American Short

These wholly original and shiver-inducing tales introduce listeners to ghosts, curses, hauntings, monstrous creatures, complex family legacies, desperate deeds, and chilling acts of revenge. Introduced and contextualized by bestselling author Stephen Graham Jones, these stories are a celebration of Indigenous peoples’ survival and imagination, and a glorious reveling in all the things an ill-advised whistle might summon.

A collection of classic American short stories, including 'The Old Man's Bride' by Timothy Shay Arthur (read by Van Johnson), 'The Virginian' by Owen Wister (William Holden), 'The Turn of the Screw' by Henry James (Ronald Colman and Edna Best) and 'The Man That Corrupted Handleyburg' by Mark Twain (Frank Lovejoy).

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. In this Century of profound change for women our Atlantic neighbours produced authors of extraordinary ability that dazzled us all with a range of ideas, characters and stories of such magnificence that literature would never be the same again. Genius is written in their names.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

The Best American series, launched in 1915, is the premier annual showcase for the country’s finest short fiction and nonfiction, and it is the most respected—and most popular—of its kind. Celeste Ng—Puschcart Prize winner and #1 New York Times bestselling author of Little Fires Everywhere—selects twenty stories out of thousands that represent the best examples of the form published this year.

A gripping collection of outstanding American classic short stories by some of America's greatest writers: 'A Ghost Story' by Mark Twain; 'Pomegranate Seed' by Edith Wharton; 'Pigeons from Hell' by Robert E. Howard; 'Pickman's Model' by H. P. Lovecraft; 'The Adventure of the German Student' by Nathaniel Hawthorne; 'Absolute Zero' by Morgan Robertson; and many more.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

A veritable library of listening in this splendid collection of American Short Stories! This boxed set includes all stories from Volumes 1, 2 and 3.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

The stories in this collection are drawn mainly from those tribes which lived in the northern and central areas of North America. These represent the linguistic groups gerneally referred to as Algonquian, Iroquois, and Sioux. A final chapter covers the tales of the northwest Pacific Coast.

At once fiercely immediate and complex in their implications, “The Shawl” and “Rosa” succeed in imagining the unimaginable: the horror of the Holocaust and the emptiness of its aftermath. They were written in 1977 but were first published in the early 1980s in The New Yorker. Both “The Shawl” and “Rosa” won first prize in the O. Henry Prize Stories and were chosen for Best American Short Stories.

Comprising two distinct short novels - Monroe's Nightmare in Paradise and Bad Luck Shadow from critically acclaimed Victor McGlothin - Borrow Trouble is a hot double-feature that perfectly showcases each author's unique style.

The groundbreaking trans-genre work of Argentinian writer Jorge Luis Borges (1899-1986) has been insinuating itself into the structure, stance, and very breath of world literature for well over half a century. Multi-layered, self-referential, elusive, and allusive writing is now frequently labelled Borgesian.

A wonderful collection of short stories" by some of the all-time great American writers: 1. "The Diamond Lens" by Fitz James O’Brien; 2. "Titbottom’s Spectacles" by George William Curtis; 3. "The Fall of the House of Usher" by Edgar Allan Poe; 4. "The Eyes of the Panther" by Ambrose Bierce; 5. "The Lightning Rod Man" by Hermann Melville; 6. "Seeds" by Sherwood Anderson; 7. "Who Was She?" by Bayard Taylor; 8. "The Man who stole a Meeting House" by John Townsend Trowbridge; 9. "Memoirs of a Yellow Dog" by O. Henry

Stories of Your Life and Others presents characters who must confront sudden change-the inevitable rise of automatons or the appearance of aliens-while striving to maintain some sense of normalcy. In the amazing and much-lauded title story (the basis for the 2016 movie Arrival), a grieving mother copes with divorce and the death of her daughter by drawing on her knowledge of alien languages and non-linear memory recollection.

In compiling this collection of humorous short stories by both well known and more obscure authors, Alexander Jessup applied a broad interpretation of humour; the stories span the period between 1839 and the beginning of the first World War.