American Literature Anthology

Headlined by New York Times best-seller Carl Weber, three authors bring listeners tales of power, greed, and ambition set in some of the country's roughest neighborhoods.

Make your heart merry and unwrap these delightful stories of seasonal romance.

Originally published in 1964, this collection of 16 stories includes three linked sets of stories about the Carey, Bedlow, and Dunford families. They represent the earliest work of William Melvin Kelley and provided a rich source of stories and characters who were to fill out his later novels. Spanning generations from the Deep South during Reconstruction to New York City in the 1960s, these insightful stories depict African American families - their struggles, their heartbreak, and their love.

Spanning the early 1900s up to modern times, the connected stories here trace the intersecting lives of travelers, expatriates, and local folks in ways that shock, illuminate, and reveal. From the American photographer who finds her world disturbed by new forms of love and lust, to a charismatic priest confronted by the earthly perks of fame and stardom, the diverse mix of characters are united by the universal search for love and understanding - a challenge on an island simmering with issues of politics, power, and race.

Now is an extraordinary time. Across the country, people are losing their loved ones, their livelihoods, their homes, and even their own lives to COVID-19. Despite the pandemic, countless protests erupted this summer over the recurring loss of Black lives. Reverberations of shock and outrage remain with us all. There's a Revolution Outside, My Love captures and articulates all of these roiling sentiments unleashed by a profound national reckoning.

In the 14th edition of this seductive series, erotica's veterans and up-and-coming new writers join forces to explore how tantalizing crossing the so-called Lolita gap between youth and middle age can be.

An enthralling collection of short stories based on Dwight's own family history. He takes us through the lives of African Americans and Native Americans in the early parts of the United States. A must listen.

Two traveling college students confront their disintegrating relationship and the new American reality in a breakdown lane along the Italian Superstrade. A woman chases the ghost of her neglectful father to a vanished amusement park at the end of the Long Beach pier. In these atmospheric, wide-ranging, surprisingly playful, and deeply mournful stories, grandkids and widows, ice cream-truck drivers and judges, travelers and invalids all discover — and sometimes even survive — the everyday losses from which the most vengeful ghosts so often spring.

From her first days at Virginia’s Hampton University, impressionable, creative Nia falls smitten with Chris Eidos Alleyne, an athlete and a scholar. “Love is sweet nothings and beautiful promises”, Nia writes in her journal. What her girlfriends know, and her mother doesn’t, is that Chris’s expression of love is deeply physical. Wielding powerful charisma, Chris soon has Nia abandoning innocence for experience.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

In this eye-opening short story, a tech reporter’s mistake unites two women eight thousand miles apart. One in New Jersey, one in the Philippines. Same name: Sandra Guzman. Same job: content moderators for a mega social media website. What transpires between them is a friendship that changes their perceptions of each other’s privilege and challenges the power of the very industry they work for.

No ritmo das pedaladas de uma bicicleta, a estrada passa sob os pés do protagonista André, enquanto este percorre o sul do Brasil, o Uruguai, a Argentina, até chegar a Sucre, na Bolívia, cidade onde desaparece. Através de seu diário, enviado ao amigo Jean pouco depois da última nota, é que temos acesso aos lugares onde passou, as pessoas com quem conviveu e os fantasmas que o perseguiram durante a jornada.

With heart-stopping stories by Zane, Tananarive Due and Steven Barnes, Joy M. Copeland, Robert Fleming, Terence Taylor, Francine Lewis, Brandon Massey, and 12 other established or up-and-coming writers, Dark Dreams is a must-have contemporary anthology for fans of the supernatural.

When Four Stories by American Women was first published by Penguin Classics in 1990, it understandably reflected the second-wave feminist interpretations of that time—a period marked by an impressive recovery of what were then considered to be minor American writers. This updated and expanded volume, Twelve Stories by American Women edited by Arielle Zibrak, offers a more diverse selection of writers—including Frances Ellen Watkins Harper, María Cristina Mena, Zitkala-Ša, Sui Sin Far, and Barbara E. Pope.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

Critics have compared her work to that of Langston Hughes and Zora Neale Hurston, but J. California Cooper has a warm, witty style that’s definitely her own. Each of her short stories is a gem of downhome wisdom, polished with a bit of gossip, some heartbreak, and lots of humor.