American Short

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. A new century dawns, one in which America would become pre-eminent as its industrial might and military power rose above all others. In literature too its authors tackled new forms and new ideas, they shied away from little, immersing themselves and their readers in the promise of a new Century.

For better or worse - be it militarily, politically, economically, technologically, or culturally - Americans have had a profound role in shaping the wider world beyond them. The United States has been a savior to some, a curse to others, but either way such views are often based on a caricature of American actions and intentions. American foreign relations, then, is a subject of immense global importance that provokes strong emotions and much debate, but often based on deep misunderstanding.

In the city of Houston - a sprawling, diverse microcosm of America - the son of a black mother and a Latino father is coming of age. He's working at his family's restaurant, weathering his brother's blows, resenting his older sister's absence - and discovering he likes boys.

The stories in This Is How You Lose Her, by turns hilarious and devastating, raucous and tender, lay bare the infinite longing and inevitable weaknesses of our all-too-human hearts. They capture the heat of new passion, the recklessness with which we betray what we most treasure, and the torture we go through - "the begging, the crawling over glass, the crying" - to try to mend what we've broken beyond repair. They recall the echoes that intimacy leaves behind, even where we thought we did not care.

This is Raymond Carver's third collection of stories, a finalist for the Pulitzer Prize, including the canonical titular story about blindness and learning to enter the very different world of another. The 12 stories in Cathedral mark a turning point in Carver's work.

For over thirty years, The Journey Prize Stories has consistently introduced audiences to the next generation of great Canadian writers. The 33rd edition of Canada's most prestigious annual fiction anthology proudly continues this tradition by celebrating the best emerging Black writers in the country, as selected by a jury comprising internationally acclaimed, award-winning writers David Chariandy, Esi Edugyan, and Canisia Lubrin.

In New York City, an art student finds an unexpected subject when she moves in with a grandmother from Xi’an, and boundaries are put into question. When a newlywed couple moves to Arizona, adapting to unfamiliar customs keeps their marriage from falling apart. A woman grapples with what it means to care for another, and the limits of that care, when her dying husband returns from Beijing years after abandoning her. And during a rainy summer in Texas, a visitor exposes the unspoken but unburiable history that binds two families together.

Call If You Need Me includes all of the prose previously collected in No Heroics, Please, four essays from Fires, and those five marvelous stories that range over the period of Carver's mature writing and give his devoted fans a final glimpse of the great writer at work. The pure pleasure of Carver's writing is everywhere in his work, here no less than in those stories that have already entered the canon of modern literature.

A collection of the year’s best mystery and suspense short fiction selected by #1 New York Times bestselling author and guest editor Jess Walter and series editor Steph Cha.

Two Colombian expats meet as strangers on the rainy streets of New York City, both burdened with traumatic pasts. In Cuba, a woman discovers her deceased brother’s bones have been stolen, and the love of her life returns from Ecuador for a one-night visit. A cash-strapped couple hustles in Miami, to life-altering ends.

From the universally acclaimed author of Breath, Eyes, Memory and Krik? Krak!, a brilliant, deeply moving work of fiction that explores the world of a "dew breaker", a torturer, a man whose brutal crimes in the country of his birth lie hidden beneath his new American reality.

Here is the original manuscript of Raymond Carver's seminal 1981 collection, What We Talk About When We Talk About Love. Carver is one of the most celebrated short-story writers in American literature - his style is both instantly recognizable and hugely influential - and the pieces in What We Talk About..., which portray the gritty loves and lives of the American working class, are counted among the foundation stones of the contemporary short story.

The 1925 New York edition of Ernest Hemingway’s In Our Time trails readers through the years before, during, and after World War I. The collection’s first two stories, “Indian Camp” and “The Doctor and the Doctor’s Wife,” introduce Hemingway’s semiautobiographical character Nick Adams as a child. In total, seven stories portray the young man’s coming of age. All fourteen, including interspersed vignettes, embody the themes that Hemingway would return to throughout his career: alienation, grief, loss, and separation, as well as the regenerative powers of nature.

With this, his first collection of stories, Raymond Carver breathed new life into the American short story and instantly became both the recognized master of the form and one of our best-loved fiction writers. Carver shows us the humor and tragedy that dwell in the hearts of ordinary people; his stories are the classics of our time.

A wonderful collection of stories that captures the spirit of Mexican culture and its peoples.

New Easy Rawlins mysteries—original short stories from the New York Times bestselling and award-winning mystery author. As Carolyn See said in The Washington Post Book World: "God bless the day that Walter Mosley created Easy Rawlins!" This handsome collection contains six interconnected stories. Fans can now add these original stories in Six Easy Pieces to their Walter Mosley library: "Smoke," "Crimson Stain," "Silver Lining," "Lavender," "Gato Green," "Gray-Eyed Death," and "Amber Gate."

Meet the women of American Housewife: They wear lipstick, pearls, and sunscreen, even when it's cloudy. They casserole. They pinwheel. They pump the salad spinner like it's a CPR dummy. And then they kill a party crasher, carefully stepping around the body to pull cookies out of the oven. These 12 irresistible stories take us from a haunted prewar Manhattan apartment building to the set of a rigged reality television show, from the unique initiation ritual of a book club to the getaway car of a pageant princess on the lam.

With the same unforgettable and distinctive prose on display in his other books, Airtight Willie & Me is further evidence that Iceberg Slim was an expert at capturing the language of the streets. Always compelling, sometimes funny, and often bleak, Slim gives us six slices of city life that will leave you thirsting for more.

Set in Soweto, the urban heartbeat of South Africa, Innards tells the intimate stories of everyday Black folks processing the savagery of apartheid with grit, wit, and their own distinctive bewildering humor. Rich with the thrilling textures of township language and life, it braids the voices and perspectives of an indelible cast of characters into a breathtaking collection flush with forgiveness, rage, ugliness, and beauty.

In the collection's title story, a pack of girls raised by wolves are painstakingly reeducated by nuns. In "Haunting Olivia", two young boys make midnight trips to a boat graveyard in search of their dead sister, who set sail in the exoskeleton of a giant crab. In "Sleepaway Camp for Disordered Dreamers", a boy whose dreams foretell implacable tragedies is sent to a summer camp for troubled sleepers (Cabin 1, Narcoleptics; Cabin 2, Sleep Apneics; Cabin 3, Somnambulists . . . ).