American Literature

For three years of the War Between the States, Marlie Lynch has helped the cause in peace: with coded letters about anti-Rebel uprisings in her Carolina woods, tisanes and poultices for Union prisoners, and silent aid to fleeing slave and Freeman alike. Her formerly enslaved mother's traditions and the name of a white father she never knew have protected her - until the vicious Confederate Home Guard claims Marlie's home for their new base of operations in the guerilla war against Southern resistors of the Rebel cause.

Jonas, the only boy in a family of four children, has always been a fighter. From the neighborhood bullies to the stepfather who uses him and his siblings as punching bags, his life has always been one battle after another. When he crosses paths with rogue homicide detective Louis "Lou" Ceavers, he's offered a bargain that will change the course of his life. Detective Ceavers becomes like a guardian angel and surrogate father to Jonas, teaching him the game and guiding him in his quest for power.

Korea's brightest literary star sets this complex and nuanced coming-of-age story against the backdrop of Korea's industrial sweatshops of the 1970s and takes on the extreme exploitation, oppression, and urbanization that helped catapult Korea's economy out of the ashes of war. But it was girls like Shin's heroine who formed the bottom of Seoul's rapidly changing social hierarchy, forgotten and ignored.

At once fiercely immediate and complex in their implications, “The Shawl” and “Rosa” succeed in imagining the unimaginable: the horror of the Holocaust and the emptiness of its aftermath. They were written in 1977 but were first published in the early 1980s in The New Yorker. Both “The Shawl” and “Rosa” won first prize in the O. Henry Prize Stories and were chosen for Best American Short Stories.

Franciszka and her daughter, Helena, are simple, ordinary people until 1939, when the Nazis invade their homeland. Providing shelter to Jews in Nazi-occupied Poland is a death sentence, but Franciszka and Helena do exactly that. In their tiny home in Sokal, they hide a Jewish family in a loft above their pigsty, a Jewish doctor with his wife and son in a makeshift cellar under the kitchen, and a defecting German soldier in the attic - each party completely unknown to the others.

Winter looms in this place of icy splendor near the top of the world-chilling a heart already frozen by hatred and cold dreams of revenge? Experience and adversity have made the storyteller Chakliux a wise and powerful hunter and a man of great respect. But a tender heart is his weakness. In his village lives the beautiful Aqamdax for whom he yearns, though she is mated to a cruel and dangerous tribesman she does not love. It is Chakliux she runs to under a clear, moonlit sky while the village sleeps.

Secular humanism has triumphed. Everything the late Victorians and Edwardians believed would bring human happiness has been achieved: Technology has made it so no one needs to work for a living, the social sciences ensure a smooth-running social order, and, in the name of tolerance, religious beliefs have been uprooted and eliminated except for a single holdout - a largely discredited and rapidly shrinking Catholic Church. Yet people are unhappy.

Giselle thinks she has the perfect life. Her fine and sexy husband, Giovanni, is obsessed with his perfect wife and gives her whatever her heart desires. Giselle thinks her husband can do no wrong. What she doesn’t know is that his lucrative adult film company is not as legit as it seems, and Giovanni’s seedy dealings put his precious wife in danger.

G. K. Chesterton was a journalist, playwright, poet, biographer, novelist, essayist, literary commentator, editor, orator, artist, and theologian. Orthodoxy is his great apologia for the Christian faith, which was prompted by a serious attack in 1903 against Christianity by well-known newspaper editor Robert Blatchford.

In 1866, with the country barely recovered from the Civil War, new war breaks out on the western frontier - a clash of cultures between a young, ambitious nation and the Native tribes who have lived on the land for centuries. Colonel Henry Carrington arrives in Wyoming’s Powder River Valley to lead the US Army in defending the opening of a new road for gold miners and settlers. Carrington intends to build a fort in the middle of critical hunting grounds, the home of the Lakota.

Sasha Naradnyo is a gangster. He's a gangster with heart, sure, but Sasha sticks his neck out for no man. That's how you stay alive in Crack City, a colony stuffed deep into the crust of the otherwise unlivable planet Peezgtaan. Alive only - because if you're human, you don't prosper, at least not for long. Sasha is a second generation City native. His parents came to this rock figuring to make it big, only to find that they'd been recruited as an indentured labor force for alien overlords known as the Varoki.

Meet the Banks sisters - Simone, Bunny, Tallhya, and Ginger. They feel like they are finally in the clear in connection with the recent bank robberies - until their mother shows up demanding her share at gunpoint. She threatens to snitch them out if they don't come correct. The situation becomes a bloody mess, and now two sisters must band together to cover up the unthinkable actions of one of their own. As if that isn't enough, Pastor Cassius Street hits them with another major blow.

“There have never been as many exquisitely built stories in existence than there are now,” proclaims guest editor Lauren Groff in her introduction. This abundance led to a volume of robust stories with the nerve to push against narrative expectations. The Best American Short Stories 2024 boasts a collection of twenty stories that “buzz with their own strange logic.” Daring and resonant, the stories in this volume invite in Groff “a feeling that both the author and I were simultaneously discovering something together.”

Victor Frankenstein, un jeune étudiant brillant, crée de toutes pièces un être à l'apparence humaine. Bien vite, il regrette son geste. En effet, la créature prend l'apparence d'un monstre sanguinaire qui ne pense qu'à semer la mort et le malheur sur son passage et qui persécute son créateur. Au travers de l'histoire de Victor Frankenstein et de son monstre, Mary W. Shelley nous pose la question de l'origine de la cruauté humaine. Le monstre de Frankenstein est rejeté par tous. Il aimerait avoir des relations avec les humains mais ceux-ci le fuient. Il devient alors violent et s'en prend aux personnes qu'il rencontre.

Baxter’s name isn’t George. But it’s 1929, and Baxter is lucky enough, as a Black man, to have a job as a sleeping car porter on a train that crisscrosses the country. So when the passengers call him George, he has to just smile and nod and act invisible. What he really wants is to go to dentistry school, but he’ll have to save up a lot of nickel and dime tips to get there, so he puts up with “George.” On this particular trip out west, the passengers are more unruly than usual, especially when the train is stalled for two extra days.

Camera-shy Elise Branson is different from the other women in her maternal line. Her mother is an award-winning actress. Her late grandmother, Vivian Snow, is a beloved Hollywood icon. But when Elise’s upcoming wedding coincides with a documentary being made about Vivian, Elise can’t escape the camera’s gaze. And neither can her grandmother, even in death.

Few wars have been fought by each side with greater intensity of conviction in the rightness of its cause or with more abundant personal heroism than the War Between the States. The story begins with a great responsibility falling on Vincent Wingfield, the teenage son of a widowed Virginia plantation owner. Vincent must decide what course of action he should take when a problem arises on the plantation.

The visionary writer and director of Get Out, Us, and Nope, and founder of Monkeypaw Productions, curates this groundbreaking anthology of all-new stories of Black horror, exploring not only the terrors of the supernatural but the chilling reality of injustice that haunts our nation. Featuring an introduction by Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a master class in horror, and—like his spine-chilling films—its stories prey on everything we think we know about our world . . . and redefine what it means to be afraid.

A revelatory new translation of the playful, incomparable masterpiece of one of the greatest Black authors in the Americas....

The Black household is swiftly deteriorating. Frustrated and angry at her prosperous preacher husband's obvious infidelities, Tanya cannot believe the man she once loved has been replaced by this pathological liar obsessed with material wealth.