. Menacing technology and unchecked bureaucracy cut through everyday life with uncanny dread.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

Alexander Shalom Joseph’s American Wasteland is a collection of stories about the contemporary day-to-day in America. It is said in the Talmud that one job of certain Jews is to justify the existence of humanity to God; in this collection, Joseph attempts to do just this with his stories, which speak to the everyday mundane and the vast richness in both meaning and meaninglessness that abound all around us. These stories, vivid in detail, portray a stagnant land full of longing and millions of lost people trying to make sense of a world which can seem both crushing and light.

Call If You Need Me includes all of the prose previously collected in No Heroics, Please, four essays from Fires, and those five marvelous stories that range over the period of Carver's mature writing and give his devoted fans a final glimpse of the great writer at work. The pure pleasure of Carver's writing is everywhere in his work, here no less than in those stories that have already entered the canon of modern literature.