American Literature

The Red Bottom Bandits may be the world's most fashion-forward gang of masked outlaws. They're the talk of DC for their daring robberies and fly gear. And their latest caper is penned by Ashley Antoinette (of Ashley & JaQuavis) at her sultry, streetwise best.

Before he was considered a CIA superagent, before he was thought of as a terrorist's worst nightmare, and before he was both loathed and admired by the politicians on Capitol Hill, Mitch Rapp was a gifted college athlete without a care in the world...and then tragedy struck.

Travel back to a small Southern town where, before there was Duncan Motors, there were the Duncan brothers: Louis, aka Sweet Lou, a lover of ladies and life and a man you did not want to cross; Lawrence, aka Larry, a screw-up as attracted to trouble as it was to him; and Lavernius, better known as LC, the soft-spoken college boy who simply wanted to sell cars.

Priscilla White knows she'll never be a wife or mother and feels God's call to the mission field in India. Dr. Eli Ernest is back from Oregon Country only long enough to raise awareness of missions to the natives before heading out West once more. But then Priscilla and Eli both receive news from the mission board: No longer will they send unmarried men and women into the field. Left scrambling for options, the two realize the other might be the answer to their needs.

Qua loves Wynner. Wynner loves Qua. Easy enough, right? But Wynner came with two brothers who couldn't stand Qua with their baby sister. Qua couldn't stand not having Wynner with him, even if he didn't have his life together. With faith, his word, and love, he grabs his love's hand and marries her at the court house. Flash forward five years, and all the promises that Qua has made Wynner he has come through on them. To stay true, secure the bag, and be her ace through all her pain. With Wynner always being sick, everyone babies her and is always worried about her.

In a stunning narrative combining the gritty rhythms of Junot Diaz with the noir genius of Walter Mosley, Bodega Dreams pulls us into Spanish Harlem, where the word is out: Willie Bodega is king. Need college tuition for your daughter? Start-up funds for your fruit stand? Bodega can help. He gives everyone a leg up, in exchange only for loyalty - and a steady income from the drugs he pushes.

Taught by her drug-addict mother to get hers by any means necessary, Tionna's heart is cold, but she holds a warm place in it for Duhan, the father of her two sons, her on-again-off-again boyfriend since they were teenagers, her knight in shining armor. But with Dunham behind bars and everything she loves seized, she finds herself starting over in the same neighborhood that she swore she'd never return to.

Patrick Bateman moves among the young and trendy in 1980s Manhattan. Young, handsome, and well educated, Bateman earns his fortune on Wall Street by day while spending his nights in ways we cannot begin to fathom. Expressing his true self through torture and murder, Bateman prefigures an apocalyptic horror that no society could bear to confront.

"Walden. Yesterday I came here to live." That entry from the journal of Henry David Thoreau, and the intellectual journey it began, would by themselves be enough to place Thoreau in the American pantheon. His attempt to "live deliberately" in a small woods at the edge of his hometown of Concord has been a touchstone for individualists and seekers since the publication of Walden in 1854. But there was much more to Thoreau than his brief experiment in living at Walden Pond.

Keyara Henderson's life takes an unexpected turn when more than half of her vision deteriorates due to diabetes. In an effort to regain her independence, Keyara opts to attend Georgia Southern University, a prestigious university with a drive long enough to prevent her from having anyone to fall back on. Although he has reservations, Keyara's father relents under two conditions: one being that she must stay in an assisted-living facility and the other requiring her to employ a chauffeur.

Playboy filmmaker Samir "Sam" Rathod is Bollywood's favorite bad boy. He'll do anything for his big brother - even travel halfway across the globe to take care of the "wife" who just crawled out of his brother's past. Yet Mili isn't the simple village girl Sam expected. She's a whirlwind who sucks him into her roommate's elaborate elopement and soon has him drowning in her onyx eyes.

Ria Parkar is Bollywood's favorite ice princess - beautiful, poised, and scandal-proof - until one impulsive act threatens to expose her destructive past. Traveling home to Chicago for her cousin's wedding offers a chance to defuse the coming media storm and find solace in family, food, and outsized celebrations that are like one of her vibrant movies come to life. But it also means confronting Vikram Jathar.

Locked behind bars for three years, Shadow did his time, quietly waiting for the day when he could return to Eagle Point, Indiana. A man no longer scared of what tomorrow might bring, all he wanted was to be with Laura, the wife he deeply loved, and start a new life. But just days before his release, Laura and Shadow's best friend are killed in an accident. With his life in pieces and nothing to keep him tethered, Shadow accepts a job from a beguiling stranger he meets on the way home.

They were just kids when Claudette McPhearson took them all in. Eight of them all together. All different races and ethnic makeups, but she loved them as her own. One woman taught them how to love, trust, and respect one another. She was the only glue that kept them together, the only one they wanted to please and never let down. She had been their light at the end of a long troublesome tunnel - it shined so bright. Then, one dreadful day, it all came to a crashing halt.

In 1964, Little Big Man gave us the reminiscences of Jack Crabb - a white orphan raised among the Cheyenne - who returns to "civilized" society, where (among other things) he tangles with Wyatt Earp and Wild Bill Hickok, and ends up as the only white survivor of Custer's Last Stand. At the end of Little Big Man, Jack's supposed death at age 111 cut short his tale.

While Jaylin fights his battle to stay out of jail for giving Felicia a major beat-down, he also has to do what it takes to maintain his marriage to Nokea. This time, she’s skeptical about standing by her man, and when she finds out that Scorpio and Jaylin can’t quite keep their feelings under control, throwing in the towel just might be the best thing to do. Till death do us part, Jaylin confirms, as losing his wife is not an option. For everyone, Scorpio’s cravings for the one man she’ll never be able to conquer must come to an end.

Pigeonholed in popular memory as a Jazz Age epicurean, a playboy, and an emblem of the Lost Generation, F. Scott Fitzgerald was at heart a moralist struck by the nation's shifting mood and manners after World War I. In Paradise Lost, David Brown contends that Fitzgerald's deepest allegiances were to a fading antebellum world he associated with his father's Chesapeake Bay roots. Yet as a midwesterner, an Irish Catholic, and a perpetually in-debt author, he felt like an outsider in the haute bourgeoisie haunts.

Desa Rae Jenkins and her 20-something-year-old playmate are back with drama only the two of them can bring. Roc has been released from prison, and he's trying to show Desa Rae that his past life is well behind him, but his baby mama and his playa-hating uncle want Desa Rae out of the picture. Chyanne Johnson has tried to steer clear of drama since she was old enough to be out on her own. She's content with her mundane position at Atlanta's top marketing firm, but all of that changes when sexy CEO Aric McHale promotes her to be his executive assistant.

You’re Not a Girl in a Movie is a new collection of powerful poems by Hala Alyan, winner of the Arab American Book Award in Poetry and the Dayton Literary Peace Prize. In these nine extraordinary poems, Alyan wrestles with the intimate themes that have driven her acclaimed body of work to date: the aching loss of homeland, the image and worth of women, and the violence of love. In Beirut, Brooklyn, and roads in the American West, she unravels the effects of decades of war and displacement on love and human worth and identity.

Award-winning novelist Tayari Jones delivers a story based on the 1979-1980 Atlanta child murders. Told from the perspective of three fifth-grade classmates, Leaving Atlanta is a vividly disturbing, but hopeful novel.