American Renaissance

Claude McKay’s first novel, Home to Harlem, was published in 1928 during the height of the Harlem Renaissance. McKay portrays Harlem post-WWI through two Black migrants to New York: Jake, a Southern-born African American longshoreman who deserts the U.S. army and returns to his home in Harlem; and Ray, an educated Haitian immigrant. With his innovative use of Black dialects, McKay portrays a complex world of Black people, both native-born and immigrant, who navigate a dynamic society in the midst of radical change.

This audiobook includes both of Henry David Thoreau's most popular and enduring works, the book Walden and the essay "On the Duty of Civil Disobedience."

This is a new edition of Mark Twain's masterpiece, Huckleberry Finn, published by American Renaissance Books. The audiobook is narrated by Theo Holland, who brings to life the humor and drama of this timeless tale.

If you've wanted to read Ralph Waldo Emerson but find his 19th-century prose too daunting, help is here.... In Everyday Emerson, best-selling author Sam Torode (The Dirty Parts of the Bible: A Novel) rephrases the works of Ralph Waldo Emerson in contemporary language. The goal is to make Emerson's wisdom applicable to our daily lives, proving that transcendentalism isn't a relic of the past - it's a way of thinking and seeing the world that's still valid and vital.

Hassan Clarke is a self-proclaimed ladies' man with his eyes set on the prize. With his jovial ways and gift for gab, he has managed to weasel his way into the lives of two women - his wife, Destiny, and his mistress, Imani. His mistress is a gold-digging, self-serving side chick determined to be with her married lover even if it means losing everything, including her soul, to get to him. However, after putting years of hard work and her hard-earned money into building her husband's firm, Destiny doesn't plan to forgo all the benefits without a fight.

From the bestselling author of Alice Waters and Chez Panisse comes the first biography of the passionate gastronome and troubled genius who became the most powerful force in the history of American food - the founding father of the American food revolution.

Angelic Essie Belle Johnson and devilish Laura Reed both agree that they need to do something to spice up their lives and earn more money. So, they start their own church on the street in front of their Harlem apartment. With Laura's gift for performing and Essie's melodious voice, the two quickly become a hit and must move their services into a renovated theater. But as their congregation grows, a host of misfits enter the scene - some honest, but others who just want a piece of the pie.

As the book begins deep in Oklahoma early one morning in 1976, nine men from Ruby (pop. 360), in defense of "the one all-black town worth the pain", assault the nearby Convent and the women in it. From the town's ancestral origins in 1890 to the fateful day of the assault, Paradise tells the story of a people ever mindful of the relationship between their spectacular history and a void "Out There...where random and organized evil erupted when and where it chose."

Zora Neale Hurston is best remembered today for her work as a novelist, but she was also an accomplished dramatist, short story writer, and folklorist. That range of interests and styles is on full display in this collection.

Before Langston Hughes and his literary prowess became synonymous with American poetry, he was a seventeen-year-old on a train to Mexico City, seeking funds to pursue his passion. His early poems, beloved verses like “The Negro Speaks of Rivers,” were written without formal training, often on the back of napkins and envelopes, and were inspired by the sights and sounds of Black working-class people he encountered in his early life. Blues in Stereo is a posthumous collection of these early works, in which we see Langston Hughes like we’ve never seen him before.

In On the Shoulders of Giants, indomitable basketball star and best-selling author and historian Kareem Abdul-Jabbar invites listeners on an extraordinarily personal journey back to his birthplace. He leads us through one of the greatest political, cultural, literary, and artistic movements in our history, revealing the tremendous impact the Harlem Renaissance had on both American culture and his own life.

Claudie Wells wants more than anything to be a person whose imagination can fly, instead of a person whose feet are stuck on the ground. She believes everyone has a talent except for her. She’s growing up in the neighborhood of Harlem in New York City during the 1920s, surrounded by writers and poets, painters and sculptors, actors and dancers, singers and musicians. When an eviction notice threatens her family, friends, and the beloved boardinghouse they share, Claudie has an idea that just might save the day.

Dubbed the “joy goddess of Harlem’s 1920s” by poet Langston Hughes, A’Lelia Walker, daughter of millionaire entrepreneur Madam C.J. Walker and the author’s great-grandmother and namesake, is a fascinating figure whose legendary parties and Dark Tower salon helped define the Harlem Renaissance. After inheriting her mother’s hair care enterprise, A’Lelia would become America’s first high profile black heiress and a prominent patron of the arts.

In this rambunctious satire, Wallace Thurman, one of the leading figures of the Harlem Renaissance, takes his fellow artists and critics to task. The setting is a buzzing apartment building in 1930s Harlem, where avatars for the likes of Langston Hughes, Zora Neale Hurston, Countee Cullen, and Thurman himself come together to push past old boundaries and test out new ideas. But the heat of this collective energy soon threatens to consume them all, as wild parties, jealous rages, and intellectual conflicts turn the literary circle into an out-of-control hothouse of personal drama.

Eric Walrond was a singular voice of the Harlem Renaissance, and Tropic Death is his most famous work - a collection that highlights his particular strength as a writer of short fiction. Over the course of these ten stories, Walrond vividly details the punishing realities of life and labor across the Caribbean, and yet the overall effect is far from grim. These are unsentimental yet startlingly beautiful portraits of the migrant experience, full of distinctive voices striving for an audience in a seemingly implacable world.

A chance meeting reunites Irene Redfield and Clare Kendry, estranged friends who have long been separated by their ambitions. Since losing touch, Irene has become a wife and mother in Harlem, where she remains closely connected to her racial heritage. The seductive Clare, however, now “passes,” enjoying the privileges of white society while hiding her roots from the world, including her rich (and racist) husband.

Believing fiction to be an invaluable tool for social change, Pauline E. Hopkins used her first novel to challenge the racist and sexist assumptions of her time. Contending Forces operates on an epic scale - with settings ranging from antebellum North Carolina to post-Civil War Boston - and Hopkins surveys this panorama with an eye in particular on the intersections of race, class, and gender relations.

When the curtains rise on Angelina Weld Grimké’s devastating drama, the Lovings—a Black family from the South—have settled into a small but immaculate apartment in an unnamed northern city. The widowed matriarch, Mary; her daughter, Rachel; and her son, Tom anticipate a more promising future here, but Rachel, a sensitive young woman, has a sudden reckoning with the past that throws her future into serious doubt.

On the heels of the best seller success of her novel The Wedding, Dorothy West, the last surviving member of the Harlem Renaissance, presents a collection of essays and stories that explore both the realism of everyday life, and the fantastical, extraordinary circumstances of one woman's life in a mythic time.

In 1919, a high school teacher from Washington, D.C arrives in Harlem excited to realize her lifelong dream. Jessie Redmon Fauset has been named the literary editor of The Crisis. The first Black woman to hold this position at a preeminent Negro magazine, Jessie is poised to achieve literary greatness. But she holds a secret that jeopardizes it all.