American Short

From a Hong Kong movie idol fleeing a sex scandal to an obedient daughter turned Stanford pretender, from a Chinatown elder summoned to his village to a Korean American pastor with a secret agenda, the characters in the collection illustrate the conflict between self and society, tradition and change. In "What We Have Is What We Need", winner of the Atlantic's Student Writing Contest, a boy from Mexico reunites with his parents in San Francisco. When he suspects his mother has found love elsewhere, he fights to keep his family together.

The nine tales in Give My Love to the Savages illuminate the multifaceted Black experience, exploring the thorny intersections of race, identity, and Black life through an extraordinary cast of characters. From the absurd to the starkly realistic, these stories take aim at the ironies and contradictions of the American racial experience. Chris Stuck traverses the dividing lines, and attempts to create meaning from them in unique and unusual ways.

A girl who believes in UFOs; a boy who might have finally found his Prince Charming; a hopeful performer who dreams of being cast in her school’s production of The Sound of Music; a misunderstood magician of sorts with a power she doesn’t quite understand. These plotlines and many more compose the eclectic stories found within the pages of this dynamic, exciting, and expansive collection featuring exclusively Black characters.

Two more snarky Josie Tucker mysteries! Dead Man on Campus (book three): A mysterious letter-writer causes havoc on the idyllic Bader University campus. After a professor receives numerous poison pen letters, more and more threatening in nature, Josie Tucker is on the case...grudgingly. Full Slab Dead (book four): When snarky food critic, Josie Tucker, heads to Austin, Texas, to wax philosophical about the local barbecue joints, she stumbles on to a decades' old missing person case.

In this moving collection of short stories and essays, Gordon Lee Johnson (Cupeño/Cahuilla) cements his voice not only as a wry commentator on American Indian reservation life but also as a master of fiction writing. In Johnson’s stories, all of which are set on the fictional San Ignacio reservation in Southern California, we meet unforgettable characters like Plato Pena, the Stanford-bound geek who reads Kahlil Gibran during intertribal softball games; hardboiled investigator Roddy Foo; and Etta, whose motto is “early to bed, early to rise, work like hell, and advertise”.

Álex Ayala escribe acerca de unos jubilados que cumplen heroicamente su última misión en la vida: vigilar una estatua de John Lennon para que nadie robe sus características gafas. Y también lo hace sobre los habitantes de un pueblo de Bolivia que comercian con sus recuerdos sobre las últimas horas de vida del Che Guevara. En otro capítulo se habla del sastre Sillerico, quien ha gozado del dudoso honor de ver en paños menores a la mayoría de los presidentes de su país.

Migration. Betrayal. Family secrets. Doomed love. Uncertain futures. In Daniel Alarcón's hands, these are transformed into deeply human stories with high-stakes. In "The Thousands", people are on the move and forging new paths; hope and heartbreak abound. A man deals with the fallout of his blind relatives' mysterious deaths and his father's mental breakdown and incarceration in "The Bridge". A gang member discovers a way to forgiveness and redemption through the haze of violence and trauma in "The Ballad of Rocky Rontal".

Critics have compared her work to that of Langston Hughes and Zora Neale Hurston, but J. California Cooper has a warm, witty style that’s definitely her own. Each of her short stories is a gem of downhome wisdom, polished with a bit of gossip, some heartbreak, and lots of humor.

Examining the borders between one nation and another, between one person and another, Urrea reveals his mastery of the short form. This collection includes the Edgar-award winning "Amapola" and his now-classic "Bid Farewell to Her Many Horses," which had the honor of being chosen for NPR's "Selected Shorts" not once but twice.

Un nuevo libro de relatos del ganador del Premio IMPAC y el Premio Alfaguara de novela por El ruido de las cosas al caer.

Poet Jean Toomer’s short-story and poetry collection.

Bound together by shared experience but pulled apart by their changing fortunes, four young friends coming of age in the postindustrial enclave of Pawtucket, Rhode Island, struggle to liberate themselves from the legacies left to them as black men in America. With potent immediacy and bracing candor, this provocative debut follows a decade in the lives of Dub, Rolls, Rye, and Gio as they each grapple with the complexity of their family histories, the newfound power of sex and drugs, and the ferocity of their desires.

Originally published in 1964, this collection of 16 stories includes three linked sets of stories about the Carey, Bedlow, and Dunford families. They represent the earliest work of William Melvin Kelley and provided a rich source of stories and characters who were to fill out his later novels. Spanning generations from the Deep South during Reconstruction to New York City in the 1960s, these insightful stories depict African American families - their struggles, their heartbreak, and their love.

Mahogany is now coming face to face with the reality of her secrets and lies; she will have life-altering decisions to make soon. Finding new love, having a beautiful family, great friends, her dream career, and financial stability means nothing as she deals with her internal demons. Will her friends and family stick beside her? Will finally turning to God help her, or is she too deep in that it's just too late?

Katia, la primera en su tradicional familia mexicoestadounidense en terminar la secundaria, entra a la edad adulta en una época de cambios turbulentos. En todo el país, los jóvenes luchan por los derechos civiles y de las mujeres, y protestan contra la Guerra de Vietnam y las brutales dictaduras de América del Sur. Como muchos de su generación, Katia quiere hacer del mundo un lugar mejor y está decidida a seguir su propio camino.

The first person in her traditional Mexican American family to graduate from high school, Katia is entering adulthood at a time of turbulent change. Across the nation young people are fighting for civil and women’s rights and protesting the Vietnam War and brutal dictatorships in South America. Like so many of her generation, Katia wants to make the world a better place, and is determined to follow her own path.

Understanding the origins of civil wars and their trajectories therefore demands some appreciation of the economic, political, social, cultural, and geographic order of societies. If there is one factor that best predicts why a civil war erupts, it is a prior civil war. That is why knowledge of a country's history of political violence, and associated narratives about who is to blame and why, are critical to understanding where a civil war might next occur.

When Four Stories by American Women was first published by Penguin Classics in 1990, it understandably reflected the second-wave feminist interpretations of that time—a period marked by an impressive recovery of what were then considered to be minor American writers. This updated and expanded volume, Twelve Stories by American Women edited by Arielle Zibrak, offers a more diverse selection of writers—including Frances Ellen Watkins Harper, María Cristina Mena, Zitkala-Ša, Sui Sin Far, and Barbara E. Pope.

In these buoyant and inventive stories, Karen Tei Yamashita transfers classic tales across boundaries and questions what an inheritance - familial, cultural, emotional, artistic - really means. In a California of the '60s and '70s, characters examine the contents of deceased relatives' freezers, tape-record high school locker-room chatter, or collect a community's gossip while cleaning the teeth of its inhabitants.

The delegates to the 1787 Constitutional Convention blocked the establishment of Christianity as a national religion. But they could not keep religion out of American politics. From the election of 1800, when clergyman charged that deist Thomas Jefferson was unfit to lead a "Christian nation," to today, when some Democrats want to embrace the so-called Religious Left in order to compete with the Republicans and the Religious Right, religion has always been a part of American politics.