American Poetry Love

Postcolonial Love Poem, the brilliant second collection from Natalie Diaz, holds in its pages the urgent appeal for all bodies―bodies of lovers, family, enemies, as well as of language and rivers and land―to be held dearly. In her lyrical landscape, Diaz tenderly prods the wounds inflicted by America onto its Indigenous peoples.

From the two-term Poet Laureate of the United States Billy Collins comes his first compilation of new and selected poems in 12 years. Aimless Love combines new poems with selections from four previous books— Nine Horses, The Trouble with Poetry, Ballistics, and Horoscopes for the Dead. Collins’s unmistakable voice, which brings together plain speech with imaginative surprise, is clearly heard with every word, reminding us how he has managed to enrich the tapestry of contemporary poetry and greatly expand its audience.

"Two roads diverged in a yellow wood..." One hundred years after its first publication in August 1915, Robert Frost's poem "The Road Not Taken" is so ubiquitous that it's easy to forget that it is, in fact, a poem. Yet poetry it is, and Frost's immortal lines remain unbelievably popular. And yet in spite of this devotion, almost everyone gets the poem hopelessly wrong. David Orr's The Road Not Taken dives directly into the controversy, illuminating the poem's enduring greatness while revealing its mystifying contradictions.

Celebrating James Tate’s work as it transcends convention, time, and everything that tells us, “No, you can’t do that,” Hell, I Love Everybody gives us the poet at his best, his most intimate, hopeful, inventive, and brilliant. John Ashbery called Tate the “poet of possibilities,” and this collection records forays into possibilities for American poetry’s future. With a foreword by Terrance Hayes, it is sure to give listeners new and old a lasting collection of favorites.

Now is an extraordinary time. Across the country, people are losing their loved ones, their livelihoods, their homes, and even their own lives to COVID-19. Despite the pandemic, countless protests erupted this summer over the recurring loss of Black lives. Reverberations of shock and outrage remain with us all. There's a Revolution Outside, My Love captures and articulates all of these roiling sentiments unleashed by a profound national reckoning.

Useful Junk includes a series of poem-letters that began as a digital correspondence between the author (a Gen-X English professor in rural Virginia with two kids) and a young writer (a Millennial former tech industry worker in New York coming to terms with her queer identity after a recent miscarriage). These poems explore the unique dynamic of online cross-generational friendships and the life lessons both women learned from each other.

Meet pastor Titus T. Smith. He has suffered a great loss by losing his wife, Pearl. As he rebuilds his life and ministry, can he find love again? This is a dramatic story of a second chance at love for an alpha pastor. Will he be able to love again without chaos breaking out in his family and ministry? Book one of two in the Endless Love series.

Shay Tolliver has a world of her own intertwined with close friends located near and far. Terrell Fletcher moved to Arizona three years ago from Detroit, Michigan. But only a year and a half ago, he relocated to Lake Havasu City where Shay lives. They connect with one another through a social website for all types of people named Sexy Elite. Terrell reaches out to Shay one day and they find out they have more in common than meets the eye ordinarily.

Throughout his life, Noel Coward the master songwriter, 'derived a considerable amount of private pleasure from writing verse'. Much of it is gathered in this first ever audio collection. From moving war-time encounters to satirical barbs at familiar Coward targets and personal reminiscences, this delightful collection is a perfect blend of vintage Noel Coward sure to be enjoyed by faithful fans and new listeners alike.

Temp jobs, conspiracy theories, squatters, talk therapy, urban gardening, the robot revolution: this collection fixes its eye on the strangeness of labor, through poems that are searching, keen, and wry. The virtuosic central sequence explores the untimely death of the poet’s estranged father, a handyman and addict, and the brothers left to sort through the detritus of a life long lost to them. Through lyrical, darkly humorous vignettes, Kunz asks what it costs to build a home and a love that not only lasts but sustains.

In this powerful gathering of poems about her own "influencers," as well as poems on Dadaist artist Meret Oppenheim and the young choreographer Lauren Lovette, Brenda Shaughnessy dwells in memories of the women who set her on her artistic path. In flowing stair-step tercets, Shaughnessy leads us down into her generative core, exposing moments of spiritual and intellectual awakening, her love of art and the written word, and her sense of the life force itself, which is ignited by the conversation—across time and space—with other women.